By Dennis Hartley
(Originally posted on Digby’s Hullabaloo on April 25, 2020)
The impoverished, densely populated favelas of Rio and the volatile political climate of contemporary Brazil provide a compelling backdrop for writer- director Paxton Winters’ crime drama. Sort of a cross between The King of New York and City of God, the story takes place during the height of the strong-arm “pacification” measures conducted by the government to “clean up” the favelas in preparation for the 2016 Rio Olympics.
The narrative centers on the relationship between 13-year old Tati (Cassia Gil), her single (and drug-addicted) mother Andrea (Débora Nascimento), and Jaca (Bukassa Kabengele), the former “godfather” of the neighborhood who has just been released from prison. Jaca, who has mellowed while in the joint, is nonetheless chagrined to learn that the young protégé he left in charge has essentially declared himself boss, become a neighborhood terror and now views Jaca as a threat to his regime. Tight direction, excellent performances and gorgeous cinematography by Laura Merians.