By Dennis Hartley
It seems like a good time to re-post this one. Ocean waves, Bob. -D.H.
(Originally posted on Digby’s Hullabaloo on February 4, 2023)
Dee: Jane, do you ever feel like you are just this far from being completely hysterical twenty-four hours a day?
Jane: Half the people I know feel that way. The lucky ones feel that way. The rest of the people ARE hysterical twenty-four hours a day.
— from Grand Canyon, screenplay by Lawrence and Meg Kasdan
HAL 9000: Look Dave, I can see you’re really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over.
— from 2001: A Space Odyssey, screenplay by Stanley Kubrick and Arthur C. Clarke
George Fields: [to Dorothy/Michael] I BEGGED you to get therapy!
— from Tootsie, screenplay by Murray Schisgal
As if the mid-winter blues weren’t enough, there’s been an odd confluence of celestial events recently – a close encounter with a hurtling asteroid, an eerie green comet lighting up the night skies, and the mysterious appearance of a high altitude “spy balloon” the size of three metro buses that has the conspiracy nuts twisting themselves into pretzels. Not that I believe in heavenly portents, but I am feeling the need for some “cinema therapy” right about now.
With that in mind, here are 12 films I’ve watched an unhealthy number of times; the ones I’m most likely to reach for when I’m depressed, anxious, uncertain about the future…or all the above. These films, like my oldest and dearest friends, have never, ever let me down. Take one or two before bedtime; cocktail optional.
Black Orpheus – Marcel Camus directed this mesmerizing 1959 film, a modern spin on a classic Greek myth. Fueled by the pulsing rhythms of Rio’s Carnaval and tempered by the gentle sway of Luiz Bonfa and Antonio Carlos Jobim’s samba soundtrack, Black Orpheus fully engages the senses. Camus and Jacques Viot adapted the screenplay from the play by Vinicius de Moraes.
Handsome tram operator Orfeo (Breno Mello) is engaged to vivacious Mira (Lourdes de Olivera) but gets hit by the thunderbolt when he meets sweet, innocent Eurydice (Marpessa Dawn). As in most romantic triangles, things get complicated, especially when Mr. Death (Ademar da Silva) starts lurking about the place.
You may be scratching your head as to why I’m “comforted” by a story based on a Greek tragedy; but Black Orpheus is graced by one of the most beautiful, life-affirming denouements in cinema; which always assures me that everything is going to be alright.
The Dish – This 2000 Australian sleeper dramatizes the story behind the live televised images of Neil Armstrong setting foot on the moon in 1969. The worldwide broadcast was facilitated by a tracking station located on a sheep farm in New South Wales.
Quirky characters abound in Rob Sitch’s culture-clash comedy (reminiscent of Bill Forsyth’s Local Hero). It’s not all played for yucks; the re-enactment of the telecast is genuinely stirring. Sam Neill heads a fine cast. Director Sitch and co-writers Santo Cilauro, Tom Gleisner, and Jane Kennedy also collaborated on the charming 1997 dramedy The Castle (recommended!).
Diva – Jean-Jacques Beineix’s 1981 cult fave kicked off a sub-genre labelled Cinéma du look (e.g. Beineix’s Betty Blue, and Luc Besson’s Subway, La Femme Nikita, and Leon the Professional).
Our unlikely antihero is mild-mannered postman Jules (Frédéric Andréi), a 20-something opera fan obsessed with a Garbo-like diva (American soprano Wilhelmenia Wiggins Fernandez). She has never recorded a studio album and stipulates that her live performances are never to be taped and/or reproduced in any medium.
An enraptured Jules attends one of her concerts and makes a high-quality recording, for his own edification. By pure chance, a pair of nefarious underworld characters witness Jules bootlegging the concert, sparking a chain of events that turns his life upside down.
Diva is an entertaining pop-art mélange of neo-noir, action-thriller, and comic-book fantasy. Chockablock with quirky characters, from a pair of hipster hit men (Gérard Darmon and Dominique Pinon) to a Zen-like international man of mystery named Gorodish (Richard Bohringer) who is currently “going through his cool period” as his girlfriend (Thuy Ann Luu) confides to Jules. Slick, stylish and thoroughly engaging.
A Hard Day’s Night – This 1964 masterpiece has been often copied, but never equaled. Shot in a semi-documentary style, the film follows a “day in the life” of John, Paul, George and Ringo at the height of their youthful exuberance and charismatic powers. Thanks to the wonderfully inventive direction of Richard Lester and Alun Owen’s clever script, the essence of what made the Beatles “the Beatles” has been captured for posterity.
Although it’s meticulously constructed, Lester’s film has an improvisational feel; and feels as fresh and innovative as when it first hit theaters all those years ago. I still catch subtle gags that surprise me (like John snorting the Coke bottle). Music highlights: “I Should Have Known Better”, “All My Loving”, “Don’t Bother Me”, “Can’t Buy Me Love”, and the fab title song.
Harold and Maude – Harold loves Maude. And Maude loves Harold. It’s a match made in heaven-if only society would agree. Because Harold (Bud Cort) is a teenager, and Maude (Ruth Gordon) is just shy of 80. Falling in love with a woman old enough to be his great-grandmother is the least of Harold’s quirks. He’s a chronically depressed trustafarian who amuses himself by staging fake suicides to freak out his patrician mother (wonderfully droll Vivian Pickles). He also “enjoys” funerals-which is where Harold and Maude Meet Cute.
The effervescent Maude is Harold’s polar opposite; while he wallows in morbid speculation how any day could be your last, she seizes each day as if it actually were. Obviously, she has something to teach him. Despite dark undertones, this is one “midnight movie” that manages to be life-affirming. Hal Ashby directed, and Colin Higgins (who would later write and direct Foul Play and 9 to 5) wrote the screenplay. Outstanding soundtrack by Cat Stevens.
Local Hero – This low-key, observant 1983 social satire from Scottish writer-director Bill Forsyth stars Peter Reigert as Macintyre, a Texas-based executive who is assigned by the head of “Knox Oil & Gas” (Burt Lancaster) to scope out a sleepy Scottish hamlet that sits on an oil-rich bay. He is to negotiate with local property owners and essentially buy out the town so that the company can build a huge refinery.
While he considers himself “more of a Telex man”, who would prefer to knock out such an assignment “in an afternoon”, Mac sees the overseas trip as a possible fast track for a promotion within the corporation. As this quintessential 80s Yuppie works to ingratiate himself with the unhurried locals, a “fish out of water” transformation ensues. It’s the kindest and gentlest Ugly American tale you’ll ever see.
Man on the Train – There are a only a handful of films I have become emotionally attached to, usually for reasons I can’t completely fathom. This 2002 drama is one of them. Best described as an “existential noir”, Patrice LeConte’s relatively simple tale of two men in their twilight years with disparate life paths (a retired poetry teacher and a career felon) forming an unexpected deep bond turns into a transcendent film experience. French pop star Johnny Hallyday and screen veteran Jean Rochefort deliver mesmerizing performances. I feel an urge to watch it right now.
My Neighbor Totoro – While this 1988 film was anime master’s Hayao Miyazaki’s fourth feature, it was one of his (and Studio Ghibli’s) first international hits.
It’s a lovely tale about a young professor and his two daughters settling into their new country house while Mom convalesces at a nearby hospital. The rambunctious 4 year-old goes exploring and stumbles into the verdant court of a “king” nestled within the roots of a gargantuan camphor tree. This king rules with a gentle hand; a benign forest spirit named Totoro (an amalgam of every plush toy you ever cuddled with as a child).
Granted, it’s Miyazaki’s most simplistic and kid-friendly tale…but that’s not a put down. Miyazaki’s usual themes remain intact; the animation is breathtaking, the fantasy elements magical, yet the human characters are down-to-earth and universally relatable. A charmer.
Sherman’s March – Filmmaker Ross McElwee is one of America’s hidden treasures. McElwee, a genteel Southern neurotic (Woody Allen meets Tennessee Williams) has been compulsively documenting his personal life since the mid 70’s and managed to turn the footage into some of the most hilarious, moving and thought-provoking films most people have never seen.
Audiences weaned on “reality TV” may wonder “what’s the big deal about one more schmuck making glorified home movies?” but they would be missing an enriching glimpse into the human condition. Sherman’s March began as a project to retrace the Union general’s path of destruction through the South, but ended up as rumination on the eternal human quest for love and acceptance, filtered through McElwee’s search for the perfect mate.
Despite its 3 hour length, I’ve found myself returning to this film for repeat viewings, and enjoying it just as much as the first time. The unofficial “sequel”, Time Indefinite, is also worth a peek.
The Thin Man – W.S. Van Dyke’s delightful mix of screwball comedy and murder mystery (adapted from Dashiell Hammett’s novel by Albert Hackett and Frances Goodrich) never gets old for me. Story takes a backseat to the repartee between private investigator (and perpetually tipsy socialite) Nick Charles (William Powell) and his wisecracking wife Nora (sexy Myrna Loy). Top it off with a scene-stealing wire fox terrier (Asta!) and you’ve got a winning formula that has spawned countless imitations; particularly a bevy of sleuthing TV couples (Hart to Hart, McMillan and Wife, Moonlighting, Remington Steele, et.al.).
True Stories – Musician/raconteur David Byrne enters the Lone Star state of mind with his subtly satirical Texas travelogue from 1986. Not easy to pigeonhole; part social satire, long-form music video, and mockumentary. The vignettes about the quirky but generally likable inhabitants of sleepy Virgil, Texas should hold your fascination once you buy into “tour-guide” Byrne’s bemused anthropological detachment. Among the town’s residents: John Goodman, “Pops” Staples, Swoosie Kurtz and the late Spalding Gray. The outstanding cinematography is by Edward Lachman. Byrne’s fellow Heads have cameos performing “Wild Wild Life”.
Wings of Desire – I’ve never attempted to compile a Top 10 list of my all-time favorite films (I’ve just seen too many damn movies…I’d be staring at an empty page for weeks, if my head didn’t explode first) but I’m certain Wim Wenders’ 1987 stunner would be a shoo-in. Now, attempting to describe this film is something else altogether.
If I told you it’s about an angel (Bruno Ganz) who hovers over Berlin in a trench coat, monitoring people’s thoughts and taking notes, who spots a beautiful trapeze artist (Solveig Dommartin) and follows her home, wallows in her deepest longings, watches her undress, then falls in love and decides to chuck the mantle of immortality and become human…you’d probably say “That sounds like a story about a creepy stalker.” And if I told you it features Peter Falk, playing himself, you’d laugh nervously and say, “Oh, look at the time.” Of course, there is more to it-about life, the universe, and everything.
BONUS!
If you really want to go all out for movie night (which is pretty much every night for me), you have to watch a cartoon before the movie, right? Here’s my 2011 review of a Blu-ray box set always guaranteed to lift your spirits. Keep it handy, right next to the first aid kit.
The Looney Tunes Platinum Collection, Vol. 1 – During those long, dark nights of my soul, when all seems hopeless and futile, there’s one thought that never fails to bring me back to the light. It’s that feeling that somewhere, out there in the ether, there’s a frog, with a top hat and a cane, waiting for his chance to pop out of a box and sing:
Hello my baby, hello my honey, hello my ragtime gal
Send me a kiss by wire, baby my heart’s on fire…
If you don’t know what I’m talking about, just go ahead and skip to the next review now.
The rest of you might want to check out this fabulous 3-disc collection, which features 50 classic animated shorts (and 18 rarities) from the Warner Brothers vaults. Deep catalog Looney Tunes geeks may quibble until the cows come home about what’s not here (Warner has previously released six similar DVD collections in standard definition), but for the casual fans (like yours truly) there is plenty to please. I’m just happy to have “One Froggy Evening”, “I Love to Singa”, “Rabbit of Seville”, “Duck Amuck”, “Leghorn Lovelorn”, “Three Little Bops” and “What’s Opera Doc?” in one place. The selections cover all eras, from the 1940s onward.
One thing that does become clear, as you watch these restored gems in gorgeous hi-def (especially those from the pre-TV era) is that these are not “cartoons”, they are 7 ½ minute films, every bit as artful as anything else cinema has to offer. Extras include a trio of excellent documentaries about the studio’s star director, the legendary Chuck Jones. The real diamond among the rarities is The Dot and the Line: A Romance in Lower Mathematics (directed by Jones for MGM), which won the 1965 Oscar for Best Animated Short Film.
More medicine:
