Category Archives: On Music

Basket of Inflatables: A “No Kings” mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on October 18, 2025)

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“When it gets down to having to use violence, then you are playing the system’s game. The establishment will irritate you – pull your beard, flick your face – to make you fight. Because once they’ve got you violent, then they know how to handle you. The only thing they don’t know how to handle is non-violence and humor.”—John Lennon

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In my 2012 review of Benoit Jacquot’s Farewell, My Queen (a drama centered on intrigue in the court of Marie Antoinette and Louis XVI at Versailles on the eve of the French Revolution), I wrote:

It’s nearly impossible to observe the disconnect of these privileged aristocrats carrying on in their gilded bubble while the impoverished and disenfranchised rabble sharpen up the guillotines without drawing parallels with our current state of affairs (history, if nothing else, is cyclical).

You can go back even further in time, and the same holds true. From my 2012 piece on the 1976 BBC-TV adaptation of I, Claudius:

While an opening line of “I, Tiberius Claudius Drusus Nero Germanicus…” could portend more of a snooze-inducing history lecture, rather than 11 hours of must-see-TV, the 1976 BBC series, adapted from Robert Graves’ 1934 historical novel about ancient Rome’s Julio-Claudian dynasty, was indeed the latter, holding U.S. viewers in thrall for its 12-week run.

While it is quite possible that at the time, my friends and I were slightly more in thrall with the occasional teasing glimpses of semi-nudity than we were with, say, the beauty of Jac Pulman’s writing, the wonder of the performances and historical complexity of the narrative, over the years I have come to realize that I think I learned everything I needed to know about politics from watching (and re-watching) I, Claudius.

It’s all there…the systemic greed and corruption of the ruling plutocracy, the raging hypocrisy, the grandstanding, glad-handing and the back-stabbing (in this case, both figurative and literal). Seriously, over the last 2000 years, not much has changed in the political arena.

Case in point…just this week, I was reminded of a scene from I, Claudius. This was the trigger:

Q: "Are you considering strikes on land in Venezuela?"Trump: "Well, I don't want to tell you exactly, but we are certainly looking at land now because we have the sea very well under control."

The Bulwark (@thebulwark.com) 2025-10-15T21:40:41.055Z

Given the Current Occupant’s predilection to utilize the royal “We” as his preferred personal pronoun, coupled with His Imperial Majesty’s somewhat grandiose proclamation that “We have the sea very well under control” (not to mention the Romanesque optics of that gaudily appointed Oval Office), this is the scene that instantly came to mind:

“Your emperor is amongst you once again. All his wars successfully concluded, and the victorious armies brought back to Rome. He had thought, in his divine innocence, that the roads might be lined with cheering crowds; he had thought that the streets might be strewn with flowers; he had thought that there’d be messages to greet him telling him of triumphs to be awarded. And what did he find, this conqueror of the Germans, this victor of the mighty Neptune? The streets empty of crowds and flowers, no triumphs rewarded, no games, no celebrations–but three miserable, old, ex-counsels waiting at the gates to meet him, and a room full of cowardly, stay-at-home senators who have spent all their time in the theatre and in the baths, while he has spent six months, living no better than a private soldier!? Yes! Your emperor has returned! BUT WITH THIS IN HIS HAND! (produces a frighteningly large battle sword from his robes)
(The terrified senators remain silent for a few beats, until one steps forward)

Senator: (cautiously) But Jove, you ordered no triumphs!

Caligula: (amazed at the senator’s stupidity) Well, of course I ordered no triumphs, do you think I’d ordered triumphs for myself?!

Senator: But you ordered us not to order any!

Caligula: Yessssss, and you took me at my word, didn’t you? Typical! It didn’t occur to you that I might be leaving it up to you for your love to show itself freely; didn’t occur to you that it might be my natural humility speaking! “I ordered you not to celebrate”. But you ordered celebrations for the anniversary of Actiom, didn’t you? Didn’t forget to celebrate the defeat of my great-grandfather, Marc Antony! How many bottles of wine did you open, toasting his murder while I was doing battle with the sea? (to his soldiers) Show them our booty! Show them the plunder we gathered from old Neptune!
(Four soldiers quickly empty two trunks of their contents; everyone watches in silent horror as thousands of dry seashells spill out onto the floor.)

Senator: Seashells?!

Caligula: (chuckling to himself with delight) Yes! Spoils of the sea; loot from old Neptune! Hee-hee! He’ll not take me on again in a hurry…

“Do you think I’d ordered triumphs for myself?!” Which reminds me of another funny story… remember Trump’s counter programming to the first “No Kings Day” last June?

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“He had thought, in his divine innocence, that the roads might be lined with cheering crowds; he had thought that the streets might be strewn with flowers…” Well, Mr. President…as your favorite campaign rally song goes: “You Can’t Always Get What You Want” – even when you order a $45 million military parade in honor of your own birthday (give some people an inch, they think they’re a ruler). Historical sidebar-the mad emperor Caligula actually did declare war on the sea. All one can say about that is that he is long gone, but the sea is still here.

But hey…if at first you don’t succeed, try, try again. Via Snopes this past Thursday:

As activists planned another “No Kings” protest on Oct. 18, 2025, to voice discontent with the administration of Republican U.S. President Donald Trump, a rumor spread on social media that the president was planning a “show of force” by launching missiles over California.

The rumor claimed the administration planned on closing Interstate 5 “to shoot out missiles from ships” and into Camp Pendleton, a training facility for the Marines about 80 miles southeast of Los Angeles.

Users across social media sites such as Instagram (archived), X (archived) and Facebook (archived) shared the claim. Some suggested Trump planned on using the excuse of a military showcase in order to intimidate “No Kings” protesters, citing the administration’s attempts to characterize the protests as anti-American.

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Many Snopes readers emailed us to ask about the veracity of this rumor.

On Oct. 15, 2025, the Marines posted a statement on their official website announcing “a live-fire Amphibious Capabilities Demonstration at Red Beach, Camp Pendleton” that would be followed by “a community Beach Bash at Del Mar Beach on Saturday, Oct. 18, 2025, to mark the Marine Corps’ 250th birthday and America’s Semiquincentennial.”

The statement said “the capabilities demonstration will feature integrated Navy and Marine Corps operations across air, land, and sea” and assured the public that “all training events will occur on approved training ranges and comport with established safety protocols.”

The statement also confirmed “no public highways or transportation routes will be closed” and that the White House would be capturing the event on film for a Nov. 9 television broadcast.

Snopes reached out to the White House for comment on the assertion that Trump intended to use the demonstration as a “show of force” against protesters and will update this article if we receive a response.

You’ve gotta at least give the Prez credit for trying, bless his heart. Meanwhile, members of the Court of the Orange King have kept themselves busy this past week sounding the alarm:

But ahead of the “No Kings” rallies across the country on Saturday, the GOP’s effort has taken a rather stunning turn.

The Trump team and its allies suggested that the rallies, which are likely to draw millions of people, will essentially be chock full of antifa, terrorist sympathizers and even terrorists themselves.

It’s baseless and ugly, yes. But it’s also highly suspect strategically.

The GOP rhetoric surrounding this and the Democratic base more broadly has grown remarkably pitched.

House Speaker Mike Johnson of Louisiana has called them “hate America” rallies and said it’s “all the pro-Hamas wing and, you know, the antifa people.”

Then there was this:

“This interview proved that the Democrat Party’s main constituency are made up of Hamas terrorists, illegal aliens and violent criminals,” White House press secretary Karoline Leavitt told Fox News on Oct. 16.

(Deep breath) Let’s see how the No Kings Day rallies are going so far:

No kid should ever have to protest or advocate for their friends’ basic humanity.But they’re standing up at No Kings anyway.

Kat Abughazaleh (@katmabu.bsky.social) 2025-10-18T16:24:51.128Z

I understand the FBI is currently looking into whether that America-hating protester is a Hamas terrorist, illegal alien, or a violent criminal.

But seriously, folks:

No Kings-Chicago, IL

Blue Texas (@turntexasblue.bsky.social) 2025-10-18T17:35:55.259Z

😍 Boston, you are beautiful. #NoKings

Indivisible ❌👑 (@indivisible.org) 2025-10-18T17:22:53.407Z

No Kings protest kicking off in Washington, D.C. Here’s the view down Pennsylvania Avenue from near the front. Street is totally packed for blocks.

Alejandro Alvarez (@aletakesphotos.bsky.social) 2025-10-18T16:57:24.230Z

Video: No Kings protests against Trump in New York City.

AZ Intel (@azintel.bsky.social) 2025-10-18T17:08:01.655Z

So overall (if I may paraphrase Huey Lewis) …things are rockin’ in DC, San Antone and the Liberty Town, Boston and Baton Rouge, Tulsa, Austin, Oklahoma City, Seattle, San Francisco, too. The heart of democracy is still beating. On that note, let’s keep the party going!

The Beatles – “Revolution”

Frank Zappa – “Trouble Every Day”

Elvis Costello – “Night Rally”

Green Day – “American Idiot”

The Clash – “Clampdown”

Woody Guthrie – “All You Fascists Bound to Lose”

Bob Marley & the Wailers – “Get Up, Stand Up”

Graham Nash – “Chicago

The Style Council – “The Whole Point of No Return”

Tracy Chapman – “Talkin’ About a Revolution”

John Lennon – “Power to the People”

Sly & the Family Stone – “Stand!”

Heaven 17 – “(We Don’t Need This) Fascist Groove Thang”

Public Enemy – “Fight the Power”

Rage Against the Machine – “Take the Power Back”

Gil Scott-Heron – “The Revolution Will Not Be Televised”

The Honeydrippers – “Impeach the President”

The Buffalo Springfield – “For What It’s Worth”

Billy Bragg – “There is Power in a Union”

Malvina Reynolds – “It Isn’t Nice”

Pete Seeger – “We Shall Overcome”

Previous posts with related themes:

404 Terror

The Edge of Democracy

Battleground

On Mad Kings, Death Cults, and Altman’s Secret Honor

Michael and Me in Trumpland

The Queen of Versailles

In the Seattle Mist with Confederate Dead

Under the Grey Sky

Hacking Hate

Against All Enemies

Martin Eden

The Trial of the Chicago 7

Deja Vu

The U.S. vs. John Lennon

Now We See the Light: A Mixtape

A Trump Era Survival Guide

Blu-ray reissue: Slade in Flame (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on September 27, 2025)

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Slade in Flame (BFI; Region ‘B’ only)

Akin to Mott the Hoople, it may be arguable among music geeks as to whether Slade was truly “glam” (they were a bit on the “blokey” side- as the Brits would say), but they are nonetheless considered so in some circles, and this 1974 film was released during the heyday of space boots and glitter, so there you go.

The directorial debut for Richard Loncraine (Brimstone and Treacle, The Missionary, Richard III) the film is a gritty, semi-biographical “behind the music” drama (don’t expect A Hard Day’s Night) about a working-class band called Flame (suspiciously resembling the four members of Slade, wink-wink) who get chewed up and spit out of the star-making machine (this just in: managers and A & R people are back-stabbing weasels).

It’s admittedly not a genre masterpiece, but the film is bolstered by a great soundtrack (all Slade originals, naturally) and the casting of Tom Conti (playing a soulless record exec with great aplomb). An amusing scene where lead singer Noddy Holder’s character gets locked into a stage coffin presages a similar hardware malfunction depicted in This Is Spinal Tap. Another memorable scene has the band risking life and limb to access the broadcast booth for an on-air interview at an offshore pirate radio station (the story is set in the late 60s).

BFI’s 2025 remastered Blu-ray edition is a vast improvement over Shout! Factory’s 2004 DVD, in both image and sound quality. Extras include a newly recorded audio commentary with the director and film critic Mark Kermode, a new 9-minute interview with Tom Conti, a 54-minute 2002 interview with Noddy Holder, and more. Note: Requires an all-region player.

Blu-ray reissue: Breaking Glass (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on September 27, 2025)

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Breaking Glass (Fun City Editions)

Released on the cusp of the Thatcher era, writer-director Brian Gibson’s 1980 film is a No Wave take on A Star is Born, with a nod to the classic UK kitchen sink dramas of the 1960s. 26 year-old singer-songwriter Hazel O’Connor delivers a naturalistic performance as a disenfranchised young gas station attendant who aspires to be a rock star…but strictly on her own terms. To wit, the lyrics she furiously scribbles into her notebook are not exactly “moon-June” love sonnets; take “Big Brother”, for instance:

They’ll tear out your heart, throw it knee-deep in a cart
Cause that’s what they do with the scum like me and you
And you feel as if you died, whilst you’re standing on the line
And you wonder all the time why can’t you cry?
But the people in control don’t care for you
They are just a robot with a job to do
And when your used, exhausted, they’ll be rid of you
As soon as look at you, go to the back of the queue!

Not destined to be a chart-climber, that one. Despite the ridicule and sexism she constantly weathers, she eventually gets the attention of a street-hustling manager (Phil Daniels) who sees her potential and helps her put a decent band together (including a young Jonathan Pryce on sax). However, when she lands a recording contract, the inevitable compromises begin once a more seasoned, smooth-talking (and weaselly) industry exec (Jon Finch) begins to wrest control of her career (let the eternal battle between Art and Commerce commence).

O’Connor does her own singing (she also co-wrote the songs with soundtrack producer Tony Visconti). I see the film as a companion piece to Lou Adler’s 1981 Ladies and Gentlemen, the Fabulous Stains and Gillian Armstrong’s 1982 rock musical Starstruck (I wrote about both films here).

Fun City’s 2025 edition is a bit light on extras, but boasts a long-overdue restoration, improved audio, and (most notably) reinstates the original UK cut (the previous Olive Films reissue was not restored, and featured the U.S. cut, which is 10 minutes shorter).

Blu-ray reissue: This is Spinal Tap (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on September 27, 2025)

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This is Spinal Tap (The Criterion Collection)

“May I start by saying how thrilled we are to have you here. We are such fans of your music and all of your records. I’m not speaking of yours personally, but the whole genre of the rock and roll.”

– Lt. Hooksratten (played by Fred Williard), from This is Spinal Tap

Has it really been 41 years since one of the loudest English bands that never lived set off to “tap into America” on their imaginary comeback tour? (Checks calendar) Yes, that tracks. Director Rob Reiner co-wrote this 1984 mockumentary with Christopher Guest, Harry Shearer and Michael McKean, who play Spinal Tap founders Nigel Tufnel (lead guitar), Derek Smalls (bass) and David St. Hubbins (lead vocals and guitar), respectively (several actors portray the band’s revolving door of drummers, who tend to meet untimely ends such as spontaneous combustion, “a bizarre gardening accident”, and perhaps most famously, choking on “somebody else’s vomit”).

Reiner casts himself as “rockumentary” filmmaker Marty DiBergi (a goof on Martin Scorsese, who similarly interjected himself into The Last Waltz) who accompanies the hard rocking outfit on a tour of the states (“their first in six years”) to support the release of their new LP “Smell the Glove” (DiBergi has been a fan since first catching them at the “Electric Banana” in Greenwich Village in 1966).

By the time the film’s 84 minutes have expired, no one (and I mean, no one) involved in the business of rock ’n’ roll has been spared the knife-musicians, roadies, girlfriends, groupies, fans, band managers, rock journalists, concert promoters, record company execs, A & R reps, record store clerks…all are bagged and tagged.

Nearly every scene has become iconic in muso circles; ditto the plethora of quotable lines: “These go to eleven.” “I mean, it’s not your job to be as confused as Nigel.” “You can’t really dust for vomit.” “It’s such a fine line between stupid and clever.” “No…we’re NOT gonna fucking do ‘Stonehenge’!” “We’ve got armadillos in our trousers-it’s really quite frightening.”

The great supporting cast includes Tony Hendra (who steals all his scenes as the band’s prickly manager, clearly modeled after Led Zeppelin’s infamously fearsome handler Peter Grant), Bruno Kirby, Ed Begley, Jr., Fran Drescher, Parick Macnee, June Chadwick, Billy Crystal (“C’mon…mime is money!”), Howard Hesseman, Paul Shaffer, and Fred Williard.

Third time’s a charm for Criterion, who released previous editions on LaserDisc and DVD. The label does their usual voodoo with a sparkling new 4K transfer (supervised and approved by director Reiner) and 5.1 Surround DTS MasterAudio (“Big Bottom”, “Hell Hole”, and “Sex Farm” have never sounded so…robust).

Extras include an engaging conversation between Rob Reiner and Spinal Tap superfan Patton Oswalt, three audio commentaries, media appearances, trailers, and music videos. The 90 minutes of outtakes is a real treat for fans of the film; when you see the quality of what ended up on the cutting room floor, you marvel even more at the cast’s improvisational skills (Reiner had 100 hours of footage to pare down).

Wet boots and rain: An autumn mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on September 20, 2025)

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I raked the leaves on our front lawn
It took all afternoon.
I started at ‘round half-past one
and said, “I’ll be done soon.”

But once I saw how more leaves fell
Each time I made a pile,
I quickly saw this outdoor chore
Was going to take a while.

And so I did what my dad said
A winner does to win:
I studied that great pile of leaves,
And then I jumped right in.

– “Raking Leaves”, children’s poem by Shel Silverstein

*sigh* Is nothing sacred anymore in our increasingly myopic universe?

As hordes of photographers began descending on a small, rural community to capture its vibrant autumnal colours, local residents have been fighting back – and winning.

To enter the town of Pomfret, located in the US state of Vermont, is to be instantly struck by its bucolic beauty. From the north, Howe Hill Road winds downhill in a series of gentle curves, each sweep revealing verdant farm fields dotted with sheep, or swaths of forest in which the red and orange autumn leaves cling to boughs. At one home, a tree heavy with apples bends over a meticulously maintained stone wall, its slate top filled with decaying fruit.

But come early autumn, more than half of the cars driving through this 900-person town will sport out-of-state license plates, coming to abrupt stops on a road with a 45-mile-per-hour speed limit, blocking one of two lanes. The reason? To take a picture of a farm’s silo against a backdrop of autumn leaves.

With a mere handful of businesses – a general mercantile store, an art centre with a gallery and a theatre and a few pick-your-own apple or pumpkin farms – Pomfret is generally a quiet, unassuming place. But in autumn as “leaf-peepers” from around the world descend on the region’s rolling hills and fetching small towns to witness its kaleidoscopic foliage, that all changes.

Until recently, the number of leaf-peepers visiting Pomfret was more trickle than torrent. But ever since images of Sleepy Hollow Farm, a 115-acre private property set on a rustic road, began going viral on social media a few years ago, locals say things have gotten out of hand. […]

“It’s a beautiful spot. It’s too bad it’s been ruined for everybody,” said Deborah Goodwin, the exhibits coordinator at Pomfret’s Artistree Community Arts Center. “[For] the past couple years it’s been out of control. Tour buses were just dumping… people out there.”

Goodwin says social media influencers would regularly climb over a gate plastered with “No Trespassing” signs, set up changing booths to accommodate their many costume swaps, get their “city cars” stuck on the narrow dirt road, and leave bodily waste by the roadside. “It was bad,” she recalled. “The residents went to the [local government] and said, ‘We can’t have this anymore.’”

During the 2022 leaf-peeping season, law enforcement temporarily turned the road past Sleepy Hollow into a one-way thoroughfare. It wasn’t enough to deter tourists from behaving badly. In 2023, local residents tried a different approach: crowdsourced funding. […]

As a result, town officials voted to close the roads leading to the farm during the peak fall foliage season (23 September to 15 October) to non-residents, spurring the ire of travellers who had driven to the area in hopes of capturing a perfectly curated autumn photo. 

“It’s a hotel and amusement park,” scoffed one Instagrammer with 153,000 followers. “Bring all your friends and RVs.” 

Most Pomfret residents stressed that they’re not anti-tourist; they simply want people to treat their hometown with respect. Even more concerning than issues of private property, several mentioned, are safety concerns for the residents of Cloudland Road, as well as the tourists themselves.

According to Windsor County Sheriff Ryan Palmer, “This is not a road that’s designed to have multiple vehicles on it. [In 2021 and 2022] there were lines of traffic parked up and down the roadway, and you couldn’t get fire apparatus or an ambulance through. It was just overwhelming the infrastructure in the area.” […]

Palmer hopes that the Pomfret drama is a “one-and-done” deal. Residents have floated the idea of creating a reservation or ticketing system for visits to Sleepy Hollow to help manage the tourist rush in a more responsible way, but as far as he knows, that option isn’t under serious consideration. In fact: feedback on the traffic pattern changes implemented in 2023 has been largely positive, leading to the Pomfret Selectboard’s decision to implement similar road closures for the imminent 2024 foliage season.

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Very bucolic, but I’m happy to simply enjoy the photo; I don’t feel an urge to drive several thousand miles just to snap a selfie. As Roy Neary says in Close Encounters of the Third Kind, “You think I investigate every Walter Cronkite story there is?!”

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As another character in Close Encounters observes, “Einstein was right”. Each year passes faster than the previous. Per Pink Floyd, You can run to catch up with the sun, but it’s sinking; racing around to come up behind you again. To wit…The sun is the same in a relative way but you’re older; shorter of breath and one day closer to death.

Don’t you hate that?

Since this coming Monday’s Fall Equinox has raced around and come up behind us again, I thought I’d rake through my music collection and curate a pile of suitably autumnal tunes.

To follow Shel Silverstein’s lead…Let’s jump right in!

“Autumn Almanac” – The Kinks

Released as a single in the UK in 1967, Ray Davies’ fond sense memory of the Muswell Hill neighborhood of North London where he grew up recalls The Beatles’ “Penny Lane”.

From the dew-soaked hedge creeps a crawly caterpillar
When the dawn begins to crack
It’s all part of my autumn almanac

Breeze blows leaves of a musty-coloured yellow
So I sweep them in my sack
Yes, yes, yes, it’s my autumn almanac

“Autumn Leaves” -Jim Hall & Ron Carter

Lovely instrumental cover of Joeseph Kosma & Jacques Prevert’s classic (originally popularized by Yves Montand in Marcel Carné’s 1946 film noir Les Portes de la Nuit) performed live by two jazz greats-Jim Hall (guitar) and Ron Carter (stand-up bass).

“The Boys of Summer” – Don Henley

I suppose one could make a case either way as to whether Don Henley’s 1984 hit qualifies as a “summer song” or an “autumn song”. Here’s my gauge: generally speaking, upbeat and celebratory is a summer mood; wistful and introspective is autumnal.

Nobody on the road
Nobody on the beach
I feel it in the air
The summer’s out of reach
Empty lake, empty streets
The sun goes down alone
I’m driving by your house
Though I know you’re not home

“Falling” – Joe Vitale

Joe Vitale was a key member of Joe Walsh’s first post-James Gang band Barnstorm. In addition to contributing drums, flute, keyboards and vocals, Vitale also co-wrote some of the songs. This cut is from his outstanding debut solo album, Roller Coaster Weekend (1974).

“Forever Autumn” – Justin Hayward

This lovely tune, featuring a lead vocal by Justin Hayward of the Moody Blues was a highlight of Jeff Wayne’s 1978 double LP rock musical adaptation of H.G. Wells’ War of the Worlds.

“Harvest Moon” – Neil Young

This is the title track from Young’s eponymous 1992 LP (a sort of sequel to 1972’s Harvest), which won a Juno award (Canada’s equivalent to a Grammy) for Album of the Year.

“Indian Summer” -Dream Academy

The Dream Academy’s most wistful and transporting song is best appreciated with a good set of headphones. Drift away…

It was the time of year just after the summer’s gone
When August and September just become memories of songs
To be put away with the summer clothes
And packed up in the attic for another year
We had decided to stay on for a few weeks more
Although the season was over now the days were still warm
And seemed reluctant to five up and hand over to winter for another year

“Inner Garden I” – King Crimson

Contrary to what you may assume, not every track by this venerable prog-rock outfit takes up half an album side; some of their best compositions say all they need to say with surprising brevity.

Autumn has come to rest in her garden
Come to paint the trees with emptiness
And no pardon
So many things have come undone
Like the leaves on the ground
And suddenly she begins to cry
But she doesn’t know why…

“The Last Day of Summer” – The Cure

Technically, you have until this Monday, September 22 at 11:19 am PDT to enjoy the last day of Summer…but close enough for rock ‘n’ roll.

But the last day of summer
Never felt so cold
The last day of summer
Never felt so old

“Leaf and Stream” – Wishbone Ash

This compelling, melancholic track is sandwiched between a couple of epic rockers on the Ash’s best album, 1972’s Argus (which I wrote about here).

Find myself beside a stream of empty thought,
Like a leaf that’s fallen to the ground,
And carried by the flow of water to my dreams
Woken only by your sound.

“Leaves in the Wind” -Back Street Crawler

Back Street Crawler was a short-lived group formed in 1975 by guitarist Paul Kossoff after he left Free. Sadly, by the time 2nd Street was released in 1976, Kossoff was dead at 25 (lending additional poignancy to his mournful guitar fills on this track).

“Moondance”– Van Morrison

The evocative title track from Morrison’s 1970 album is one of his signature tunes.

Well, it’s a marvelous night for a moondance
With the stars up above in your eyes
A fantabulous night to make romance
‘Neath the cover of October skies

“November” -Tom Waits

This song is a tad unsettling, yet oddly beautiful. Not unlike Waits’ voice. Dig the theremin.

No shadow
No stars
No moon
No care
November
It only believes
In a pile of dead leaves
And a moon
That’s the color of bone

“October”-U2

Sporting naught but two short verses, this was an uncharacteristically minimalist arrangement for U2 at this stage of their career (from the band’s eponymous 1981 album).

October
And the trees are stripped bare
Of all they wear
What do I care?

October
And kingdoms rise
And kingdoms fall
But you go on
And on

“Ramble On”-Led Zeppelin

Arguably the One Autumnal Song to Rule Them All, with all its wistfulness and stirrings of wanderlust. Only don’t try to make any sense of the Gollum reference-it’ll make you crazy.

Leaves are falling all around
It’s time I was on my way
Thanks to you I’m much obliged
For such a pleasant stay
But now it’s time for me to go
The autumn moon lights my way
For now I smell the rain
And with it pain
And it’s headed my way…

“September” – Earth, Wind, & Fire

Well of course I remember “the 21st of September”…it’s today’s date, fergawdsake! Sheesh. One of EWF’s biggest hits, it reached #1 on the Billboard charts in 1978. Ba-dee-yah.

“September Gurls” – Big Star

Founded in 1971 by singer-guitarist Chris Bell and ex-Box Tops singer/guitarist Alex Chilton, Big Star is one of the seminal power pop bands, and this is one of their most defining songs.

“Summer’s Almost Gone” – The Doors

From the Doors’ 1968 album Waiting For the Sun. Haunting, with Jim Morrison in fine form.

Morning found us calmly unaware
Noon burn gold into our hair
At night, we swim the laughin’ sea
When summer’s gone
Where will we be?

“Time of No Reply” – Nick Drake

Gone much too soon, his sad short life was as enigmatic as the amazing catalog he left behind.

Summer was gone and the heat died down
And Autumn reached for her golden crown
I looked behind as I heard a sigh
But this was the time of no reply

The sun went down and the crowd went home
I was left by the roadside all alone
I turned to speak as they went by
But this was the time of no reply

“Urge for Going”– Joni Mitchell

You thought I forgot this one, didn’t you? Luck of the alphabet. It feels redundant to label any Joni Mitchell song as “genius”, but it’s hard to believe this came from the pen of a 22 year-old.

I awoke today and found the frost perched on the town
It hovered in a frozen sky, then it gobbled summer down
When the sun turns traitor cold
And all trees are shivering in a naked row
I get the urge for going but I never seem to go
I get the urge for going
When the meadow grass is turning brown

Book of Saturday, Chapter IV: A Chillaxing Mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on September 6, 2025)

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It’s been another one of those news cycles, hasn’t it? Believe me…I feel your pain.

So stop doomscrolling already, grab your favorite tranquilizer (prescription or otherwise), don a pair of noise cancelling ‘phones and settle back for another one of my chillaxing “Book of Saturday” mixtapes (vol. 4, if you’re counting). I’ve sequenced the songs in a manner designed to evoke and sustain a particular mood-so for maximum effect, may I suggest that you listen to it in order. And remember, I am not a licensed music therapist, I just play one on TV.

Peace.

Ultra Vivid Scene – “Mirror to Mirror”

Pink Floyd – “Remember a Day”

John Foxx – “Europe After the Rain”

The Cleaners From Venus – “Girl on a Swing”

New Musik – “This World of Water”

Wire – “Map Ref 41 Degrees N 93 Degrees W”

Fous de la Mer – “Watersong”

Steve Hackett – “Icarus Ascending”

Kevin Kendle – “Cumulus”

Cocteau Twins – “Lazy Calm”

Robin Trower – “Daydream”

Greenslade – “Bedside Manners Are Extra”

Emerson, Lake, & Palmer – “From the Beginning”

Jakko – “Dangerous Dreams”

The Apartments – “Things You’ll Keep”

The Go-Betweens – “The Streets of Your Town”

Jay Semko – “dueSouth Theme”

Jethro Tull – “Skating Away on the Thin Ice of the New Day”

John Martyn – “Over the Hill”

Family – “Observations from a Hill”

Peter Gabriel – “Solisbury Hill”

Pete Townshend – “Pure and Easy”

Camel – “Highways of the Sun”

Gil Scott-Heron – “I Think I’ll Call it Morning”

Gordon Lightfoot – “Beautiful”

Previous posts with related themes:

Book of Saturday

Book of Saturday II

Book of Saturday III

I don’t feel tardy: A back-to-school mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on August 16, 2025)

Pfft. Wow. That was a quick friggin’ summer.

Yes, I am aware that it’s mid-August…but students are already heading back to the classroom in some parts of the country. As great poets have said…autumn is over the long leaves that love us, yesterday is dead (but not in my memory), and it’s late September and I really should be back at school. Well, not literally (at 69, I’m a little mature for home room)…but my school days of yesteryear are not necessarily dead in my memory. I feel like I have to go to bed early now. Some habits die hard.

Anyway, here’s a back-to-school playlist that doesn’t include “The Wall” or “School’s Out” (don’t worry, you’ll get over it). Pencils down, pass your papers forward, and listen up…

“Alma Mater” – Alice Cooper

Oh, Alice. You should be on the stage.

Hey, remember the time – ‘member the time
We took that snake
And put down little Betsy’s dress?
Now I don’t think Miss Axelrod
Was much impressed

“At 17” – Janis Ian

Emo before it had a name:

To those of us who knew the pain
Of valentines that never came
And those whose names were never called
When choosing sides for basketball

“Be True to Your School” – The Beach Boys

Now that’s the spirit. RIP Brian Wilson.

When some loud braggart tries to put me down
And says his school is great
I tell him right away
Now, what’s the matter, buddy
Ain’t you heard of my school

“Cinnamon Street” – Roxette

Per Gessele is an underrated songwriter. A lovely sense memory from the Swedish pop-rock duo. Sadly, Marie Fredriksson passed away in 2019.

Growing up on Cinnamon Street
Everywhere you look there are lots of people to meet
It’s seven o’clock, the breakfast treat
Now the school bus is here, hurry up and grab a seat

“ELO Kiddies” – Cheap Trick

That’s enough out of you, you little truants!

So you missed some school?
You know school’s for fools
Today money rules
And everybody steals it

“Getting Better” – The Beatles

Stay in school, kids. This too shall pass. It gets better.

I used to get mad at my school (Now I can’t complain)
The teachers who taught me weren’t cool (Now I can’t complain)
Holding me down
Turning me ’round
Filling me up with your rules

“Me & Julio Down by the Schoolyard” – Paul Simon

More troublemakers:

The mama looked down and spit on the ground
Every time my name gets mentioned
The papa said, “Oy, if I get that boy
I’m gonna stick him in the house of detention”

“My Old School” – Steely Dan

Another enigmatic narrative from Donald Fagen and Walter Becker, featuring some of Jeff “Skunk” Baxter’s finest fretwork.

Well, I did not think the girl
Could be so cruel
And I’m never going back
To my old school

“Rock ‘n’ Roll High School” – The Ramones

Halfway through my list, I’m thinking: Did any of these people pay attention in class?

Well, I don’t care about history
Rock, rock, rock ‘n’ roll high school
‘Cause that’s not where I wanna be
Rock, rock, rock ‘n’ roll high school
I just wanna have some kicks
I just wanna get some chicks
Rock, rock, rock, rock, rock ‘n’ roll high school

“School” – Supertramp

One of Roger Hodgson’s finer compositions. Ennio Morricone’s school days.

I can see you in the morning when you go to school
Don’t forget your books, you know you’ve got to learn the golden rule,
Teacher tells you stop your play and get on with your work
And be like Johnnie-too-good, well don’t you know he never shirks
He’s coming along

“School Days” – Chuck Berry

Hail hail to the chief. Pure rock ‘n’ roll poetry.

Up in the mornin’ and out to school
The teacher is teachin’ the golden rule
American history and practical math
You studyin’ hard and hopin’ to pass
Workin’ your fingers right down to the bone
And the guy behind you won’t leave you alone

“School Days” – The Runaways

Joan Jett to Janis Ian: “You thought seventeen was rough? Hold my beer.”

Never read a single book
Hated homework and the dirty looks
But now I live my life
There’s a lot I’ve seen at eighteen, oh yeah

“Schooldays” – The Kinks

Any cut from their Schoolboys in Disgrace album would do, but this one gets an ‘A’.

Schooldays were such happy days
Now they seem so far away
I remember and I’ll always treasure
Schooldays were the happiest days of your life
But we never appreciate the good times we have
Until it’s too late

“School Yard” – Joe Vitale

Hazy memories of a high school crush.

There was a bench in the park by the school yard
There was a tree overhead
And we would meet secretly if you wanted
We were fifteen…

“Smokin’ in the Boy’s Room” – Brownsville Station

I miss Cub Koda.

Sitting in the classroom, thinking it’s a drag
Listening to the teacher rap, just ain’t my bag
The noon bells rings, you know that’s my cue
I’m gonna meet the boys on floor number two!

“Status Back Baby” – Frank Zappa & the Mothers of Invention

I think Frank needs to go to the councilor’s office for a pep talk. Wah wah wah wah.

The other night we painted posters
We played some records by the coasters
Wah wah wah wah
A bunch of pom-pom girls
Looked down their nose at me
They had painted tons of posters, I had painted three
I hear the secret whispers everywhere I go
My school spirit is at an all time low

“Teacher Teacher” – Rockpile

OK, it’s only analogous to the school experience. But hey…we never stop learning.

Young love, young pet
Cheeks flushing, apple red
Ringing you every day
Begging for a word of praise
I’ve put aside my foolish games
I run and hide and callin’ names
Miles out, the bells are ringin’
Now’s the time to teach me everything

“Thirteen” – Big Star

First crush.

Won’t you let me walk you home from school?
Won’t you let me meet you at the pool?
Maybe Friday I can
Get tickets for the dance
And I’ll take you, ooh-ooh

“To Sir, With Love” – Lulu

Ode to a mentor.

A friend who taught me right from wrong
And weak from strong
That’s a lot to learn
What, what can I give you in return?

“Wind-up” – Jethro Tull

An English schoolboy who (I sense) has a problem with authority.

When I was young and they packed me off to school
And taught me how not to play the game
I didn’t mind if they groomed me for success
Or if they said that I was just a fool
So I left there in the morning
With their God tucked underneath my arm
Their half-assed smiles and the book of rules

Percentage points and lousy joints: A Mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 19, 2025)

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Last night I watched part one of Susan Lacy and Jessica Levin’s new HBO/MAX documentary Billy Joel: And So It Goes (part two drops July 25th). So far, it’s an absorbing “warts and all” portrait of the singer-songwriter. Some of the more revelatory moments stem from learning the inspiration behind specific songs. One example is his 1974 single “The Entertainer”. It wasn’t a huge hit (peaking at #34), but has an interesting backstory, as Joel recounts:

The song “The Entertainer” was basically autobiographical about putting out “Piano Man”. The magic number in those days to putting out a single was the 3-minute mark. The original [album version] of “Piano Man” was a much longer recording, and [the record label execs] said “We’ve got to edit it.” I said, “What do you mean, you’ve got it edit it?” I was very touchy about that…don’t be chopping my song up. I was starting to become disenchanted with the music business, and “The Entertainer” was my way of complaining about it, I suppose.

Joel’s former manager (and ex-wife) Elizabeth Weber elaborates:

When he wrote “The Entertainer”, it became such a negative to a number of people in the music business. They look [at it like] “I’m out here, slogging away every day to get your records on the radio…and you say these things about me?!” – and they stopped working for him completely. They were so mad that they were doing the best they could and this was the gratitude that they got.

To which Joel appends:

Essentially, “The Piano Man” was about a guy kvetching about playing in a piano bar, and the followup [single] was the guy kvetching about having a hit record in the music business. So it’s sorta like, I’m doing well-let me screw this up somehow.

There’s a profound lesson about the music business in there somewhere. I’m not 100% sure what it is, but it did give me an idea (which is always dangerous). I got to thinking about other great songs that kvetch about stoking the star-making machinery behind the popular song (to coin a phrase). The more I thought about it, the more songs I came up with. After much careful deliberation (and one eye on an approaching deadline), I’ve whittled it down to my 20 top picks:

“An Elpee’s Worth of Toons” Todd Rundgren – In which the artist muses on his career choice.

There’s something at the heart of it that’s simply awful
A man who makes a living off a plastic waffle

“Barracuda” Heart – Ann and Nancy are looking at YOU, Mr. Music Exec.

You lying so low in the weeds
I bet you gonna ambush me
You’d have me down, down, down, down on my knees
Now wouldn’t you, barracuda? Oh

“Destiny Calling” – James – Help I’m a commodity.

Cover us in chocolate
Sell us to the neighbours
Frame us in a video
Clone us in a test tube
Sell us to the multitude
Guess that’s the price of fame

“Don’t Call Us, We’ll Call You” – Sugarloaf – One of the more quotable selections here.

(I said, “You got my number?”
He said, “Yeah, I got it when you walked in the door”)

“EMI” – The Sex Pistols – The Pistols’ F.U. to the label that originally signed them but then dropped them like a hot potato several months later. Can’t imagine why.

Ever, ever, ever
And you thought that we were faking
That we were all just money making
You do not believe we’re for real

Or you would lose your cheap appeal?

“Empty V” – Doug Powell – Re: Music Television…where did the music go? A valid question.

Video killed the radio star
And then committed suicide

“The Entertainer” – Billy Joel – You know the story.

I am the entertainer
I bring to you my songs
I’d like to spend a day or two
But I can’t stay that long
No, I’ve got to meet expenses
I got to stay in line
Gotta get those fees to the agencies
And I’d love to stay but there’s bills to pay
So I just don’t have the time

“Free Man in Paris” – Joni Mitchell – Trying to escape the pressure cooker.

I was a free man in Paris, I felt unfettered and alive
Nobody was calling me up for favors
No one’s future to decide
You know I’d go back there tomorrow
But for the work I’ve taken on
Stoking the star maker machinery behind the popular song

“Have a Cigar” – Pink Floyd – Roger Waters vents spleen about cigar-chomping glad-handers.

Come in here, dear boy, have a cigar, you’re gonna go far
You’re gonna fly, you’re never gonna die
You’re gonna make it if you try, they’re gonna love you
Well, I’ve always had a deep respect and I mean that most sincere
The band is just fantastic, that is really what I think
Oh, by the way, which one’s pink
?

“I Love My Label” – Nick Lowe – Somewhat good-natured, but wary of the corporate masters.

Oh, I’m so proud of them up here
We’re one big, happy family
I guess you could say I’m the poor
Relation of the parent company

“Million-Dollar Riff” – Skyhooks – In search of the hit formula. And the filthy lucre.

Well there’s a thousand guitars all over the land
And a thousand drummers and a thousand bands
And a thousand agents with their ears to the ground (Gimme Gimme)
They’re all lookin’ for the riff with the million dollar sound

“Overnight Sensation” – The Raspberries – He’s not in it for the money. No, really.

Well if the program director don’t pull it
It’s time to get back the bullet
So bring the group down to the station
You’re gonna be an overnight sensation

“Radio, Radio” – Elvis Costello – I prefer his early, angrier songs.

You either shut up or get cut up, they don’t wanna hear about it
It’s only inches on the reel-to-reel
And the radio is in the hands of such a lot of fools
Tryin’ to anesthetize the way that you feel

“So You Want to Be a Rock ‘N’ Roll Star” – The Byrds – Anyone can do it!

Then it’s time to go downtown
Where the agent man won’t let you down
Sell your soul to the company
Who are waiting there to sell plasticware

“Tinseltown Rebellion” – Frank Zappa – FZ was never one to mince words.

The Tinsel Town aficionados
Come to see and not to hear
But then again this system works
As perfect as a dream
It works for all of those record company pricks
Who come to skim the cream
From the cesspools of excitement
Where Jim Morrison once stood
It’s the Tinsel Town Rebellion
From downtown Hollywood

“Top of the Pops” – The Kinks – You’re #1 …with a few caveats.

And now I’ve got friends that I never knew I had before.
It’s strange how people want you when you record’s high
‘Cos when it drops down they just pass you by
Now my agent just called me and said it me:
“Son your record’s just got to Number One.”
And do you know what this means?
This means you can earn some real money!

“The Under Assistant West Coast Promotion Man” – The Rolling Stones – Do the hustle.

Well they laugh at my toupee, they’re sure to put me down
Well I’m sitting here thinking just how sharp I am
Yeah I’m sitting here thinking just how sharp I am
I’m a necessary talent behind every rock and roll band

“Video Killed the Radio Star” – The Buggles – We hold this truth to be self-evident.

In my mind and in my car
We can’t rewind we’ve gone too far
Pictures came and broke your heart
Put the blame on VCR

“Workin’ for MCA” – Lynyrd Skynyrd – Seems this fella knew what to expect.

Oh, suckers took my money since I was seventeen
If it ain’t no pencil pusher, then it got to be a honky tonk queen
But I’ll sign my contract, baby, and I want you people to know
That every penny that I make, I’m gonna see where my money goes

“The Worst Band in the World” – 10cc – Hey, as long as the check clears…who cares?

Well we’ve never done a days work in our life
And our records sell in zillions
It irrigates my heart with greed
To know that you adore me
Up yours, up mine
But up everybody’s that takes time
But we’re working on it
Working on it (Ooh)

 

Tribeca 2025: Sun Ra: Do the Impossible (***)

By Dennis Hartley

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How does one describe Sun Ra’s music? Whether you label it “free jazz”, “avant-garde”, “experimental”, or “free-form”…to the uninitiated ear, it might as well be music from outer space. That perception would suit its creator just fine, because he was from Saturn, after all.

I should probably back up a moment.

Herman Poole Blount was actually born in Birmingham Alabama, and as we learn in Christine Turner’s bio of the late jazz pioneer, was a natural musician. He starting playing piano as a child and was composing and sight reading by his early teens. The “Saturn” quotient entered his personal mythology at some point in his 20s or 30s (the timeline was subject to change, depending on to whom he was recounting his story of being “teleported” to the planet, where alien beings instructed him to speak to the world through his music).

The veracity of this story is moot; because whatever (or whoever) sparked this visit from the Muse, from that moment forward Sun Ra dedicated every waking minute of his life to not only push his musical boundaries, but to create a simpatico cosmology that embraced elements of philosophy, quantum physics, and Black consciousness.

Turner mixes recollections from former members of the Arkestra, historians, music scholars, and archival Sun Ra interviews with amazing performance footage to paint a fascinating (if not definitive) portrait of a unique artist whose true origin remains a bit of a mystery. I’m compelled to quote my favorite line from Close Encounters of the Third Kind: “Einstein was probably one of them.”

Tribeca 2025: Billy Idol Should Be Dead (***)

By Dennis Hartley

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Jonas Åkerlund ‘s rock doc is a fairly straightforward portrait of William Michael Albert Broad, noted member of the Bromley Contingent. Okay…you know him better as Billy Idol, and “The Bromley Contingent” (which featured future members of The Clash and Siouxsee and the Banshees, among other seminal punkers) was basically an unofficial fan club that followed the Sex Pistols around on their earliest UK gigs. Billy, of course, was destined for bigger things, so he did not remain a mere fanboy for long.

Mixing archival footage with present-day ruminations from Idol (still alive!) Åkerlund retraces the rocker’s trajectory from co-founder of  Generation X (one of the first punk bands to perform on the BBC’s Top of the Pops program) to MTV superstar and beyond.

The price of fame is paid in full along the way; sex, drugs, and rock and roll takes its toll…but like some kind of sneering, leather-clad Energizer Bunny, Idol somehow just keeps going, and going. The present-day Idol is thoughtful, self-reflective, and surprisingly candid about where he’s been and where he’s headed. Being partial to Idol’s pre-MTV output, I found his punk era to be the most absorbing portion of the doc, but overall it should be an enjoyable ride for fans.