By Dennis Hartley
(Originally posted on Digby’s Hullabaloo on July 25, 2020)
In my 2009 review of Ang Lee’s Taking Woodstock, I wrote:
“If you can remember anything about the sixties, you weren’t really there”. Don’t you hate it when some lazy-ass critic/wannabe sociopolitical commentator trots out that old chestnut to preface some pompous “think piece” about the Woodstock Generation?
God, I hate that.
But I think it was Paul Kantner of the Jefferson Airplane who once said: “If you remember anything about the sixties, you weren’t really there.” Or it could have been Robin Williams, or Timothy Leary. Of course, the irony is that whoever did say it originally, probably can’t really remember if they were in fact the person who said it first.
You see, memory is a funny thing. Let’s take the summer of 1969, for example. Here’s how Bryan Adams remembers it:
That summer seemed to last forever
and if I had the choice
Yeah – I’d always wanna be there
Those were the best days of my life
Best days of his life. OK, cool. Of course, he wrote that song in 1984. He’d had a little time to sentimentalize events. Now, here’s how Iggy Stooge describes that magic time:
Well it’s 1969 okay.
We’ve got a war across the USA.
There’s nothing here for me and you.
We’re just sitting here with nothing to do.
Iggy actually wrote and released that song in the year 1969. So which of these two gentlemen were really there, so to speak?
“Well Dennis,” you may be thinking (while glancing at your watch) “…that’s all fine and dandy, but doesn’t the title of this review indicate that the subject at hand is Ang Lee’s new film, Taking Woodstock? Shouldn’t you be quoting Joni Mitchell instead ?”
Patience, Grasshopper. Here’s how Joni Mitchell “remembers” Woodstock:
By the time we got to Woodstock
We were half a million strong
And everywhere there was song and celebration
She wrote that in 1969. But here’s the rub: she wasn’t really there.
There was a point in there, somewhere. Somehow it made sense when I was peaking on the ‘shrooms about an hour ago. Oh, I’m supposed to be writing a movie review. Far out, man.
2020 has been quite a year; the kind of year that gets memorialized in song. Actually, with five months still to go (survive?), somebody already has memorialized 2020 in song:
New Year’s Eve, don’t it seem
Like decades ago?
Back in 2019
Back when life was slow
Now it’s June, we’re just halfway done
2020, hey are we having fun?
How many years will we try
To cram into one?
You thought we’d be living 1918 again
But we messed that up so bad
God had to toss 1930 in
As the sun rose on 1968 this morning
A tweet from the john
Please let’s not add the Civil War
How many years will we cram into one?
How much more will she take?
Boys, hope you enjoy
Your beautiful tax break
We’re not repeating history, just the parts that sucked
2020, what the actual fuck?
Pray we get through, but hey don’t hold your breath
‘Cause there’s plenty left to wreck
We got six months left
How many years
How many years will we try
How many years will we try
To cram into one?
— Ben Folds, “2020”
Do you see what he did there? Since we are still ensconced in “2020” (and all it implies) I think it’s safe to confirm Ben Folds is really there, in 2020-right along with the rest of us. And if I may add…I think Mr. Folds has written the best pop elegy for 2020 (in ¾ time!). Since first hearing it last Thursday on The Late Show, I must have watched this 25 times:
It got me thinking (which is always dangerous) about other songs I love with a year as the title…or in the title. So here are my top 10 picks, presented chronologically (how else?!).
“Hilly Fields (1892)” – I was hooked on this haunting, enigmatic song from the first time I heard it on a Bay area alt-rock station in 1982 (it was either KTIM-FM or KUSF-FM; I used to listen to both stations religiously when I lived in San Francisco in the early 80s). It sounded like the Beatles’ Revolver album, compressed into three and a half minutes. The artist was Nick Nicely, an English singer-songwriter who released this and one other song, then mysteriously vanished in the mists of time until reemerging with a full album in 2004 (which was basically a compilation of material he had accumulated over the previous 25 years). He’s since put out several albums of new material, which I have been happily snapping up.
“Paris 1919” – This lovely chamber-pop piece by Velvet Underground alum John Cale is from his eponymous 1973 album, which I think is his finest song cycle. Obviously I wasn’t alive in 1919, but when I close my eyes and listen, Cale’s evocative lyrics make me feel like I’m sitting in a sidewalk cafe somewhere in Europe between the wars:
The Continent’s just fallen in disgrace
William William William Rogers put it in its place
Blood and tears from old Japan
Caravans and lots of jam and maids of honor
Singing crying singing tediously
Efficiency efficiency they say
Get to know the date and tell the time of day
As the crowds begin complaining
How the Beaujolais is raining
Down on darkened meetings on Champs Elysee
“1921” – Got a feeling ’21 is gonna be a good year… Great track from the The Who’s classic 1969 double-LP rock opera Tommy, with nice vocals from Pete Townshend.
“1969” – From The Stooges’ debut album…
Last year I was 21
I didn’t have a lot of fun
And now I’m gonna be 22
I say oh my and a boo hoo
I get a sense that 1969 was not Iggy’s happiest year.
“1979” – The Smashing Pumpkins’ 1996 single was a sizeable hit for the band. It’s an autobiographical song written by front man Billy Corgan about coming of age in the ‘burbs (he was 12 in 1979). Sense memories of hanging with his buds; the restlessness of budding adolescence. I see it as an update of Gerry Goffin and Carole King’s “Pleasant Valley Sunday”.
Creature comfort goals, they only numb my soul
And make it hard for me to see
Ah, thoughts all seem to stray to places far away
I need a change of scenery
— from “Pleasant Valley Sunday”
That we don’t even care, as restless as we are
We feel the pull in the land of a thousand guilts
And poured cement, lamented and assured
To the lights and towns below
Faster than the speed of sound
Faster than we thought we’d go, beneath the sound of hope
— from “1979”
“1983 (A Merman I Should Turn to Be)” – This trippy magnum opus was a highlight of Jimi Hendrix’s classic double-LP, Electric Ladyland.
“1984” – Spirit’s ominous song, like its literary inspiration by George Orwell, never seems to lose its relevancy. In fact, in light of very recent events, you could easily rename it “2020”:
Those classic plastic coppers, they are your special friends
They see you every night
Well they call themselves protection but they know it’s no game
You’re never out of their sight
Knockin’ on your door
Will you let it come?
Will you let it run?
“Nineteen Hundred and Eighty Five” – It’s tough to pick a favorite from Wings’ finest album (it’s a strong set) but I’ve always had a soft spot for this one. I wouldn’t call it Sir Paul’s finest lyrical moment (I just can’t get enough of that sweet stuff my little lady gets behind) but McCartney has such a genius for melody and arrangement that I am prepared to forgive him.
“1999” – Mommy…why does everybody have a bomb? Good question; I yearn for the day it no longer needs to be asked. In the meantime, this Prince classic IS the bomb. I’ll never tire of it.
“In the Year 2525 (Exordium and Terminus)” – Look in the dictionary under “one-hit-wonder”, and you will see a picture of Zager & Evans. Love it or hate it, if man is still alive, if can woman can survive– I bet this song will still be playing somewhere in the year 9595. In case you’re wondering, Evans passed away in 2018, and Zager now builds custom guitars.
(One more thing) RIP Peter Green
I was dismayed to learn this morning about the passing of English musician Peter Green, one of my guitar heroes. Most obits are noting that he wrote “Black Magic Woman”…but that is just a minor part of his significance in the rock ‘n’ roll pantheon.
An expressive player and distinctive vocalist, the original Fleetwood Mac co-founder was also a master at creating memorable riffs:
While he could obviously rock out with the best of them, he also crafted music of incredible beauty and subtlety; perhaps none more so than the classic Mac instrumental, “Albatross” (which was acknowledged by the Beatles as inspiration for the Abbey Road track “Sun King”).
If pressed for a favorite Green track, I usually cite “Before the Beginning”, a heartrending slow blues number from Fleetwood Mac’s excellent 1969 album Then Play On:
Sadly, Green struggled with drug dependency and mental health issues for most of his life, but his influence and musical legacy is assured…as evidenced by tributes from his peers:
Most sadly have lost one of the most tasteful guitar players ever I have always been a huge admirer of the great Peter Green may he rest in peace.
— Peter Frampton (@peterframpton) July 25, 2020
(from “Before the Beginning”)
But how many times
Must I be the fool
Before I can make it
Oh make it on home
I’ve got to find a place to sing my words
Is there nobody listening to my song?
Rest assured, Mr. Green…I will be listening always. RIP.