Tag Archives: SIFF Reviews

SIFF 2019: I Am Cuba (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2019)

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There is a tendency to dismiss this 1964 film about the Cuban revolution as Communist propaganda. Granted, it was produced with the full blessing of Castro’s regime, who partnered with the Soviet government to provide the funding for director Mikhail Kalatozov’s sprawling epic. Despite the dubious backers, the director was given a surprising amount of creative freedom.

On the surface, Kalatozov’s film is in point of fact a propagandist polemic; the narrative is divided into a quartet of rhetoric-infused vignettes about exploited workers, dirt-poor farmers, student activists, and rebel guerrilla fighters.

However it is also happens to be a visually intoxicating masterpiece that, despite accolades from critics over the decades, remains relatively obscure. The real stars of the film are the director and his technical crew, who will leave you pondering how they produced some of those jaw-dropping set pieces and logic-defying tracking shots!

SIFF 2019: Eastern Memories (**)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

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Using excerpts from 100 year-old journals by Finnish linguist G.J. Ramstedt as a narrative, directors Niklas Kullstrom and Martti Kaartinen retrace his experiences in two countries. He was sent to Mongolia to study and compile a written record of the language, then was later assigned to a diplomatic post in Japan-where he studied the Korean language (I know-a little confusing).

While his studies were primarily academic, his journals reflected a more subjective take on the geography and people of the respective countries. The directors juxtapose Ramstedt’s century-old musings with modern travelogues of the locations he wrote about. Despite the intriguing premise, the film is deadly dull in execution-not helped by dry and perfunctory narration.

SIFF 2019: Who Let the Dogs Out? (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

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Who let the dogs out? Frankly my dear, I don’t give a damn, because I have hated that tuneless ear worm since I first heard it in 2000. That said, my opinion holds no sway in the grand scheme, because it remains one of the most ubiquitous anthems of the last 20 years.

For me, the biggest question is: “Why?” However, for “cultural curator” Ben Sisto the nagging question is “Who?” …as in, who actually wrote the song? Triggered by a “sloppy” Wikipedia entry regarding authorship of the Baha Men’s one-hit-wonder, Sisto went on an 8-year quest to solve the mystery. As Sisto runs the chalk backwards, the story becomes curiouser and curiouser; both Roshomon-style mystery and treatise on the objective psyche.

SIFF 2019: David Crosby: Remember My Name (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

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David Crosby marvels aloud in A.J. Eaton’s film that he’s still above ground …as do we. Cameron Crowe produced this doc, edited from several days of candid interviews he conducted with the 77 year-old music legend. Crosby relays all: the sights, the sounds, the smells of six decades of rock ‘n’ roll excess. I was left contemplating this bittersweet line from Almost Famous: “You’ll meet them all again on the long journey to the middle.”

SIFF 2019: Honeyland (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

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Filmmakers Ljubomir Stefanov and Tamara Kotevska spent three years documenting the daily hard-scrabble life of Hatidze Muratova, a “bee hunter” who lives in the Balkans. She supports herself and her elderly mother by selling raw honey to local village merchants. When a family of Turkish itinerant farmers sets up camp next door, the delicate and carefully cultivated balance of her bee colony’s productivity is potentially threatened. A unique meditation on human nature…and on nature itself.

SIFF 2019: The Realm (*1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2019)

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In this conspiracy thriller, a low-level Spanish politician becomes an unwitting fall guy for the systemized corruption in his district. He decides to blow the whistle on his backstabbing colleagues before he is forced to resign his post. It’s a good premise and has a promising start, but the narrative becomes more and more preposterous, to the point of self-parody. I sensed the film makers were aiming for Three Days of the Condor…but unfortunately what they ended up with was this 2-hour turkey.

SIFF 2019: Anthropocene: The Human Epoch (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

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Co-directors Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky put the band back together for this update on their cautionary 2007 eco-doc Manufacturing Landscapes. In my original review of that film, I likened the photographic imagery to “…a scroll through Google Earth images as reinterpreted by Jackson Pollock or M.C. Escher”. I’m sad to report there’s been little improvement on humankind’s mistreatment of our planet-as evidenced by this likewise visually striking and equally sobering document.

SIFF 2019: Monos (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

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Lord of the Flies meets Aguirre: The Wrath of God in this trippy war drama. A squad of teenage South American guerilla fighters undergo intense training for an unspecified contemporary conflict. Initially, it’s just a game to them; but after a bloody skirmish, they rebel against their adult commander and flee into the dense mountain jungle with a female American hostage in tow. Brutal, visceral, and one-of-a-kind. It’s the Apocalypse Now of child soldier films.

SIFF 2019: The Invisible Witness (**1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

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This neo-noir/murder mystery unfolds via flashbacks. A well-to-do businessman accused of murdering his mistress consults with a defense attorney 3 hours before he is to be taken into custody and officially charged. He claims to be the victim of an elaborate setup. The circumstantial evidence does not seem to be in his favor. Some moments of genuine suspense, but otherwise by-the-numbers genre fare that was rather obviously made while driving under the influence of The Usual Suspects.

SIFF 2019: Putin’s Witnesses (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

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While watching this extraordinarily intimate behind-the-scenes look at Vladimir Putin as he (sort of) campaigns for the Russian presidency in 2000, I began to think “OK…the guy who made this film is now either (a.) Dead (b.) Being held at an undisclosed location somewhere in Siberia or (c.) Living in exile…right?” I was relieved to learn that the correct answer is (c.) – Director Vitaly Mansky is currently alive and well and living in Latvia.

In 1999, Manksy (a TV journalist at the time) was assigned to accompany Putin on the campaign trail; hence the treasure trove of footage he had at his disposal for creating this unique time capsule of a significant moment in Russian history.

The most amazing sequence doesn’t even involve Putin…Mansky and his cameras are right there in the living room of noticeably unwell outgoing president Boris Yeltsin as he anxiously watches TV coverage with his family on election night in 2000. When former Soviet leader Mikhail Gorbachev pops onscreen in an interview, Yeltsin (likely half in the bag) flies into a rage, yelling at the TV and demanding that it be turned off (Armando Ianucci couldn’t have written a funnier scene).