By Dennis Hartley
(Originally posted on Digby’s Hullabaloo on April 18, 2020)
Normally, right about now I would be submitting for my press credentials to cover one of the largest film festivals in the country. But as you are aware, these are not normal times.
I’ve covered the Seattle International Film Festival for Hullabaloo since 2006. Over that 14 year period I’ve reviewed over 200 SIFF films. So I thought I’d comb my archives and curate a “Best of SIFF” festival that doesn’t require leaving the safety of your abode.
So welcome to Week 2 of VIFF! These 10 fine selections are all available via streaming:
Bad Black (Amazon Prime Video, tubi) – Some films defy description. This is one of them. Yet…a guilty pleasure. Written, directed, filmed, and edited by Ugandan action movie auteur Nabwana I.G.G.at his self-proclaimed “Wakaliwood studios” (essentially his house in the slums of Wakaliga), it’s best described as Kill Bill meets Slumdog Millionaire, with a kick-ass heroine bent on revenge. Despite a low budget and a high body count, it’s winningly ebullient and self-referential, with a surprising amount of social realism regarding slum life packed into its 68 minutes. The Citizen Kane of African commando vengeance flicks. (Full review)
Becoming Who I Was (Amazon Prime Video) – Until credits rolled for this South Korean entry by co-directors Chang-Yong Moon and Jeon Jin, I was unsure whether I’d seen a beautifully cinematic documentary, or a narrative film with amazingly naturalistic performances. Either way, I experienced the most compassionate, humanist study this side of Ozu.
Turns out, it’s all quite real, and an obvious labor of love by the film makers, who went to Northern India and Tibet to document young “Rinpoche” Angdu Padma and his mentor/caregiver for 8 years as they struggle hand to mouth and strive to fulfill the boy’s destiny (he is believed to have been a revered Buddhist teacher in a past life). A moving journey (in both the literal and spiritual sense) that has a lot to say about the meaning of love and selflessness. (Full review)
Big Star: Nothing Can Hurt Me (Amazon Prime Video) – Founded in 1971 by singer-guitarist Chris Bell and ex-Box Tops lead singer/guitarist Alex Chilton, the Beatle-esque Big Star was a musical anomaly in their hometown of Memphis, which was only the first of many hurdles this talented band was to face during their brief, tumultuous career. Now considered one of the seminal influences on the genre, the band was largely ignored by record buyers during their heyday (despite critical acclaim from the likes of Rolling Stone).
Then, in the mid-1980s, a cult following steadily began to build around the long-defunct outfit after college radio darlings like R.E.M., the Dbs and the Replacements began lauding them as an inspiration. In this fine rockumentary, director Drew DeNicola also tracks the lives of the four members beyond the 1974 breakup, which is the most riveting (and heart wrenching) part of the tale. Pure nirvana for power-pop aficionados. (Full review)
Endless Poetry (Amazon Prime Video) – Ever since his 1970 Leone-meets-Fellini “western” El Topo redefined the meaning of “WTF?”, Chilean film maker/poet/actor/composer/comic book creator Alejandro Jodorowsky has continued to push the creative envelope.
Endless Poetry, the second part of a “proposed pentalogy of memoirs”, follows young Alejandro (played by the director’s son Adan, who also composed the soundtrack) as he comes into his own as a poet. Defying his nay-saying father, he flees to Santiago and ingratiates himself with the local bohemians. He caterwauls into a tempestuous relationship with a redheaded force of nature named Stella. What ensues is the most gloriously over-the-top biopic since Ken Russell’s The Music Lovers. This audacious work of art not only confirms that its creator has the soul of a poet, but stands as an almost tactile evocation of poetry itself. (Full review)
Home Care (Amazon Prime Video, iTunes) – The “Kubler-Ross Model” postulates that there are five distinct emotional stages humans experience when brought face-to-face with mortality: denial, anger, bargaining, depression, and acceptance. All five are served up with a side of compassion, a dash of low-key anarchy and a large orange soda in this touching dramedy from Czech director Slavek Horak.
An empathic, sunny-side-up Moravian home care nurse (Alena Mihulova) is so oriented to taking care of others that when the time comes to deal with her own health crisis, she’s stymied. A deft blend of family melodrama and gentle social satire. Mihulova and Boleslav Polivka (as her husband) are an endearing screen couple. The stories we’ve been hearing about the selflessness of health care workers who are on the front lines of the current Covid-19 pandemic adds a new level of poignancy to Horak’s film. (Full review)
Mekko (Amazon Prime Video) – Director Sterlin Harjo’s tough, lean, neorealist character study takes place in Tulsa, Oklahoma. Rod Rondeaux (Meek’s Cutoff) is outstanding as the eponymous character, a Muscogee Indian who gets out of jail after 19 years of hard time. Bereft of funds and family support, he finds tenuous shelter among the rough-and-tumble “street chief” community of homeless Native Americans as he sorts out how he’s going to get back on his feet. Harjo coaxes naturalistic performances from his entire cast. There’s more going on here than initially meets the eye; namely, a deeper examination of Native American identity, assimilation and spirituality in the modern world. (Full review)
Polisse (YouTube, iTunes) – A docudrama-style police procedural in the tradition of Jules Dassin’s Naked City. You do have to pay very close attention, however, because it seems like there are about 8 million stories (and just as many characters) crammed into the 127 minutes of French director Maiwenn’s complex film.
Using a clever “hall of mirrors” device, the director casts herself in the role of a “fly on the wall” photojournalist, and it is through this character’s lens that we observe the dedicated men and women who work in the Child Protective Unit arm of the French police. As you can imagine, these folks are dealing with the absolute lowest of the already lowest criminal element of society, day in and day out, and it does take its psychic toll on them.
Still, there’s a surprising amount of levity sprinkled throughout Maiwenn’s dense screenplay (co-written by Emmanuelle Bercot), which helps temper the heartbreak of seeing children in situations that they would never have to suffer through in a just world. The film fizzles a bit at the end, and keeping track of all the story lines is challenging, but it’s worthwhile, with remarkable performances from the ensemble (it won the Jury Prize at Cannes in 2011). (Full review)
The Rocket (Amazon Prime Video) – Australian writer-director Kim Mordaunt tells the story of Ahlo (Sitthiphon Disamoe, in a remarkable performance), a 10-year old Laotian boy who can’t catch a break. In rapid succession, a member of his family dies in a freak accident and then the surviving members are forced to relocate after their village gets earmarked for razing to make way for a hydroelectric project. Ahlo’s dour grandma labels him as a “bad luck charm”. Determined to redeem his standing, Ahlo sets out to win an annual Rocket Competition. Mourdaunt has a Terrence Malick-like penchant for gorgeous “magic hour” composition; perfectly capturing the dichotomy of UXBs and battle-scarred ruins as they contrast with Laos’ lush, rugged natural beauty. (Full review)
Ryuichi Sakamoto: Coda (iTunes) – There’s a wonderful moment of Zen in Stephen Nomura Schible’s documentary where his subject, Japanese composer Ryuichi Sakamoto, after much experimentation with various “found” sounds, finally gets the “perfect” tonality for one single note of a work in progress. “It’s strangely bright,” he observes, with the delighted face of a child on Christmas morning, “but also…melancholic.”
One could say the same about Schible’s film; it’s strangely bright, but also melancholic. You could also say it is but a series of such Zen moments; a deeply reflective and meditative glimpse at the most intimate workings of the creative process. It’s also a document of Sakamoto’s quiet fortitude, as he returns to the studio after taking a hiatus to engage in anti-nuke activism and to battle his cancer. A truly remarkable film. (Full review)
This May Be the Last Time (Amazon Prime Video) –Did you know that the eponymous Rolling Stones song shares the same roots with a venerable Native-American tribal hymn, that is still sung in Seminole and Muscogee churches to this day? While that’s far from the main thrust of Sterlin Harjo’s documentary, it’s but one of its surprises.
This is two films in one; both family memoir and academic study. Harjo investigates a story concerning the disappearance of his Oklahoman Seminole grandfather in 1962. After a perfunctory search by local authorities turned up nothing, tribal members pooled their resources and continued to look. Some members of the search party kept up spirits by singing traditional Seminole and Muscogee hymns…which inspires the second layer of Harjo’s film.
Through interviews with tribal members and musicologists, Harjo traces the roots of this unique genre, connecting the dots between the hymns, African-American spirituals, Scottish and Appalachian music. The film doubles as a fascinating history lesson, as well as a moving personal journey. (Full review)
…one more thing
Good news-You can catch first-run indie films from home… via SIFF’s virtual cinema:
Due to the unfortunate circumstances surrounding COVID-19, our Cinemas are temporarily closed and the 46th annual Seattle International Film Festival has been canceled. SIFF will be on hiatus for the next few months while a small team takes care of SIFF’s assets and plans for the eventual reopening of SIFF.
In the meantime, we’re pleased to be working with distributors to bring you virtual screenings of new independent films. Stay home, stay healthy, and support SIFF with Virtual SIFF Cinema!
On each film detail page, you’ll find a link to the distributor’s screening portal where you’ll be able to rent the film and begin watching. As part of the revenue goes directly back to SIFF, this is a great way to support us during this time and see new films!
…and this just in!
Another cancelled 2020 film festival that has devised “virtual” solutions for carrying on is Tribeca. While the physical event has been scrapped (for obvious reasons), the organizers are keeping the spirit and mission of the annual event alive by offering film fans worldwide access to select programming specially curated for online viewing, from April 17 through April 26. From the Festival’s April 3rd press release:
…we wanted to move as fast as possible to bring some of our programming from the festival to audiences worldwide. Tribeca Immersive’s audience-facing Cinema360 (in partnership with Oculus) features 15 VR films, curated into four 30-40 minute programs. The public will be able to access Cinema360 via Oculus TV, for Oculus Go and Oculus Quest. The millions of people who own Oculus headsets will be able to participate in this unique programming from home. Tribeca is one of the first and only festivals to introduce this curated immersive experience to consumers.
[…] “As human beings, we are navigating uncharted waters,” said Tribeca Enterprises and Tribeca Film Festival Co-Founder and CEO Jane Rosenthal. “While we cannot gather in person to lock arms, laugh, and cry, it’s important for us to stay socially and spiritually connected. Tribeca is about resiliency, and we fiercely believe in the power of artists to bring us together. We were founded after the devastation of 9/11 and it’s in our DNA to bring communities together through the arts.”
Want to dive in now? A Short Film a Day Keeps Anxiety Away is a fun place to start!
In support of the filmmakers, Tribeca is also providing accredited press access to some of this year’s selections (features and shorts). I’m happy to report I have been granted access, so starting next Saturday, I’ll be sharing some reviews of new films to keep an eye out for in the near future. In the meantime, check out the Tribeca Film Festival website for more info.