Tag Archives: SIFF Reviews

SIFF 2013: The Human Scale ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

https://i0.wp.com/1.bp.blogspot.com/-544833iY6QQ/UaC7aYaMw6I/AAAAAAAAMkc/-GmW_GYtqFk/s1600/HumanScale_KeyArt.jpg?w=474

Here’s a concept: In the Utopian future, cities will be designed at the behest of urban dwellers, as opposed to urban “planners”. In case you hadn’t noticed, most cities cramp our style with tightly-packed high-rises and dense noisy traffic, which doesn’t leave much space for the traditional “town square”. In his documentary The Human Scale, Danish director Andreas M. Dalsgaard examines the work of architect Jan Gehl, who posits that the fatal flaw of modern urban design lies in its ignorance of cultural anthropology. This results in cities blighted by social isolation and alienation. After conducting his own study over several decades, Gehl concluded that humans are happiest in a low-rise cityscape, enhanced with open public spaces (it’s rumored that we’re social creatures). Copenhagen is shown as one example of a city that has become more sustainable and people-centric. A fascinating, refreshingly optimistic look at creating a new paradigm.

SIFF 2013: Salma *1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

https://i0.wp.com/1.bp.blogspot.com/-PAd5V-Q4fR4/UaC7J19SynI/AAAAAAAAMkU/2hZ533x1oeo/s1600/Salma.jpg?w=474

Salma (from UK director Kim Longinotto) profiles a Tamil poet named Salma (now 45) who spent her first 25 years sequestered at home. Her family was adhering to a strict “unwritten law” forbidding pubescent girls from venturing outside the house (even to attend school) until they are married off. Longinotto documents Salma as she visits her family for the first time in years; she points out the tiny window that provided her sole portal to the outside world. She found ways to smuggle her early work out of the house, eventually becoming renowned throughout India. While its subject is compelling, it pains me to say that the film, while obviously meant to inspire, is flat and dull, with virtually no poetry in its soul.

SIFF 2013: Tito on Ice **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

https://i0.wp.com/1.bp.blogspot.com/-CDe5vFIIxyY/UaC66DXq8PI/AAAAAAAAMkM/Ddg35JjGQfU/s1600/20130249_Tito_On_Ice_04.jpg?resize=474%2C356

When you think “road trip!” you usually don’t envision trekking through the nation formerly known as Yugoslavia while schlepping along the mummified remains of Marshal Tito (or a facsimile thereof). That is apparently what Swedish underground comic artists Max Andersson and Lars Sjunneesson did, to promote their book Bosnian Flat Dog at an alternative comic convention in Sarajevo. For his documentary Tito on Ice, Andersson and co-director Helena Ahonen mix Super8 footage from the trip with cardboard cutout stop-motion to create an offbeat (if scattershot) pastiche about art and politics that works best whenever focus shifts from the artists to recollections from people who came of age in the midst of the Yugoslav Wars in the early 1990s. This aspect recalls the 2007 animated film Persepolis, which was based on Marjane Satrapi’s graphic novel about growing up during the Iranian Revolution.

SIFF 2013: Mutual Friends ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

https://i0.wp.com/3.bp.blogspot.com/-gdpXEaihO30/UaC5KXt3caI/AAAAAAAAMj8/EegwsUB7vHE/s1600/528818_435810016504065_410105585_n.jpg?w=474

I’ve always found dinner parties to be a fascinating microcosm of human behavior; ditto genre films like The Anniversary Party, The Boys in the Band, and my all-time favorite Don’s Party. Mutual Friends (a SIFF World Premiere) is the feature film debut for director Matthew Watts. Sort of an indie take on Love, Actually, this no-budget charmer centers on a group of neurotic New Yorkers (is that redundant?) converging for a surprise party. In accordance with the Strict Rules of Dinner Party Narratives, logistics go awry, misunderstandings abound, unexpected romance ensues, and friendships are sorely tested. Despite formulaic trappings, the film is buoyed by clever writing, an engaging ensemble, and cheerful reassurance that your Soul Mate really is out there…somewhere…

SIFF 2013: Die Wand **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

http://3.bp.blogspot.com/-PIRydCbm7Rw/UaC49FKN03I/AAAAAAAAMj0/cCXWXHY50hs/s1600/Martina-Gedeck-in-The-Wall-2012-Movie-Image+(1).jpg

Adapting first-person narratives like Marlen Haushofer’s dystopian novel Die Wand (The Wall) for the screen can be a tricky affair. Consider Julian Roman Polsler’s film, wherein our heroine (Martina Gedeck) wakes up one morning and finds that an invisible, encircling “wall” has confined her within the perimeter of an Alpine lodge, with only a dog, a cow and woodland animals for company. As she adapts to her Robinson Crusoe lifestyle, she begins keeping a journal. Since she has no one to converse with, we get voice over narration. A lot of voice over narration. Gedeck (a skilled actress) is left with little to do but stare into space. There’s a lot of staring into space. Atmospheric, nicely shot, but ultimately it is little more than a picture postcard-festooned exercise in tedium.

SIFF 2013: Cockneys vs. Zombies **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

https://i0.wp.com/2.bp.blogspot.com/-k6dbw4t8JRw/UaC394BBeDI/AAAAAAAAMjk/Bz_9q_R_zDo/s1600/Cockneys+vs+Zombies.jpg?w=474

“Oi! Zombies!” This may be “damning with faint praise” but Matthias Hoene’s “splatter comedy” Cockneys vs. Zombies pretty much delivers all that its title implies. In a setup reminiscent of the British sci-fi classic Quatermass and the Pit (although any similarities abruptly end there) London construction workers inadvertently stir up an ancient crypt best left undisturbed…sparking a zombie apocalypse in the East End. Although I liked this much more when it was called Shaun of the Dead, it does have its moments. The funniest bit has an old gent with a walker handily outdistancing a zombie pursuer.

SIFF 2013: The Rocket ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

https://i0.wp.com/2.bp.blogspot.com/-ZclClhvQQiM/UZgDYKh3zqI/AAAAAAAAMhI/VzJSbnLbaXI/s1600/the_rocket_tribeca_film_still_a_l.jpg?w=474

The Rocket could prove to be one of this year’s sleepers. Australian writer-director Kim Mordaunt tells the story of Ahlo (Sitthiphon Disamoe, in a remarkable performance), a 10-year old Laotian boy who can’t catch a break. In rapid succession, a member of his family dies in a freak accident and then the surviving members are forced to relocate after their village gets earmarked for razing to make way for a hydroelectric project. Ahlo’s dour grandma labels him as a “bad luck charm”. Determined to redeem his standing, Ahlo sets out to win an annual Rocket Competition. Mourdaunt has a Terrence Malick-like penchant for gorgeous “magic hour” composition; perfectly capturing the dichotomy of UXBs and battle-scarred ruins as they contrast with Laos’ lush, rugged natural beauty.

SIFF 2013: The Horde **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

https://i0.wp.com/2.bp.blogspot.com/-3oWWWcycXiA/UZgCsWdhH4I/AAAAAAAAMg8/2xJXDaC4IWk/s1600/the-horde--2.jpg?w=474

The Horde is an historical epic from director Andrey Proshkin based on a relatively obscure event (well, outside of Russia) that occurred in the 14th century, when the Metropolitan of Moscow (a monk also known as St. Alexius) saved his city from destruction by the Mongolian Golden Horde by “healing” the Khan’s mother, who had been stricken blind. The first half is involving, with royal intrigue and (literal) backstabbing among squabbling members of the Khanate, but once the story shifts to the endless suffering of St. Alexius as he wends his way home (we get it…he’s a saint) the film suffers too. Lavish production design and fine acting helps makes up the deficit.

SIFF 2013: Out of Print **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

https://i0.wp.com/3.bp.blogspot.com/-mHR7XaD2HnU/UZgCmrFlgDI/AAAAAAAAMg0/lx9HYtr6bUs/s1600/out-of-print-no-words.jpeg?w=474

My favorite Emo Philips joke goes: A man came to my door and said “I’d like to read your gas meter.” I said, “Whatever happened to the classics?” A breezy documentary called Out of Print takes that rhetorical question to the next level: Whatever happened to reading? That is, “reading” in the traditional sense…as in holding a book and turning pages? Director Vivienne Roumani examines the impact of digital media on the world of publishing, with a variety of industry mavens weighing in with their take on the central question: “Is the book dead?” The issues raised mirror the economic, legal and aesthetic hysteria stirred up by the advent of music file sharing back in the late 90s. Absorbing, if not essential (and at 54 minutes long, it’s surely destined for PBS). Meryl Streep narrates.

SIFF 2013: Stories We Tell **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

https://i0.wp.com/1.bp.blogspot.com/-zDmAC6fMzEU/UZgCgYV4BKI/AAAAAAAAMgs/auvI6cSAM8o/s1600/stories-we-tell-woroner.jpg?w=474

Canadian actress Sarah Polley has quietly made a name for herself as a feature film director in recent years (Away from Her, Take This Waltz). Now she turns the camera inward, for her documentary Stories We Tell. Polley uses her film as a sort of family therapy session, seeking to uncover the truth regarding her late mother’s rumored dalliances outside the marriage. Polley was 11 when her mother (also an actress) died of cancer. As Polley gently grills her father (a retired actor), siblings and long-time family friends, secrets, lies and unbelievable truths slowly burble to the surface, Rashomon-style. It teeters toward the navel-gazing side, but it unravels like a good mystery should.