Tag Archives: 2016 Reviews

SIFF 2016: The Curve ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 21, 2016)

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It’s tempting to describe Rifqi Assaf’s road movie as “Little Miss Sunshine in the Arabian Desert” but that would be shortchanging this humanistic, warmly compassionate study of life in the modern Arab world. It’s essentially a three-character chamber piece, set in a VW van as it traverses desolate stretches of Jordan. Fate and circumstance unite a taciturn Palestinian who has been living in his van, with a chatty Palestinian divorcee returning to a Syrian refugee camp and an exiled Lebanese TV director. A beautifully directed and acted treatise on the commonalities that defy borders.

SIFF 2016: Action Comandante **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 21, 2016)

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Nadine Angel Cloete’s documentary is a profile of anti-apartheid activist Ashley Kriel, who was gunned down by police in 1987 (at age 20) and name-checked by Nelson Mandela in his 1990 post-prison release speech. While obviously meant to be an inspirational piece, the film falls curiously flat; a crucial portion of the tragically short-lived Kriel’s life story seems to be MIA. His formative years are covered; his awakening as a community activist (at an unusually young age), and the shady circumstances surrounding his death are examined…but what happened in between? All we learn is that he left his hometown for several years, and returned a seasoned freedom fighter. Within a short period, he was dead. The end. Exposition regarding that transformation from activist to guerilla is much too sketchy. Kriel’s story is undoubtedly an important part of South Africa’s freedom struggle, but as told here, it feels incomplete.

SIFF 2016: The 1,000 Eyes of Dr. Maddin ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 21, 2016)

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I once noted in a review that “immersing yourself in the world of Canadian filmmaker Guy Maddin is not unlike entering a fever dream you might have after dropping acid and trying to get back to sleep…after waking up inside someone else’s nightmare”. While I stand by that appraisal, I now have an inkling of the method behind the madness after watching Yves Montmayeur’s enlightening portrait of the director, who opens up about his life and art. A few collaborators (Udo Kei, Isabella Rossellini), and like-minded directors (John Waters, the Quay brothers) weigh in as well.

Living through another Cuba

By Dennis Hartley

Image result for i am cuba (1964)

With all the dominating Trump news, I missed this passing last week:

(from the New York TImes)

Michael Ratner, a fearless civil liberties lawyer who successfully challenged the United States government’s detention of terrorism suspects at Guantánamo Bay without judicial review, died on Wednesday in Manhattan. He was 72.

The cause was complications of cancer, said his brother, Bruce, a developer and an owner of the Brooklyn Nets.

As head of the Center for Constitutional Rights, Michael Ratner oversaw litigation that, in effect, voided New York City’s wholesale stop-and-frisk policing tactic. The center also accused the federal government of complicity in the kidnapping and torture of terrorism suspects and argued against the constitutionality of warrantless surveillance by the National Security Agency, the waging of war in Iraq without the consent of Congress, the encouragement of right-wing rebels in Nicaragua and the torture at the Abu Ghraib prison during the Iraq war.

“Under his leadership, the center grew from a small but scrappy civil rights organization into one of the leading human rights organizations in the world,” David Cole, a former colleague at the center and a professor at Georgetown Law School, said in an interview this week. “He sued some of the most powerful people in the world on behalf of some of the least powerful.”

Not a peep on any of the nightly newscasts (quietly dedicating your life to human rights just isn’t sexy enough, I’m afraid). Anyway…I found out about Mr. Ratner’s passing while listening to Democracy Now this morning on the way to work. Amy Goodman had the great Noam Chomsky on the program; he lent context to Ratner’s legacy:

Well, Michael Ratner has an absolutely fabulous record. His achievements have been enormous. A tremendous courage, intelligence, dedication. A lot of achievement against huge odds. The center, which he largely—it was a major—he ran and was a major actor in, has done wonderful work all over the place—Cuba and lots of other things. So I can’t be excessive in my praise for what he achieved in his life and the inspiration that it should leave us with.

It sounds like we’ve  lost another of the good ones (*sigh*). We now return you to your regularly scheduled 24/7 Trump news cycle…

https://youtu.be/gxIP8wdLcv4

Living through another Cuba
It’s 1961 again and we are piggy in the middle
While war is polishing his drum and peace plays second fiddle

Russia and America are at each other’s throats
But don’t you cry
Just on your knees and pray, and while you’re
Down there, kiss your arse  goodbye

We’re the bulldog on the fence
While others play their tennis overhead
It’s hardly love all and somebody might
Wind up red or dead
Pour some oil on the water quick
It doesn’t really matter where from
He love me, he loves me not
He’s pulling fins from an atom bomb

This phenomenon happens every twenty years or so
If they’re not careful your watch won’t be the
Only thing with a radioactive glow
I’ll stick my fingers in my ears
And hope they make it up before too late
If we get through this lot alright
They’re due for replay, 1998

(Written by Andy Partridge)

Related posts:

It’s Just a Jump to the Left (of Miami) Top 10 Cuba Films

Too Rolling Stoned

Forbidden Voices

Che

SIFF 2016: Vintage Tomorrows **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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I’m not going to liken Byrd McDonald’s doc about hardcore steam punks to an extended Portlandia vignette, and I’ve nothing against a little harmless role-playing fun amongst consenting adults. That said-the more out of their way interviewees go to defensively insist they are not just privileged, white Victorian Era nostalgia junkies who dig Jules Verne and love wearing goggles and pith helmets…the more so they seem. Or perhaps I’m just the stick in the mud that can’t see the ball players but for all the corn.

SIFF 2016: Uncle Howard **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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Maybe I’m jaded from having seen one too many documentaries about the NYC arts scene; from the people (the Beats, Warhol’s Factory alums, the Velvets, Patti Smith, the punks, Mapplethorpe, Haring, Basquiat, the Club Kids, etc.) to the haunts (SoHo, TriBeBa, the Chelsea Hotel, CBGB’s, Studio 54, etc.) it’s all been pretty well strip mined by filmmakers. Perhaps that explains why we’re now reduced to a documentary, about a documentarian, who once made a documentary about William Burroughs. If you’re stuck for an angle…go meta (a credo that frequently saves my ass). Still, this heartfelt tribute to Burroughs: The Movie director Howard Brookner (who died of AIDS in 1989), by his nephew Aaron Brookner is not wholly unwatchable, and ultimately quite moving.

SIFF 2016: The Night Stalker ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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Seattle filmmaker Megan Griffiths’ speculative chiller is based on serial killer Richard Ramirez. A lawyer (Bellamy Young) is hired to exonerate a Texas death row inmate by extracting a confession from California death row inmate Ramirez (Lou Diamond Phillips), whom the interested parties believe to be the real perp. One complication: When she was a teenager, the lawyer was unhealthily obsessed with the “Night Stalker” murders. A psychological cat-and-mouse game ensues (think Starling vs. Lecter in Silence of the Lambs). Philips delivers an intense, truly unnerving performance.

SIFF 2016: Long Way North ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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Recommended for ages 6+ by SIFF, this adventure tale benefits greatly from its creative pedigree; director Remi Chaye was first AD and head of layout for The Secret of Kells, which remains one of the most beautifully animated feature films of recent years (outside of Studio Ghibli). The story centers on a 15 year-old girl from an aristocratic St. Petersburg family who refuses to write off her missing explorer grandfather, whom the rest of her family believes to be dead. Armed with a copy of her grandfather’s itinerary, an ability to parse navigational charts, and lots of moxie, she slips away from her family’s estate and talks her way aboard a merchant vessel, determined to locate him and his North Pole-bound ship. Exciting and well-made family entertainment.

SIFF 2016: If There’s A Hell Below **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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For the first two thirds of this conspiracy thriller, which concerns a clandestine meeting between a journalist and a government whistle-blower, writer-director Nathan Williams masterfully utilizes the desolate moonscape of Eastern Washington to create an almost unbearable sense of tension and dread (a la Spielberg’s Duel, or the crop dusting sequence in Hitchcock’s North by Northwest). Unfortunately, he jinxes his streak with a lazily constructed third act. Still, it’s an audacious debut that portends considerable promise for any future endeavors…which I am looking forward to.

SIFF 2016: Home Care ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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The “Kubler-Ross Model” postulates that there are five distinct emotional stages humans experience when brought face-to-face with mortality: denial, anger, bargaining, depression, and acceptance. All five are served up with a side of compassion, a dash of low-key anarchy and a large orange soda in this touching dramedy from Czech director Slavek Horak. An empathic, sunny-side-up Moravian home care nurse (Alena Mihulova) is so oriented to taking care of others that when the time comes to deal with her own health crisis, she’s stymied. A deft blend of family melodrama and gentle social satire. Mihulova and Boleslav Polivka (as her husband) make an endearing screen couple.