Tag Archives: SIFF Reviews

SIFF 2013: Cockneys vs. Zombies **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

http://2.bp.blogspot.com/-k6dbw4t8JRw/UaC394BBeDI/AAAAAAAAMjk/Bz_9q_R_zDo/s1600/Cockneys+vs+Zombies.jpg

“Oi! Zombies!” This may be “damning with faint praise” but Matthias Hoene’s “splatter comedy” Cockneys vs. Zombies pretty much delivers all that its title implies. In a setup reminiscent of the British sci-fi classic Quatermass and the Pit (although any similarities abruptly end there) London construction workers inadvertently stir up an ancient crypt best left undisturbed…sparking a zombie apocalypse in the East End. Although I liked this much more when it was called Shaun of the Dead, it does have its moments. The funniest bit has an old gent with a walker handily outdistancing a zombie pursuer.

SIFF 2013: The Rocket ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

http://2.bp.blogspot.com/-ZclClhvQQiM/UZgDYKh3zqI/AAAAAAAAMhI/VzJSbnLbaXI/s1600/the_rocket_tribeca_film_still_a_l.jpg

The Rocket could prove to be one of this year’s sleepers. Australian writer-director Kim Mordaunt tells the story of Ahlo (Sitthiphon Disamoe, in a remarkable performance), a 10-year old Laotian boy who can’t catch a break. In rapid succession, a member of his family dies in a freak accident and then the surviving members are forced to relocate after their village gets earmarked for razing to make way for a hydroelectric project. Ahlo’s dour grandma labels him as a “bad luck charm”. Determined to redeem his standing, Ahlo sets out to win an annual Rocket Competition. Mourdaunt has a Terrence Malick-like penchant for gorgeous “magic hour” composition; perfectly capturing the dichotomy of UXBs and battle-scarred ruins as they contrast with Laos’ lush, rugged natural beauty.

SIFF 2013: The Horde **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

http://2.bp.blogspot.com/-3oWWWcycXiA/UZgCsWdhH4I/AAAAAAAAMg8/2xJXDaC4IWk/s1600/the-horde--2.jpg

The Horde is an historical epic from director Andrey Proshkin based on a relatively obscure event (well, outside of Russia) that occurred in the 14th century, when the Metropolitan of Moscow (a monk also known as St. Alexius) saved his city from destruction by the Mongolian Golden Horde by “healing” the Khan’s mother, who had been stricken blind. The first half is involving, with royal intrigue and (literal) backstabbing among squabbling members of the Khanate, but once the story shifts to the endless suffering of St. Alexius as he wends his way home (we get it…he’s a saint) the film suffers too. Lavish production design and fine acting helps makes up the deficit.

SIFF 2013: Out of Print **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

http://3.bp.blogspot.com/-mHR7XaD2HnU/UZgCmrFlgDI/AAAAAAAAMg0/lx9HYtr6bUs/s1600/out-of-print-no-words.jpeg

My favorite Emo Philips joke goes: A man came to my door and said “I’d like to read your gas meter.” I said, “Whatever happened to the classics?” A breezy documentary called Out of Print takes that rhetorical question to the next level: Whatever happened to reading? That is, “reading” in the traditional sense…as in holding a book and turning pages? Director Vivienne Roumani examines the impact of digital media on the world of publishing, with a variety of industry mavens weighing in with their take on the central question: “Is the book dead?” The issues raised mirror the economic, legal and aesthetic hysteria stirred up by the advent of music file sharing back in the late 90s. Absorbing, if not essential (and at 54 minutes long, it’s surely destined for PBS). Meryl Streep narrates.

SIFF 2013: Stories We Tell **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

http://1.bp.blogspot.com/-zDmAC6fMzEU/UZgCgYV4BKI/AAAAAAAAMgs/auvI6cSAM8o/s1600/stories-we-tell-woroner.jpg

Canadian actress Sarah Polley has quietly made a name for herself as a feature film director in recent years (Away from Her, Take This Waltz). Now she turns the camera inward, for her documentary Stories We Tell. Polley uses her film as a sort of family therapy session, seeking to uncover the truth regarding her late mother’s rumored dalliances outside the marriage. Polley was 11 when her mother (also an actress) died of cancer. As Polley gently grills her father (a retired actor), siblings and long-time family friends, secrets, lies and unbelievable truths slowly burble to the surface, Rashomon-style. It teeters toward the navel-gazing side, but it unravels like a good mystery should.

SIFF 2013: Big Joy ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

Big Joy: The Adventures of James Broughton is an aptly entitled profile of the free-spirited poet, playwright and filmmaker (1913-1999) who was part of the “San Francisco Renaissance” (pre-cursors to The Beats). Stephen Silha’s documentary is as playful and provocative as his subject, who emerges here as one of those fascinating, Zelig-like figures who managed to remain relevant to and in simpatico with nearly every major counter-culture arts/social movement from the Beats and the hippies to gay liberation and beyond. I admit being previously unfamiliar with Broughton, but this film made me a fan.

SIFF 2013: Forbidden Voices ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

http://1.bp.blogspot.com/-6LWfD37OpMI/UZgCbTThkjI/AAAAAAAAMgk/tS3-3xGUPuk/s1600/forbidden-voices-2013-130207112222.jpg

Forbidden Voices (from Swiss director Barbara Miller) is an excellent doc profiling three influential “cyber-feminists” who bravely soldier on in the blogosphere whilst running a daily gauntlet of intimidation from their respective governments, including (but not limited to) overt surveillance, petty legal harassment and even physical beatings. Despite the odds, Yoani Sanchez (Cuba), Farnez Seifi (Iran, currently exiled in Germany) and Zeng Jinyan (China) are affecting change (if only baby steps). In an interesting (and disturbing) bit of kismet, a day after I saw this, the DOJ/AP phone records scandal broke.

SIFF 2013: Our Nixon ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

http://3.bp.blogspot.com/-_tkskxGOZn0/UZgCWzBSCqI/AAAAAAAAMgc/RBCl2hyI0oE/s1600/1682770-poster-1920-our-nixon-now.jpg

In Our Nixon, director Penny Lane strives to construct an arch portrait of The Tricky One by sneaking in through the back door. It seems some of the president’s men were home movie buffs. A treasure trove of Super8 footage taken by H.R. Haldeman, John Erlichman and Dwight Chapin during their White House tenure recently surfaced. Lane blends choice snippets of the aforementioned with archival news footage, interviews with the three aides and excerpts from the infamous secret Oval Office recordings. It’s the Nixon administration retooled as an episode of Entourage. No new revelations or insight for political junkies, but for viewers of a “certain age”, it sustains an oddly nostalgic tone.

SIFF 2012: The Savoy King ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 9, 2012)

http://1.bp.blogspot.com/-s3qR7FW8c7g/T9PPUqqtkII/AAAAAAAAERI/OTKCtECNmho/s1600/savoy_king_dancers_crop.jpg

I’m glad I caught Jeff Kaufman’s The Savoy King: Chick Webb and the Music That Changed America, because I learned quite a bit about a period of American music that I’m a bit rusty on-the Jazz Swing Era. Specifically, the story of a diminutive, hunch-backed drummer named Chick Webb, and the impact he made over the course of his relatively brief career (1927-1939). Crippled by TB of the spine (the result of a childhood injury), the self-taught drummer and band leader was not only a significant and respected player in his own right, but instrumental in fostering the career of one Ella Fitzgerald. With all due respect to the late Dick Clark, it turns out that his role in integrating America’s dance floors, while of significance, may have been overstated; it seems Webb was the true pioneer in that arena, thanks to the cross-cultural appeal of his music (years before American Bandstand). The archival footage is fabulous.

SIFF 2012: Beware of Mr. Baker ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 9, 2012)

http://2.bp.blogspot.com/-lxb_l_lITxk/T9PO_Kd0CtI/AAAAAAAAEQ8/y6C5tj34D3k/s1600/Getty_GingerBaker630_020312.jpg

“Ginger Baker influenced me as a musician,” gushes an interviewee, who is quick to add “…but not as a person.” More than any other statement made in Beware of Mr. Baker, that one encapsulates the dichotomous nature of the man who many consider one of the greatest jazz-rock drummers of all time. Mixing archival footage with present-day chats with Baker, as well as observations from family members, admirers and former band mates, director Jay Bulger has assembled a compelling rockumentary that is as kinetic and unpredictably volatile as its subject. It’s probably a good thing that the filmmaker is a former boxer; in the opening scene, the ever-mercurial Baker punctuates his displeasure at some perceived slight by caning him on the nose. By his own admittance, interpersonal skills have never been his forte (he’s currently with the 4th Mrs. Baker). Still, what emerges is a portrait of an artist who literally lives for his art; he remains an absolute motherfucker on those drums because that is exactly what he was put on this earth to do.