Tag Archives: SIFF Reviews

SIFF 2014: White Shadow ***

By Dennis Hartley

(Originally posted on Hullabaloo on May 17, 2014)

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Israeli director Noaz Deshe’s impressive, strikingly photographed debut is a character/cultural study about the travails of a young albino Tanzanian. There’s also a “ripped from the headlines” element; According to a 2013 U.N. report on human rights, there has been an escalation of horrifying attacks on albinos in Tanzania, because (there’s no delicate way to put this) their organs and body parts have become a high-demand commodity for witch doctors (who use them in rituals and potions). Such is the possible fate for Alias (Hamisi Bazili), sent by his mother to live with his uncle (James Gayo) after witnessing his father’s brutal murder. As if it wasn’t tough enough for bush-dwelling Alias to adjust to life in the big city, his uncle is in debt to gangsters. The subtext recalls Peter Weir’s The Last Wave; a modernized indigenous society struggling to shake off archaic superstitions without losing their sense of cultural identity.

SIFF 2014: Monsoon Shootout **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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Amit Kumar directs this Bollywood crime thriller, a tale of an idealistic rookie Mumbai cop (Vijay Varma) eager to prove his mettle to his partner (Neeraj Kabi), a cynical and world-weary veteran. He gets his chance when he finds himself in a do-or-die face-off with a notoriously slippery assassin nicknamed “The Axe Man”. To shoot, or not to shoot…that is the question. Whether ’tis nobler in the mind to suffer through a drawn out court trial, or to take arms, blow this pain-in-the-ass recidivist away now and get a promotion. Perchance to dream…and that’s where the film takes a clunky turn into Run Lola Run/Point Blank territory. Ay, there’s the rub; pedestrian execution of its central conceit puts the damper on an otherwise stylish effort.

SIFF 2014: Mirage Men ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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Remember the scene in Close Encounters of the Third Kind where Roy counters the government official’s spin with “You can’t fool us by agreeing with us”? Life imitates art in John Lundberg’s brain-teasing documentary. Along with screenwriter Mark Pilkington, he’s assembled a treatise suggesting the government did, in fact, “fool” UFO conspiracy theorists over the years by “agreeing” with them. And if you ask the film’s central player, ex-spook Richard C. Doty, he’s more than happy to confess that his prime directive as the Air Force’s chief liaison with the Roswell believers was two-fold: keep tabs on the higher-profile UFO buffs, whilst feeding them enough tantalizing disinformation to keep the mythology thriving. Unless…that’s what he wants us to think (hmm). That’s the conundrum that kept me hooked. Fans of The X-Files will dig this one.

SIFF 2014: Fight Church ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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Man goes in the cage. Cage goes in the arena. Preacher’s in the cage. Preacher says a prayer, the two men proceed to pound the holy crap out of each other, and the crowd goes wild. Sunday! SUNday!! SUNDAY!!! Elmer Gantry meets Beyond Thunderdome in this objective and fascinating doc directed by Daniel Junge and Bryan Storkel, which profiles several manly men of faith (MMA competitors all) who lead “fight ministries” (a growing trend). But…what about that whole “love thy neighbor” and “turn the other cheek” thing in the Bible? Well, if watching The Legend of Billy Jack taught us anything, it’s this: Do it in the name of Heaven, you can justify it in the end.

SIFF 2014: #chicagoGirl: The Social Network Takes on a Dictator ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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Not long ago, the MSM relegated social media to kickers about flash mobs, or grandpa’s first tweet. Then, the Arab Spring happened, precipitating the rise of the citizen journalist. Case in point: 19 year-old Ala’a Basatneh, subject of Joe Piscatella’s doc. The Damascus-born Chicagoan is a key player in the Syrian revolution, as in “key stroke”. It’s not just about Ala’a, but her compatriots in Syria, some who’ve made the ultimate sacrifice. Timely and moving.

SIFF 2014: Regarding Susan Sontag ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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There’s much to regard in Nancy Kate’s enlightening documentary about the complex private and public life of the iconic intellectual polymath. Kate is deft at deconstructing, then reassembling all of the “Susan Sontags” (cultural critic, activist, feminist pioneer, provocateur) into a rich portrait. Great archival footage; in my favorite clip Sontag cleans the floor with some wingnut who questions her “patriotism” for her pragmatic essay about the 9/11 attacks (we could sure use her now).

 

SIFF 2014: Jimi: All is By My Side **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

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John Ridley’s biopic focuses on Jimi Hendrix’s formative “London period”, just prior to his super-stardom. Outkast guitarist Andre Benjamin uncannily captures Hendrix’s mannerisms, and the Swinging Sixties are recreated with verisimilitude, but it’s more soap than rock opera. Glaring absence of original Hendrix music is a minus (the filmmakers couldn’t get the rights). Adding to the deficit, the movie feels like an unfinished project,  because it ends rather abruptly. Then again, so did Jimi’s journey.

SIFF 2013: Big Star: Nothing Can Hurt Me ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2013)

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Founded in 1971 by singer-guitarist Chris Bell and ex-Box Tops lead singer/guitarist Alex Chilton, the Beatle-esque Big Star was a musical anomaly in their hometown of Memphis, which was only the first of many hurdles this talented band was to face during their brief, tumultuous career. Now considered one of the seminal influences on the power pop genre, the band was largely ignored by record buyers during their heyday (despite critical acclaim from the likes of Rolling Stone). Then, in the mid-1980s, a cult following steadily began to build around the long-defunct outfit after college radio darlings like R.E.M., the Dbs and the Replacements began lauding them as an inspiration. In this fine rockumentary, director Drew DeNicola also tracks the lives of the four members beyond the 1974 breakup, which is the most riveting (and heart wrenching) part of the tale. Pure nirvana for power-pop aficionados.

SIFF 2013: Furever **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2013)

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Furever is a mildly engaging look at the peculiarly American obsession with memorializing pets once they have passed on. I say “mildly engaging” because this ground has been pretty well covered (no pun intended), most notably in Errol Morris’ classic 1978 documentary Gates of Heaven. Still, director Amy Finkel takes a fairly comprehensive approach, interviewing bereaved pet owners, psychologists and of course the people in the industry who make some pretty good coin off of other people’s grief (yeah, I know…I’m a cynical bastard). The film runs out of steam when you realize that it’s making the same point over and over, but inevitably piques morbid interest when it focuses on the extreme examples (like folks who have their dead “loved ones” stuffed).

SIFF 2013: We Steal Secrets ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2013)

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For his timely political doc We Steal Secrets: The Story of WikiLeaks, director Alex Gibney sets out not only to construct a “people’s history” of the whistle-blowing website, but ambitiously aims to deconstruct the Sphinx that is founder Julian Assange.

As to the first goal, Gibney scores, on count two, not so much; Assange remains a bit of a cypher. Still, Assange is only half the equation here. The real heart and soul of the film is the story of Pvt. Bradley Manning, who allegedly leaked 700,000 government documents and pieces of classified military information to the site (his court martial begins Monday; although you wouldn’t know it from watching CNN, who are otherwise abuzz with all their pre-game coverage of the Zimmerman trial).

While he was unable to interview Manning, Gibney weaves in transcripts of email exchanges Manning had with hacker Adrian Lamo to paint a very moving, human portrait of this young man who (like Assange) is hero to some, “traitor” to others. Regardless of where you stand on that issue, this is essential viewing and could the most important American film of 2013.