Tag Archives: Blu-ray/DVD reissues

Blu-ray reissue: Let’s Get Lost (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on January 25, 2025)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2025/01/1_PwT5kblSq8yVOk8ukTGFEQ.jpg?resize=1024%2C692&quality=89&ssl=1

Let’s Get Lost (Kino Classics)

The life of horn player/vocalist Chet Baker is a tragedian’s dream; a classic tale of a talented artist who peaked early, then promptly set about self-destructing. Sort of the Montgomery Clift of jazz, he was graced by the gods with an otherworldly physical beauty and a gift for expressing his art. By age 24 he had already gigged with Stan Getz, Charlie Parker and Gerry Mulligan. He began chasing the dragon in the 1950s, leading to jail time and a career slide.

There are conflicting versions of the circumstances that led to a brutal beating in 1968, but the resultant injuries to his mouth impaired his playing abilities. While he never kicked the substance abuse, he eventually got his mojo back, and enjoyed a resurgence of his career in his final decade (he was only 58 when he died).

The nodded-out Chet Baker we see in Bruce Weber’s extraordinary warts-and-all 1988 documentary (beautifully shot in B&W) is a man who appears several decades older than his chronological age (and sadly, as it turned out, has about a year left to live). Still, there are amazing (if fleeting) moments of clarity, where we get a glimpse of the genius that still burned within this tortured soul.

One scene in particular, where Weber holds a close up of Baker’s ravaged road map of a face as he croons a plaintive rendition of Elvis Costello’s “Almost Blue”, has to be one of the most naked, heartbreaking vocal performances ever captured on film. Haunting and one-of-a-kind, this is a must-see. The film snagged a well-deserved 1989 Critics Prize at the Venice Film Festival.

Kino Classic’s 2025 Blu-ray edition sports a beautiful 4K picture restoration and newly remixed audio (noticeable improvements over Metrodome’s 2008 Region 2 DVD). The package also features a number of Weber’s short films. It would have been nice to include the two Weber-directed Chet Baker music videos that are on the 2008 DVD (which also contains two short films curiously not included on the Kino Blu-ray)…but that’s a minor quibble, as I was just happy to see this fabulous doc get an upgrade.

Blu-ray reissue: Real Life (****)

(Originally posted on Digby’s Hullabaloo on January 4, 2025)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2025/01/image-w1280-1.webp?w=800&quality=80&ssl=1

Real Life (Criterion)

This underrated 1979 gem from writer-director Albert Brooks presaged Christopher Guest & company’s mockumentary franchise by at least a decade. There is a direct tie-in; the screenplay was co-written by future Guest collaborator Harry Shearer (along with Brooks’ long-time collaborator, Monica McGowan Johnson).

Real Life is a brilliant take-off on the 1973 PBS series, An American Family (which can now be tagged as the original “reality TV” show). Brooks basically plays himself: a neurotic, narcissistic comedian who decides to do a documentary  depicting the daily life of a “perfect” American family. After vetting several candidates (represented via a montage of hilarious “tests” conducted at a behavioral studies institute), he decides on the Yeager family of Phoenix, Arizona (headed by ever-wry Charles Grodin, who was born for this role).

The film gets exponentially funnier as it becomes more about the self-absorbed filmmaker himself (and his ego) rather than his subjects. Brooks takes  jabs at Hollywood, and at studio execs in particular. If you’ve never seen this one, you’re in for a real treat.

Criterion does a bang-up job with the 4K digital restoration. Extras include new interviews with Brooks and with Frances Lee McCain (who plays Grodin’s wife) and an essay by film critic A. S. Hamrah.

Blu-ray reissue: Looking for Mr. Goodbar (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on January 4, 2025)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2025/01/Looking-for-Mr.-Goodbar-2-1400x699-1.png?resize=1024%2C511&quality=80&ssl=1

Looking for Mr. Goodbar (Vinegar Syndrome)

Considering that she was still basking in the critical accolades for her audience-pleasing Oscar-winning performance as the kooky and lovable Annie Hall, it was a bold career move for Diane Keaton to immediately follow it up with a leap  into the relative darkness of Looking for Mr. Goodbar.

Writer-director Richard Brooks adapted his 1977 drama/neo-noir from a novel by Judith Rossner (which was based on the sensationalized  real-life 1973 murder of a 28-year old NYC  schoolteacher). Keaton gives an outstanding performance as a young woman with a repressive Catholic upbringing who moves to  a seedy downtown apartment to escape the verbal abuse and restrictive rules laid down by her tyrannical father (Richard Kiley).

Her newfound sense of freedom and self-confidence sparks a sexual awakening; she soon slips into a double-life, teaching deaf children at an inner-city school by day, and cruising the singles bars at night looking for casual sex (and discovering recreational drugs along the way). When she begins juggling relationships with two men (Richard Gere and William Atherton), her life begins to take a darker turn. Tuesday Weld gives one of her best performances as Keaton’s sister.

The film divided critics at the time; some were upset at Brooks’ deviation from Rossner’s novel (I can’t speak for that, as I’ve never read it). Others appeared chagrined that the film (for them at least) lacked a moral center. Speaking as someone who turned 21 the year the film came out, I’d say it captures the zeitgeist of the “Me Decade” to a tee; I see it as a companion piece to John Badham’s Saturday Night Fever.

Vinegar Syndrome has assembled a nice  package, which includes a 4K UHD and a Blu-ray disc (both restored from the original 35mm camera negative). Lots of extras, including  new and archival interviews, a commentary track, and a number of essays (visual and written).

Blu-ray reissue: Happiness (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on January 4, 2025)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2025/01/dAqWJPDzQxHOUqzjga2VOUnBjhgHsJ_medium.png?resize=1024%2C576&quality=80&ssl=1

Happiness (Criterion)

It’s difficult to describe the sensibilities of writer-director Todd Solondz, which tend to hover somewhere near the intersection of Wes Anderson and David Lynch. To wit: There is something oddly endearing about the characters in this black comedy…yet be warned there are some very, very, very bad things going on beneath these blue suburban skies (this ain’t Penny Lane).

In a setup reminiscent of Woody Allen’s Hannah and her Sisters, Solondz  centers his story on the travails of a trio of adult siblings (Jane Adams, Lara Flynn Boyle and Cynthia Stevenson), their squabbling parents (Ben Gazzarra and Louise Lasser), and a number of friends, neighbors and co-workers in their orbit (believe me-the similarities end there).

The three bravest performances in the film (and that’s saying a lot) belong to the late Seymour Hoffman (in one of his more underrated turns), Dylan Baker, and Camryn Manheim. Also in the cast: Jared Harris, Elizabeth Ashley, Molly Shannon, and Jon Lovitz (Lovitz nearly steals the movie in the memorably audacious opening scene).

Admittedly, this film may not be everyone’s cup of tea (be prepared for that “cringe” factor) but if you’re OK with network narratives involving nothing but completely fucked-up individuals, this is your ticket. It’s a veritable merry-go-round of modern dysfunction.

Criterion’s 4K digital restoration is gorgeous (although you may find yourself wishing there was less clarity and detail in some scenes). Extras include new interviews with Solondz and cast member Dylan Baker and an essay by screenwriter-novelist Bruce Wagner.

Blu-ray reissue: City of Hope (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on January 4, 2025)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2025/01/image-w1280.webp?resize=1024%2C576&quality=80&ssl=1

City of Hope (Sony)

John Sayles’ sprawling 1991 drama about urban decay and political corruption (beautifully shot by Robert Richardson) is set in fictional Hudson City, New Jersey (Cincinnati stands in). Vincent Spano plays the central character, the ne’er-do-well son of a property developer (Tony Lo Bianco)  who has dubious ties with local mobsters.  Utilizing his patented network narrative structure,  Sayles weaves in many of his pet themes, such as family ties, culture clash, tests of faith, class warfare and local politics.

There are similarities with the previous year’s Bonfire of the Vanities; but this is a far superior film. I see City of Hope as a precursor to The Wire. The populous cast (uniformly excellent) includes Chris Cooper, Joe Morton, Angela Bassett, David Straithairn, and Gina Gershon.

Save the commentary track by Sayles, Sony’s Blu-ray edition is bereft of extras, but features a nice high-def transfer. I’m just happy to see this nearly forgotten gem get a long-overdue home video release (to my knowledge, it was never even issued on DVD).

Blu-ray reissue: Invasion of the Body Snatchers (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on January 4, 2025)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2025/01/Body-Snatchers-FI.png?resize=1024%2C538&quality=80&ssl=1

Invasion of the Body Snatchers (Kino)

While there have been three remakes over the decades (Philip Kaufman’s 1978 Invasion of the Body Snatchers, Abel Ferrara’s 1993 Body Snatchers, and the one I have yet to see, Oliver Hirshbiegel’s 2007 The Invasion), I have a particular soft spot for the original 1956 sci-fi classic.

Directed by the versatile (and prolific) Don Siegel and adapted from Jack Finney’s novel The Body Snatchers by Daniel Mainwaring, the story is set in a sleepy California burg, which gets seeded by extraterrestrial spores that quickly germinate into people-sized pods. Each pod is able to replicate a human being, provided it is in close proximity to someone who remains fast asleep during the process. Once the host body is sapped, it is discarded, leaving behind a perfect physical copy devoid of personality; essentially they become malleable automatons, serving the whims of the aliens.

Kevin McCarthy gives an iconic performance as a doctor who is the first person to realize what is happening (of course, nobody believes him, until it’s too late). The film is huge on atmosphere (nice night-by-night work from DP Ellsworth Fredricks helps sustain a mood of  dread and paranoia). Genuine chills and thrills abound throughout.

What I like about the 1956 original is that is very much of its time, vis a vis the sociopolitical subtexts. The Cold War era was in full play; one gets a  sense of allusions and commentary regarding the Red Scare and the bland “Leave it to Beaver” conformity of the era.

I’ve owned the film on DVD and a previous Blu-ray edition; but Kino’s “4K Scan of the Best Available 35mm Elements” lives up to it’s billing, as it’s the best print I’ve seen to date on home video. Features include a choice of the 2.00:1 or 1.85:1 version, both in newly remastered 1080P HD, and 4 commentary tracks (2 of them new).

Blu-ray Reissue: Once Upon a Time in the West (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on August 10, 2024)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2024/08/bcb910b2-4302-4b6b-b8e1-c52220adeaa4_1200x500-1.jpg?resize=1024%2C427&quality=89&ssl=1

Once Upon a Time in the West (Paramount)

Although it is chockablock with classic “western” tropes, director Sergio Leone somehow manages to honor, parody, and transcend the genre all at once with this 1968 masterpiece. This is a textbook example of pure cinema, distilled to a crystalline perfection of mood, atmosphere and narrative.

At its heart, it’s a simple revenge tale, involving a headstrong widow (Claudia Cardinale) and an enigmatic “harmonica man” (Charles Bronson) who both have a bone to pick with a vicious gun for hire (Henry Fonda, cast against type as one of the most execrable villains in screen history). But there are bigger doings afoot-like building a railroad and winning the (mythic) American West. Also on board: Jason Robards, Jack Elam, Woody Strode and Keenan Wynn.

Dario Argento and Bernardo Bertolucci helped develop the story, and it wouldn’t be classic Leone without a rousing soundtrack by his longtime musical collaborator, Ennio Morricone (be advised you won’t be able to get the “Harmonica Man Theme” out of your head).

There have been several Blu-ray reissues over the years (this latest release makes it a quadruple-dip for me, counting the original DVD edition), but this 4K restoration is by far the best transfer I’ve seen to date (full disclosure: I don’t have 4K playback/monitoring capabilities, so I am judging by the Blu-ray included with this multi-format 2024 reissue). Extras include multiple commentary tracks, a new look back by film critic Leonard Maltin, and a number of other featurettes (some recycled from previous editions and some new ones).

Blu-ray Reissue: To Die For (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on August 10, 2024)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2024/08/image-w1280.webp?resize=1024%2C576&quality=80&ssl=1

To Die For (The Criterion Collection)

Gus Van Sant’s 1995 mockumentary centers on an ambitious young woman (Nicole Kidman, in one of her best performances) who aspires to elevate herself from “weather girl” at a small market TV station to star news anchor, posthaste. A calculating sociopath from the word go, she marries into a wealthy family, but decides to discard her husband (Matt Dillon) the nanosecond he asks her to consider putting her career on hold so they can start a family (discard…with extreme prejudice).

Buck Henry based his screenplay on Joyce Maynard’s true crime book about the Pamela Smart case (the obvious difference being that Smart was a teacher and not an aspiring media star, although it could be argued that during her high-profile murder trial, she did in fact become one).

The outstanding supporting cast includes Joaquin Phoenix, Casey Affleck, Illeana Douglas, Alison Foland, Dan Hedaya, and Wayne Knight, with brief appearances by Buck Henry, George Segal (uncredited) and a cameo by director David Cronenberg.

Criterion’s new 4K digital restoration is sparkling. Extras include a commentary track with Van Sant, DP Eric Alan Edwards, and editor Curtiss Clayton, an essay by film critic Jessica Klang, and deleted scenes.

Blu-ray reissue: The President’s Analyst (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on August 10, 2024)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2024/08/Presidents_Analyst_1967_trimmed.jpg?resize=1024%2C668&quality=89&ssl=1

The President’s Analyst (KL Studio Classics)

Beware the Phone Company! Unlike the empty-headed 60’s spy spoofs James Coburn’s name usually evokes, writer-director Theodore J. Flicker’s 1967 film is one with substance. Coburn plays a psychoanalyst recruited to be the President’s personal shrink by one of his patients (Godfrey Cambridge, in a wonderful performance).  Cambridge is an operative for the “C.I.E.” The ensuing intrigue and conspiracy paranoia plays like Three Days of the Condor on acid (literally, in one memorable sequence).

Granted, it’s a tad silly and “slapstick-y” at times, but the socio-political satire is consistently on point (at times recalling Dr. Strangelove, particularly in one scene where a character is desperately trying to reach the White House on a pay phone). “Summer of Love” trappings aside, the film is quite prescient and bold for its time (e.g. consider Cambridge’s stark monologue recalling his first encounter with racism, played directly to the camera; nothing “ha-ha” funny going on there.)

Also with Joan Delaney, Severn Darden, Pat Harrington, Jr., Walter Burke (stealing all his scenes as an officious “F.B.R.” agent), Will Geer, William Daniels, and Arte Johnson. Look for Barry Maguire (who sang the 60s classic “Eve of Destruction”) as the leader of a band of hippies Coburn hooks up with while he’s on the run from an assortment of nefarious parties.

Kino’s Blu-ray is light on extras (just two commentary tracks), but the 4K scan is a definite step up from the previous Paramount DVD. A must-have for “Conspiracy a Go-go” fans!

Blu-ray reissue: Peeping Tom (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on August 10, 2024)

https://i0.wp.com/digbysblog.net/wp-content/uploads/2024/08/peeping-tom-1960-karl-boehm-projector-closeup.jpeg?resize=1024%2C576&quality=89&ssl=1

Peeping Tom (The Criterion Collection)

Michael Powell’s 1960 thriller profiles an insular, socially awkward member of a film crew (Carl Boehm) who works as a technician at a movie studio by day, and moonlights as a soft-core pin-up photographer. He’s also surreptitiously working on his own independent film, which goes hand-in-glove with another hobby: he’s a serial killer who gets his jollies capturing POV footage of his victim’s final agonizing moments. The film is truly creepy, a Freudian nightmare. The solid supporting cast includes Moira Shearer, Anna Massey, and Maxine Audley.

Powell, one-half of the revered British film making team known as The Archers (The Red Shoes, Black Narcissus, The Life and Death of Colonel Blimp) nearly destroyed his career with this one, which, due to its “shocking” nature, was largely shunned by audiences and critics at the time (thanks to Martin Scorsese, the film enjoyed a revival decades later and is now considered a genre classic on a par with Psycho). Leo Marks scripted (he also wrote the screenplays for the 1951 noir Cloudburst and the unsettling 1968 thriller Twisted Nerve).

Several subsequent films can be viewed as descendants of Peeping Tom; most notably Manhunter (1986), Henry: Portrait of a Serial Killer (1986), and (more tangentially) Man Bites Dog (1992).

Criteron’s new 4K digital restoration is top-flight, a substantial upgrade over the 2010 Studio Canal (Region B) Blu-ray. Extras include two commentary tracks (one with film historian Ian Christie and another with film scholar Laura Mulvey), a documentary about the history of the film, and more.