By Dennis Hartley
(Originally posted on Digby’s Hullabaloo on May 19, 2012)
Immersing yourself in the world of Canadian filmmaker Guy Maddin is not unlike entering a fever dream you might have after dropping acid and trying to get back to sleep…after waking up inside somebody else’s nightmare. If that sentence made sense to you, you might find Keyhole worth a peek. Any attempt to offer a cogent synopsis of a Guy Maddin film usually ends in tears, but I’ll try:
A Roaring 20s gangster (Jason Patric) comes home after a long absence, schlepping a corpse and a hostage. His gun-toting crew encamps in the living room, and his house is surrounded by coppers. Patric’s primary concern, however, is getting upstairs to reconnect with the wife (Isabella Rossellini). Unfortunately, it takes him 90 minutes to get up the goddamn stairs. Did I mention the protagonist’s name…Ulysses? It’s a Homeric journey, get it?
Reminiscent of Ken Russell’s Gothic, another metaphorical long day’s journey into night via the labyrinth of an old dark house. And, like Russell’s film, Maddin’s is visually intoxicating, but ultimately undermined by an overdose of art house pretension and self-indulgent excess.