Tag Archives: SIFF Reviews

SIFF 2014: Regarding Susan Sontag ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

https://m.media-amazon.com/images/M/MV5BZTk5MmEwY2UtZDYwZC00NWQ0LTk5MTQtNWMyZWI0MGM5MDcwXkEyXkFqcGdeQXVyMjUyNDk2ODc@._V1_.jpg

There’s much to regard in Nancy Kate’s enlightening documentary about the complex private and public life of the iconic intellectual polymath. Kate is deft at deconstructing, then reassembling all of the “Susan Sontags” (cultural critic, activist, feminist pioneer, provocateur) into a rich portrait. Great archival footage; in my favorite clip Sontag cleans the floor with some wingnut who questions her “patriotism” for her pragmatic essay about the 9/11 attacks (we could sure use her now).

 

SIFF 2014: Jimi: All is By My Side **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 17, 2014)

http://www.blackfilm.com/read/wp-content/uploads/2014/08/Jimi-All-Is-By-My-Side-10-Hayley-Atwell-and-Andr%C3%A9-Benjamin.jpg

John Ridley’s biopic focuses on Jimi Hendrix’s formative “London period”, just prior to his super-stardom. Outkast guitarist Andre Benjamin uncannily captures Hendrix’s mannerisms, and the Swinging Sixties are recreated with verisimilitude, but it’s more soap than rock opera. Glaring absence of original Hendrix music is a minus (the filmmakers couldn’t get the rights). Adding to the deficit, the movie feels like an unfinished project,  because it ends rather abruptly. Then again, so did Jimi’s journey.

SIFF 2013: Big Star: Nothing Can Hurt Me ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2013)

http://2.bp.blogspot.com/-7mlrbgR2NSs/Uap9nkPKjaI/AAAAAAAAMng/mcxutF0o1Mo/s1600/BigStar.jpg

Founded in 1971 by singer-guitarist Chris Bell and ex-Box Tops lead singer/guitarist Alex Chilton, the Beatle-esque Big Star was a musical anomaly in their hometown of Memphis, which was only the first of many hurdles this talented band was to face during their brief, tumultuous career. Now considered one of the seminal influences on the power pop genre, the band was largely ignored by record buyers during their heyday (despite critical acclaim from the likes of Rolling Stone). Then, in the mid-1980s, a cult following steadily began to build around the long-defunct outfit after college radio darlings like R.E.M., the Dbs and the Replacements began lauding them as an inspiration. In this fine rockumentary, director Drew DeNicola also tracks the lives of the four members beyond the 1974 breakup, which is the most riveting (and heart wrenching) part of the tale. Pure nirvana for power-pop aficionados.

SIFF 2013: Furever **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2013)

http://2.bp.blogspot.com/-IwdQBY0dO_Q/Uap99Nw14DI/AAAAAAAAMno/TXYG42Iiq4s/s1600/FUREVER3-150770_630x210.jpg

Furever is a mildly engaging look at the peculiarly American obsession with memorializing pets once they have passed on. I say “mildly engaging” because this ground has been pretty well covered (no pun intended), most notably in Errol Morris’ classic 1978 documentary Gates of Heaven. Still, director Amy Finkel takes a fairly comprehensive approach, interviewing bereaved pet owners, psychologists and of course the people in the industry who make some pretty good coin off of other people’s grief (yeah, I know…I’m a cynical bastard). The film runs out of steam when you realize that it’s making the same point over and over, but inevitably piques morbid interest when it focuses on the extreme examples (like folks who have their dead “loved ones” stuffed).

SIFF 2013: We Steal Secrets ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2013)

http://3.bp.blogspot.com/-4372sYq2OZM/Uap-fAqwMFI/AAAAAAAAMnw/v29ST4M4fBo/s1600/13040-1+(1).jpg

For his timely political doc We Steal Secrets: The Story of WikiLeaks, director Alex Gibney sets out not only to construct a “people’s history” of the whistle-blowing website, but ambitiously aims to deconstruct the Sphinx that is founder Julian Assange.

As to the first goal, Gibney scores, on count two, not so much; Assange remains a bit of a cypher. Still, Assange is only half the equation here. The real heart and soul of the film is the story of Pvt. Bradley Manning, who allegedly leaked 700,000 government documents and pieces of classified military information to the site (his court martial begins Monday; although you wouldn’t know it from watching CNN, who are otherwise abuzz with all their pre-game coverage of the Zimmerman trial).

While he was unable to interview Manning, Gibney weaves in transcripts of email exchanges Manning had with hacker Adrian Lamo to paint a very moving, human portrait of this young man who (like Assange) is hero to some, “traitor” to others. Regardless of where you stand on that issue, this is essential viewing and could the most important American film of 2013.

SIFF 2013: The Human Scale ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

http://1.bp.blogspot.com/-544833iY6QQ/UaC7aYaMw6I/AAAAAAAAMkc/-GmW_GYtqFk/s1600/HumanScale_KeyArt.jpg

Here’s a concept: In the Utopian future, cities will be designed at the behest of urban dwellers, as opposed to urban “planners”. In case you hadn’t noticed, most cities cramp our style with tightly-packed high-rises and dense noisy traffic, which doesn’t leave much space for the traditional “town square”. In his documentary The Human Scale, Danish director Andreas M. Dalsgaard examines the work of architect Jan Gehl, who posits that the fatal flaw of modern urban design lies in its ignorance of cultural anthropology. This results in cities blighted by social isolation and alienation. After conducting his own study over several decades, Gehl concluded that humans are happiest in a low-rise cityscape, enhanced with open public spaces (it’s rumored that we’re social creatures). Copenhagen is shown as one example of a city that has become more sustainable and people-centric. A fascinating, refreshingly optimistic look at creating a new paradigm.

SIFF 2013: Salma *1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

http://1.bp.blogspot.com/-PAd5V-Q4fR4/UaC7J19SynI/AAAAAAAAMkU/2hZ533x1oeo/s1600/Salma.jpg

Salma (from UK director Kim Longinotto) profiles a Tamil poet named Salma (now 45) who spent her first 25 years sequestered at home. Her family was adhering to a strict “unwritten law” forbidding pubescent girls from venturing outside the house (even to attend school) until they are married off. Longinotto documents Salma as she visits her family for the first time in years; she points out the tiny window that provided her sole portal to the outside world. She found ways to smuggle her early work out of the house, eventually becoming renowned throughout India. While its subject is compelling, it pains me to say that the film, while obviously meant to inspire, is flat and dull, with virtually no poetry in its soul.

SIFF 2013: Tito on Ice **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

http://1.bp.blogspot.com/-CDe5vFIIxyY/UaC66DXq8PI/AAAAAAAAMkM/Ddg35JjGQfU/s1600/20130249_Tito_On_Ice_04.jpg

When you think “road trip!” you usually don’t envision trekking through the nation formerly known as Yugoslavia while schlepping along the mummified remains of Marshal Tito (or a facsimile thereof). That is apparently what Swedish underground comic artists Max Andersson and Lars Sjunneesson did, to promote their book Bosnian Flat Dog at an alternative comic convention in Sarajevo. For his documentary Tito on Ice, Andersson and co-director Helena Ahonen mix Super8 footage from the trip with cardboard cutout stop-motion to create an offbeat (if scattershot) pastiche about art and politics that works best whenever focus shifts from the artists to recollections from people who came of age in the midst of the Yugoslav Wars in the early 1990s. This aspect recalls the 2007 animated film Persepolis, which was based on Marjane Satrapi’s graphic novel about growing up during the Iranian Revolution.

SIFF 2013: Mutual Friends ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

http://3.bp.blogspot.com/-gdpXEaihO30/UaC5KXt3caI/AAAAAAAAMj8/EegwsUB7vHE/s1600/528818_435810016504065_410105585_n.jpg

I’ve always found dinner parties to be a fascinating microcosm of human behavior; ditto genre films like The Anniversary Party, The Boys in the Band, and my all-time favorite Don’s Party. Mutual Friends (a SIFF World Premiere) is the feature film debut for director Matthew Watts. Sort of an indie take on Love, Actually, this no-budget charmer centers on a group of neurotic New Yorkers (is that redundant?) converging for a surprise party. In accordance with the Strict Rules of Dinner Party Narratives, logistics go awry, misunderstandings abound, unexpected romance ensues, and friendships are sorely tested. Despite formulaic trappings, the film is buoyed by clever writing, an engaging ensemble, and cheerful reassurance that your Soul Mate really is out there…somewhere…

SIFF 2013: Die Wand **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

http://3.bp.blogspot.com/-PIRydCbm7Rw/UaC49FKN03I/AAAAAAAAMj0/cCXWXHY50hs/s1600/Martina-Gedeck-in-The-Wall-2012-Movie-Image+(1).jpg

Adapting first-person narratives like Marlen Haushofer’s dystopian novel Die Wand (The Wall) for the screen can be a tricky affair. Consider Julian Roman Polsler’s film, wherein our heroine (Martina Gedeck) wakes up one morning and finds that an invisible, encircling “wall” has confined her within the perimeter of an Alpine lodge, with only a dog, a cow and woodland animals for company. As she adapts to her Robinson Crusoe lifestyle, she begins keeping a journal. Since she has no one to converse with, we get voice over narration. A lot of voice over narration. Gedeck (a skilled actress) is left with little to do but stare into space. There’s a lot of staring into space. Atmospheric, nicely shot, but ultimately it is little more than a picture postcard-festooned exercise in tedium.