Category Archives: Cult Movie

Creepy lodgers and seedy inns: 10 worst places to stay in the movies

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on October 26, 2019)

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“People come, people go. Nothing ever happens.” So says a character in the 1932 film Grand Hotel. Obviously, he never lodged in any of the dubious caravansaries on tonight’s top 10 list, where one-star Yelp ratings go beyond bad room service or a fly in the soup. So for a spooky Halloween movie night, I triple dog dare you to check in to one of these flops! As usual, I listed them alphabetically, not by ranking.

Enjoy your stay…?

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The film: Barton Fink

Where not to stay: The Hotel Earle

This is one of two films on my list involving blocked writers and eerie hotels (I’ll entertain anyone’s theory on why they seem to go hand-in-hand).

The Coen brothers bring their usual blend of gleeful cruelty and ironic detachment into play in this tale (set in the 1940s) that follows the travails of an angst-ridden New York playwright (John Turturro) who wrestles with his conscience after reluctantly accepting an offer from a Hollywood studio to move to L.A. and grind out screenplays for soulless formula films. Thanks to some odd goings-on at his hotel, that soon becomes the least of his problems.

The film is a close cousin to Day of the Locust, although perhaps slightly less grotesque and more darkly funny. John Goodman and Judy Davis are also on hand, and in top form.

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The film: Fear and Loathing in Las Vegas

Where not to stay: The Mint Hotel

Okay, so the hotel in this one isn’t so bad. It’s the behavior going on in one of the rooms:

When I came to, the general back-alley ambience of the suite was so rotten, so incredibly foul. How long had I been lying there? All these signs of violence. What had happened? There was evidence in this room of excessive consumption of almost every type of drug known to civilized man since 1544 AD… These were not the hoof prints of your average God-fearing junkie. It was too savage. Too aggressive.

Terry Gilliam’s manic, audience-polarizing adaptation of Hunter S. Thompson’s classic blend of gonzo journalism and hilariously debauched, anarchic invention may be too savage and aggressive for some, but it’s one of those films I am compelled to revisit on an annual basis. Johnny Depp’s turn as Thompson’s alter-ego, Raoul Duke, is one for the ages. My favorite line: “You’d better pray to God there’s some Thorazine in that bag.”

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The film: Key Largo

Where not to stay: The Largo Hotel

Humphrey Bogart stars as a WW2 vet who drops by a Florida hotel to pay his respects to its proprietors- the widow (Lauren Bacall) and father (Lionel Barrymore) of one of the men who had served under his command. Initially just “passing through”, he is waylaid by a convergence of two angry tempests: an approaching hurricane and the appearance of notorious gangster Johnny Rocco (Edward G. Robinson) and his henchmen.

Rocco takes the hotel residents hostage while they all ride out the storm. It’s interesting to see Bogie play a gangster’s victim for a change (in The Petrified Forest, and later on in one of his final films, The Desperate Hours, he essentially played the Edward G. Robinson character). The acting is superb. Along with The Maltese Falcon and The Asphalt Jungle, it’s one of John Huston’s finest contributions to the classic noir cycle.

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The film: The Lodger: A Story of the London Fog

Where not to stay: Mrs. Bunting’s Lodging House

Mrs. Bunting is a pleasant landlady and all, but we’re not so sure about her latest boarder. There’s a possibility that he is “The Avenger”, a brutal serial killer who is stalking London. Ivor Novello plays the gentleman in question, an intense, brooding fellow with a vaguely menacing demeanor. Is he or isn’t he? No worries, I’m not going to spoil it for you!

This suspense thriller has been remade umpteen times over the last eight decades, but IMHO none of them can touch Hitchcock’s 1927 silent for atmosphere and mood. Novello later did a reprise of the role of the mysterious lodger in Maurice Elvey’s 1932 version.

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The film: Motel Hell

Where not to stay: Motel Hello

OK, all together now (you know the words!): “It takes all kinds of critters…to make Farmer Vincent’s fritters!” Rory Calhoun gives a sly performance as the cheerfully psychotic Vincent Smith, proprietor of the Motel Hello (oh my, there seems to be an electrical short in the neon “O”. Bzzzt!). Funny thing is, no one ever seems to check in (no one certainly ever checks out). Vincent and his oddball sister (Nancy Parsons) prefer to concentrate on the, ah, family’s “world-famous” smoked meat business.

Despite the exploitative horror trappings, Kevin Conner’s black comedy (scripted by brothers Steven-Charles and Robert Jaffe) is a surprisingly smart genre spoof and well-made. The finale, involving a swashbuckling duel with chainsaws, is pure twisted genius.

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The film: Mystery Train

Where not to stay: The Arcade Hotel

Elvis’ ghost shakes, rattles and rolls (literally and figuratively) all throughout Jim Jarmusch’s culture clash dramedy/love letter to the “Memphis Sound”. In his typically droll and deadpan manner, Jarmusch constructs a series of episodic vignettes that loosely intersect at a seedy hotel.

You’ve gotta love any movie that features Screamin’ Jay Hawkins as a night concierge. Also be on the lookout for music legends Rufus Thomas and Joe Strummer, and you will hear the mellifluous voice of Tom Waits on the radio (undoubtedly a call back to his DJ character in Jarmusch’s previous film, Down by Law).

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The film: The Night of the Iguana

Where not to stay: The Hotel Costa Verde

Director John Huston and co-writer Anthony Veiller adapted this sordid, blackly comic soaper from Tennessee Williams’ stage play about a defrocked minister (Richard Burton) who has expatriated himself to Mexico, where he has become a part-time tour guide and a full-time alcoholic.

One day he goes off the deep end, and shanghais a busload of Baptist college teachers to an isolated, rundown hotel run by an “old friend” (Ava Gardner). Add a sexually precocious teenager (Sue Lyon, recycling her Lolita persona) and a grifter with a prim and proper exterior (Deborah Kerr), and stir.

Most Tennessee Williams archetypes are present and accounted for: dipsomaniacs, nymphets, repressed lesbians, and neurotics of every stripe. The bloodletting is mostly verbal, but mortally wounding all the same. Burton and Kerr are great, as always. I think this is my favorite Ava Gardner performance; she’s earthy, sexy, heartbreaking, intimidating, and endearingly girlish-all at once.

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The film: The Night Porter

Where not to stay: The Hotel zur Oper

Director Liliana Cavani uses a depiction of sadomasochism and sexual politics as an allusion to the horrors of Hitler’s Germany in this dark 1974 drama. Dirk Bogarde and Charlotte Rampling are broodingly decadent as a former SS officer and a concentration camp survivor, respectively, who are entwined in a twisted, doomed relationship years after WW2. You’d have to search high and low to find two braver performances than Bogarde and Rampling give here.

I think the film has been misunderstood over the years; it frequently gets lumped in with (and is dismissed as) Nazi kitsch exploitation fare like Ilsa, SheWolf of the SS or Salon Kitty. Disturbing, repulsive…yet weirdly mesmerizing.

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The film: Psycho

Where not to stay: Bates Motel

Bad, bad Norman. Such a disappointment to his mother. “MOTHERRRR!!!” Poor, poor Janet Leigh. No sooner had she recovered from her bad motel experience in Touch of Evil than she found herself checking in to the Bates and having a late dinner in a dimly lit office, surrounded by Norman’s creepy taxidermy collection. And this is only the warmup to what director Alfred Hitchcock has in store for her later that evening.

This brilliant shocker from the Master has spawned so many imitations, I long ago lost count. Anthony Perkins sets the bar pretty high for all future movie psycho killers. Anyone for a shower?

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The film: The Shining

Where not to stay: The Overlook Hotel

“Hello, Danny.” It has been said that Stephen King hated Stanley Kubrick’s adaptation of his sprawling novel about a family of three who hole up in an isolated Rocky Mountain hotel for the winter. Well-that’s his personal problem. I think this is the greatest “psychological” horror film ever made…period (OK that’s a bit hyperbolic-perhaps we can call it “a draw” with Polanski’s Repulsion).

Anyway…Jack Nicholson discovers that all work and no play make Jack a dull boy. Jack Nicholson discovers that all work and no play make Jack a dull boy. Jack Nicholson discovers that all work and no play make Jack a dull boy. Jack Nicholson discovers that all work and no play make Jack a dull boy, etc.

Happy Halloween!

 

Blu-ray reissue: Zachariah (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 13, 2019)

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Zachariah – Kino-Lorber

Originally billed as “the first electric western”, George Englund’s 1971 curio barely qualifies as a “western”, but it certainly is plugged in, turned-on and far out, man.

Perhaps a more apt title would have been “Billy the Kid vs Siddhartha”. No, seriously-it is (allegedly) based on Herman Hesse’s classic. Well, there is a protagonist, and he does go on a journey…but that’s where the similarities end. Still, I think it’s a hoot, with a screenplay concocted by members of The Firesign Theater (who later fled in horror from the finished product). It does have its moments; mostly musical.

My favorite scene features the original James Gang (Joe Walsh, Dale Peters and Jim Fox) rocking out in the middle of the desert as our hero (John Rubinstein) makes his grand entrance (it presages a scene in Blazing Saddles, where Sherriff Bart tips his hat to Count Basie and orchestra as they perform amidst the sagebrush). Also look for Country Joe and the Fish and fiddler Doug Kershaw. Don Johnson co-stars. Not for all tastes, but cult movie buffs will enjoy it.

Great transfer and enlightening new interview with Rubinstein.

Blu-ray reissue: Stranger Than Paradise (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 13, 2019)

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Stranger Than Paradise – Criterion Collection

With this 1984 indie classic, Jim Jarmusch established his formula of long takes and deadpan observances on the inherent silliness of human beings. John Lurie stars as Willie, a brooding NYC slacker who spends most of his time hanging and bickering with his buddy Eddie (Richard Edson).

Enter Eva (Eszter Balint), Willie’s teenage cousin from Hungary, who appears at his door. Eddie is intrigued, but misanthropic Willie has no desire for a new roommate, so Eva decides to move in with Aunt Lotte (Cecillia Stark), who lives in Cleveland. Sometime later, Eddie convinces Willie that a road trip to Ohio might help break the monotony. Willie grumpily agrees, and they’re off to visit Aunt Lotte and Eva. Much low-key hilarity ensues.

Future director Tom DiCillo did the black and white photography, evoking strange beauty in the stark, wintry, industrial flatness of Cleveland and environs.

Criterion’s restoration is beautiful. Extras include commentary by Jarmusch and Edson, and Jarmusch’s 1980 color feature debut Permanent Vacation (also restored).

Blu-ray reissue: Hedwig and the Angry Inch (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 13, 2019)

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Hedwig and the Angry Inch – Criterion Collection

It’s your typical love story. A German teen named Hansel (John Cameron Mitchell) falls for a G.I., undergoes a less than perfect sex change so they can marry, and ends up seduced and abandoned in a trailer park somewhere in Middle America. The desperate Hansel opts for the only logical way out…he creates an alter-ego named Hedwig, puts a glam-rock band together, and sets out to conquer the world. How many times have we heard that tired tale?

But seriously, this is an amazing tour de force by Mitchell, who not only acts and sings his way through this entertaining musical like nobody’s business, but directed and co-wrote (with composer Steven Trask, with whom he also co-created the original stage version). Criterion’s image and audio quality is outstanding; extras are plentiful and enlightening.

Blu-ray reissue: The Atomic Cafe (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 6, 2019)

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The Atomic Cafe – Kino-Lorber Blu-ray

This cautionary 1982 documentary was written and directed by Jayne Loader, Pierce Rafferty and Kevin Rafferty; a cleverly assembled mélange of footage culled from U.S. government propaganda shorts from the Cold War era. In addition to the Civil Defense campaigns (like the classic “duck and cover” tutorials) the filmmakers also draw from military training films. Harrowing, perversely entertaining, and timely as ever… it’s a must-see for anyone who cares about the future of humanity.

Image quality of this 16mm production is excellent (be aware that not all the source archival footage has been restored, per se). Extras include a 2018 interview with the 3 co-directors, plus full-length versions of 11 vintage government propaganda shorts.

SIFF 2019: The Legend of the Stardust Brothers (**)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

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Billed as “a lost gem of 1980s Japanese cinema”, this alleged cult film is an example of why some lost gems are perhaps best-left “lost” (you know…like Bilbo’s goddam ring). Then again, perhaps I wasn’t in the right mood (or under the influence of the right “enhancement”) to experience the sway it apparently holds over some midnight movie enthusiasts. Granted, there are moments of campy fun in this tale of a new wave duo’s rise and fall, but overall it’s a psychedelic train wreck. The original songs are gratingly awful…kind of a deal breaker for a musical.

Blu-ray reissue: King of Hearts ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 15, 2018)

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King of Hearts – Cohen Film Collection/Sony Blu-ray

The utter madness of war has rarely been conveyed in such a succinct (or oddly endearing) manner as in Philippe de Broca’s absurdist adult fable. Alan Bates stars as a WW1 Scottish army private sent ahead of his advancing company to a rural French village, where he is to locate and disarm a bomb that has been set by retreating Germans.

His mission is interrupted when he is suddenly set upon by a coterie of loopy and highly theatrical residents who (literally) sweep him off his feet and jovially inform him he is now their “king”. These happy-go-lucky folks are, in fact, inmates of the local asylum, who have occupied the town since the residents fled. The battle-weary private decides to humor them, in the meantime brainstorming how he can coax them out of harm’s way before the war inevitably intrudes once again.

It’s wonderful to have a newly-restored 4K scan of this cult favorite, which has been previously difficult to track down on home video. Extras include a feature-length commentary track by film critic Wade Major, a new conversation with the film’s leading lady Genevieve Bujold, and a new conversation with cinematographer Pierre Lhomme.

Blu-ray reissue: Escape from New York ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 15, 2018)

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Escape From New York – Studio Canal Blu-ray (Region “B”)

John Carpenter directed this 1981 action-thriller set in the dystopian near-future of 1997 (ah, those were the days). N.Y.C. has been converted into a penal colony. Air Force One has been downed by terrorists, but not before the POTUS (Donald Pleasence) bails in his escape pod, which lands in Manhattan, where he is kidnapped by “inmates”. The police commissioner (ever squinty-eyed Lee van Cleef) enlists the help of Snake Plissken (Kurt Russell), a fellow war vet who is now one of America’s most notorious criminals.

Imaginative, darkly funny and entertaining, despite an obviously limited budget. Carpenter and co-writer Nick Castle even slip in a little subtext of Nixonian paranoia. Also with Ernest Borgnine, Adrienne Barbeau, Isaac Hayes (the Duke of N.Y.!), and Harry Dean Stanton (stealing all his scenes as “Brain”). Carpenter also composed the memorable theme song.

Boy, is this new sharp 4K scan ever a wondrous gift to fans of the film! This is probably the 3rd (or 4th?) dip I’ve made over the years; all previous DVD and Blu-ray editions have suffered from transfers so dark and murky that I’ve spent every screening squinting like Lee Van Cleef as I attempt to make out details. Granted, it’s nearly all night shots for the exteriors, but I have never seen the film looking so…film-like (outside a theater). Cinematographer Dean Cundey approved the restoration and color grading, and it shows.

Studio Canal’s new edition features 3 audio commentaries to choose from, and several featurettes and interviews with cast members. I haven’t been able to track down any information on a domestic (Region “A”) Blu-ray release; but given the popularity of the film I’m sure one is in the pipeline (this review is based on the Region “B” version only).

Spirits in the night: John Carpenter’s The Fog [re-release] (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on October 27th, 2018)

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Just in time for Halloween, a 4K restoration of John Carpenter’s 1980 chiller The Fog debuts this weekend in select cities. Carpenter’s follow-up to his surprise 1978 low-budget horror hit Halloween didn’t conjure up quite the same degree of enthusiasm from film-goers and critics, but still did respectable box office and has become a cult favorite.

Set in the sleepy hamlet of Antonio Bay on the California coast, the film opens with a crusty old salt (the great John Houseman) holding court around a campfire scaring the bejesus out of children with a local legend about a mysterious 19th-Century shipwreck on nearby rocks. This happens to be the eve of the 100th anniversary of the incident; the codger hints at portents of imminent phantasmagorical vengeance. ‘Night, kids-sleep tight! Enter a winsome, free-spirited hitchhiker (Jamie Lee Curtis) who catches a ride into Antonio Bay with one of the locals (Tom Atkins), just in time to see a dense, eerily glowing fog roll into town at the stroke of midnight (rarely a good sign). Mayhem ensues.

As is the case in most of Carpenter’s oeuvre, narrative takes a back seat to suspense and atmosphere. In another Carpenter trademark (and ongoing nod to one of his Hollywood heroes Howard Hawks), there’s more character development than you find in contemporary horror fare, which tends to emphasize shock and gore. The film isn’t gore-free, but (cleverly) it’s more aurally than visually graphic; which showcases the craft of the Foley artists and sound engineers (as much of the action literally takes place in a fog).

It’s not Carpenter’s crown jewel (which for me is Escape from New York), but it gave me a few jumps and a guilty twinge of 80s nostalgia. The cast is game, especially 80s scream queen (and Mrs. Carpenter at the time) Adrienne Barbeau as a late-night radio DJ who broadcasts from an old lighthouse. I also enjoyed watching the Hollywood royalty on board (Houseman, Curtis’ mom Janet Leigh, and Hal Holbrook) doing their best to lend gravitas to the proceedings (which they must have had a tough time taking too seriously).

Due to technical limitations, the preview copy I watched was not in true 4K format, but it was the newly restored version, which highlights striking work by cinematographer Dean Cundey (Halloween, Escape from New York, The Thing, Romancing the Stone, Back to the Future, Who Framed Roger Rabbit, Jurassic Park, et.al.) and is a noticeable upgrade over murky, faded prints that I’ve seen circulating on cable and home video for years. I imagine that on the big screen, you can nearly make out what’s lurking in the mist now…

Blu-ray reissue: Liquid Sky (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on August 11, 2018)

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A diminutive, parasitic alien (who seems to have a particular delectation for NYC club kids, models and performance artists) lands on an East Village rooftop and starts mainlining off the limbic systems of junkies and sex addicts…right at the moment that they, you know…reach the maximum peak of pleasure center stimulation (I suppose that makes the alien a dopamine junkie?). Just don’t think about the science too hard.

The main attraction here is the inventive photography and the fascinatingly bizarre performance (or non-performance) by (co-screen writer) Anne Carlisle, who tackles two roles-a female fashion model who becomes the alien’s primary host, and a male model. Director Slava Zsukerman co-wrote the electronic music score.

This 1982 space oddity has been long overdue for a decent home video transfer, and Vinegar Syndrome gets an A+ for its 4K Blu-ray restoration (devotees like yours truly were previously stuck with a dismal DVD release that, while sold “legitimately”, screams “bootleg”). Extras include commentary track by director Zsukerman, plus a 50-minute “making of” documentary, a new interview with star Carlisle, outtakes, and much more.