By Dennis Hartley
(Originally posted on Digby’s Hullabaloo on October 27th, 2018)
Nothing can be more frightening than your own imagination, especially when it comes to horror movies. Generally, a horror movie that instills fear and dread without “showing” us anything tangibly horrific can be designated as a “psychological thriller”. And the best psychological thrillers, from Roman Polanski’s Repulsion and Hitchcock’s Marnie to more modern fare like Francois Ozon’s Swimming Pool and Christopher Nolan’s Memento aim to unsettle us further by presenting a protagonist whose grip on reality appears to unravel as we helplessly observe. Gustav Möller’s The Guilty is one such film.
Essentially a chamber piece set in a police station call center, The Guilty is a “one night in the life of…” character study of a Danish cop (Jakob Cedergren) who has been busted down to emergency dispatcher. Demonstratively glum about pulling administrative duties, the tightly wound officer resigns himself to another dull shift manning the phones.
However, if he was hoping for something exciting to break the monotony, he’s about to fulfill the old adage “be careful what you wish for” once he takes a call from a frantic woman who has been kidnapped. Before he gets enough details to pinpoint her location, she hangs up. As he’s no longer authorized to respond in person, he resolves to redeem himself with his superiors by MacGyvering a way to save her as he races a ticking clock.
Considering the “action” is limited to the confines of a police station and largely dependent on a leading man who must find 101 interesting ways to emote while yakking on a phone for 80 minutes, Möller and his star perform nothing short of a minor miracle turning this scenario into anything but another dull night at the movies. Packed with nail-biting tension, Rashomon-style twists, and completely bereft of explosions, CGI effects or elaborate stunts, this terrific thriller renews your faith in the power of a story well-told.