Tag Archives: SIFF Reviews

SIFF 2014: Kinderwald **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 24, 2014)

If Terrence Malick had directed The Blair Witch Project, it might resemble Lise Raven’s naturalistic period drama, set in the backwoods of 1850s Pennsylvania. The story centers on the reaction of a clannish pioneer community after two boys mysteriously vanish from their family’s encampment. While one gets a sense that the film was a labor of love for its creator, any noble intentions are undermined by a dull script and stilted acting. On the plus side, it is nicely photographed and imbued with period flavor; however, despite a compelling setup, the narrative itself wanders off and gets lost.

SIFF 2014: From Neurons to Nirvana: The Great Medicines **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 24, 2014)

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Now that medical science has validated the pharmacological benefits of cannabis, it’s time to kick it up a notch (pot being the “gateway drug” and all). Turn on, tune in, drop the Prozac…and legalize psychedelics. That’s the premise of Oliver Hockenhull’s thought-provoking (if somewhat lopsided) documentary, which is a cross between Altered States and What the Bleep Do We (k)now!?. Drawing from an array of scientists, religious scholars, psychiatrists, and practitioners, Hockenhull builds a compelling case for medicinal use. Worth a look, but I have one bone to pick. Any film that tackles this subject, yet neglects to make even a passing acknowledgement of McKenna, Leary or Owsley’s significance feels incomplete.

SIFF 2014: I Am Big Bird: The Caroll Spinney Story ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 24, 2014)

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I kept telling myself “I’m not gonna cry…it’s just a documentary about a man who has made a career out of walking around in a silly bird suit. And spreading joy to the world (*sniff*) and…and making millions of (*sniff*) little children so happy (waterworks now fully engaged). Spinney is the man who has been wearing that silly bird suit (and giving life to Oscar the Grouch as well) for over 40 years now.

There is so much sweetness and light emanating from the subject of Dave LaMattina and Chad Walker’s upbeat profile that he seems too good to be true. But even the film’s darkest Behind the Music interlude (a tragic incident when a murdered woman was discovered on his property) has a silver lining. The film left me feeling so positive that I can forgive its one rather distracting drawback: a cloying, overbearing music score.

SIFF 2014: Burt’s Buzz ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 24, 2014)

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What struck me about Jody Shapiro’s portrait of Burt’s Bees founder Burt Shavitz was not the story of how the roadside entrepreneur co-created and then ended up signing away ownership of a company now worth $900 million, but the fact that he could care less…as long as he’s got his dog and his modest farm. Perhaps it’s his philosophy, which goes like this: “It’s important to be able to separate one’s wants from one’s needs.”

SIFF 2014: Bad Hair **1/2

By Dennis Hartley

(Originally posted on Hullabaloo on May 17, 2014)

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This naturalistic drama from Venezuelan writer-director Mariana Rondon concerns a 9 year-old named Junior (Samuel Lange Zambrano) who lives in the rough-and-tumble tower blocks of Caracas with his mother Marta (Samantha Castillo) and baby brother. Impoverished and recently widowed, Marta scrapes out a meager living cleaning rich people’s homes. She desperately wants her old job back as a security guard, but her sleazebag ex-supervisor will help her get reinstated only if she agrees to sleep with him. Adding to her stress, Junior is becoming obsessed with his hair; he wants it straightened, to emulate his favorite pop singer. Most worrisome to Marta, he’s showing an “unmanly” interest in singing and dancing. The increasing tension between mother and son is about to boil over. Using equal parts character study and kitchen sink drama, Rondon metes out subtle social commentary about slum life, class struggle and machismo in Latin culture.

SIFF 2014: White Shadow ***

By Dennis Hartley

(Originally posted on Hullabaloo on May 17, 2014)

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Israeli director Noaz Deshe’s impressive, strikingly photographed debut is a character/cultural study about the travails of a young albino Tanzanian. There’s also a “ripped from the headlines” element; According to a 2013 U.N. report on human rights, there has been an escalation of horrifying attacks on albinos in Tanzania, because (there’s no delicate way to put this) their organs and body parts have become a high-demand commodity for witch doctors (who use them in rituals and potions). Such is the possible fate for Alias (Hamisi Bazili), sent by his mother to live with his uncle (James Gayo) after witnessing his father’s brutal murder. As if it wasn’t tough enough for bush-dwelling Alias to adjust to life in the big city, his uncle is in debt to gangsters. The subtext recalls Peter Weir’s The Last Wave; a modernized indigenous society struggling to shake off archaic superstitions without losing their sense of cultural identity.

SIFF 2014: Monsoon Shootout **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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Amit Kumar directs this Bollywood crime thriller, a tale of an idealistic rookie Mumbai cop (Vijay Varma) eager to prove his mettle to his partner (Neeraj Kabi), a cynical and world-weary veteran. He gets his chance when he finds himself in a do-or-die face-off with a notoriously slippery assassin nicknamed “The Axe Man”. To shoot, or not to shoot…that is the question. Whether ’tis nobler in the mind to suffer through a drawn out court trial, or to take arms, blow this pain-in-the-ass recidivist away now and get a promotion. Perchance to dream…and that’s where the film takes a clunky turn into Run Lola Run/Point Blank territory. Ay, there’s the rub; pedestrian execution of its central conceit puts the damper on an otherwise stylish effort.

SIFF 2014: Mirage Men ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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Remember the scene in Close Encounters of the Third Kind where Roy counters the government official’s spin with “You can’t fool us by agreeing with us”? Life imitates art in John Lundberg’s brain-teasing documentary. Along with screenwriter Mark Pilkington, he’s assembled a treatise suggesting the government did, in fact, “fool” UFO conspiracy theorists over the years by “agreeing” with them. And if you ask the film’s central player, ex-spook Richard C. Doty, he’s more than happy to confess that his prime directive as the Air Force’s chief liaison with the Roswell believers was two-fold: keep tabs on the higher-profile UFO buffs, whilst feeding them enough tantalizing disinformation to keep the mythology thriving. Unless…that’s what he wants us to think (hmm). That’s the conundrum that kept me hooked. Fans of The X-Files will dig this one.

SIFF 2014: Fight Church ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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Man goes in the cage. Cage goes in the arena. Preacher’s in the cage. Preacher says a prayer, the two men proceed to pound the holy crap out of each other, and the crowd goes wild. Sunday! SUNday!! SUNDAY!!! Elmer Gantry meets Beyond Thunderdome in this objective and fascinating doc directed by Daniel Junge and Bryan Storkel, which profiles several manly men of faith (MMA competitors all) who lead “fight ministries” (a growing trend). But…what about that whole “love thy neighbor” and “turn the other cheek” thing in the Bible? Well, if watching The Legend of Billy Jack taught us anything, it’s this: Do it in the name of Heaven, you can justify it in the end.

SIFF 2014: #chicagoGirl: The Social Network Takes on a Dictator ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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Not long ago, the MSM relegated social media to kickers about flash mobs, or grandpa’s first tweet. Then, the Arab Spring happened, precipitating the rise of the citizen journalist. Case in point: 19 year-old Ala’a Basatneh, subject of Joe Piscatella’s doc. The Damascus-born Chicagoan is a key player in the Syrian revolution, as in “key stroke”. It’s not just about Ala’a, but her compatriots in Syria, some who’ve made the ultimate sacrifice. Timely and moving.