Tag Archives: Mixtape

Ten million pounds of sludge: Top 10 Eco-Flicks

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on April 19, 2025)

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Look at the powerful people
Stealing the sun from the day
Wish I could do something about it
When all I can do is pray

– from “Powerful People” by Gino Vannelli

If we dig precious things from the land, we will invite disaster.

Near the Day of Purification, there will be cobwebs spun back and forth in the sky.

A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans

– Hopi Prophecies sung in the soundtrack of the film Koyannasqatsi

Hey-have you heard the one about the Dutch Fish Doorbell?

When he created his online “fish doorbell” to aid fish migration in the Dutch city of Utrecht, never in his wildest dreams did ecologist Mark van Heukelum imagine that one day his project would end up being featured on an episode of Last Week Tonight with John Oliver.

That’s exactly what happened this past Sunday, when Oliver dedicated a full ten-minutes of his show to van Heukelum’s creation, even enlisting R&B artist Mario to perform a love song aimed at helping the fish population of Utrecht get into the mood.

“I was laughing my head off,” van Heukelum told Dutch broadcaster NOS the day after Oliver’s piece aired. “It was bizarre and above all a very positive story.”

The piece also had an immediate effect on traffic to the fish doorbell website, where visitors can press a button if they see fish in live webcam video outside the Weerdsluis lock in Utrecht, which in turn alerts a lock keeper to open the lock to let the fish through.

According to Anna Nijs, an ecologist with Utrecht municipality, visitors to the site nearly quadrupled overnight, with the site logging between 600,000 and 700,000 visits in the 24 hours following Oliver’s broadcast.

“Of course, you don’t need that many people to actually let the fish through,” Nijs told NU.nl. “But we like to make as many people as possible aware of fish migration and the importance of fewer barriers that we as humans have erected.”

Here’s a short news capsule with a nice overview of the project:

In the grand scheme, ringing that bell may feel like a mere drop in the ocean, but as Jacques Cousteau observed: “We forget that the life cycle and the water cycle are one.”

Speaking of water cycles, life cycles, and Mother Nature…this Tuesday (April 22) is Earth Day. You don’t seem to hear much hype about Earth Day anymore; I suppose the media has had other shiny things to chase after; important and impactful stories to be sure, but from a planetary perspective…will all of this fussing and fighting  really matter in 50 years? As Grace Slick once sang, doesn’t mean shit to a tree. Believe me, over the millenniums Mother Nature has seen worse; and from her perspective, Earth is only mostly dead.

So there is still hope.

The photo above was taken December 24, 1968 by Apollo 8 crew member Major William A. Anders. The story behind that now iconic photo is on NASA’s website:

Anders said their job was not to look at the Earth, but to simulate a lunar mission. It was not until things had calmed down and they were on their way to the moon that they actually got to look back and take a picture of the Earth as they had left it.

“That’s when I was thinking ‘that’s a pretty place down there,’” Anders said. “It hadn’t quite sunk in like the Earthrise picture did, because the Earthrise had the Earth contrasted with this ugly lunar surface.”

Anders described the view of Earth before Earthrise “kind of like the classroom globe sitting on a teacher’s desk, but no country divisions. It was about 25,000 miles away where you could still recognize continents.”

Yes, that is a “pretty place down there.” Be a shame if anything happened to it:

An international group of scientists who work with satellite data say the acceleration in the melting of Earth’s ice sheets is now unmistakable.

They calculate the planet’s frozen poles lost 7,560 billion tonnes in mass between 1992 and 2022.

Seven of the worst melting years have occurred in the past decade.

Mass loss from Greenland and Antarctica is now responsible for a quarter of all sea-level rise.

This contribution is five times what it was 30 years ago.

The latest assessment comes from the Ice Sheet Mass Balance Intercomparison Exercise, or Imbie. […]

The 7,560 billion tonnes of ice lost from Greenland and Antarctica during the study period pushed up sea-levels by 21mm.

Almost two-thirds (13.5mm) of this was due to melting in Greenland; one-third (7.4mm) was the result of melting in Antarctica.

“All this has profound implications for coastal communities around the world and their risk of being exposed to flooding and erosion,” said Dr Inès Otosaka from the UK’s Centre for Polar Observation and Modelling (CPOM), who led the latest assessment.

“It’s really important that we have robust estimates for the future contribution to sea-level rise from the ice sheets so that we can go to these communities and say, ‘Yes, we understand what is happening and we can now start to plan mitigations’,” she told BBC News.

So hope does remain…provided that proactive steps are taken. Meanwhile:

[from June 2024]

We just lived through the hottest year since record-keeping began more than a century ago, but before too long, 2023 might not stand out as the pinnacle of extreme heat.

That’s because it’s unlikely to be the only hottest year that we experience. Our climate is changing, growing warmer due to the emissions from burning fossil fuels, and our weather is changing with it. It’s possible that this year may turn out to be hotter still.

In March, scientists from the EU’s Copernicus Climate Change Service said February 2024 was the hottest February according to records that stretch back to 1940. The news came on the heels of their report in early January that, as expected, 2023 was indeed the hottest year on record. Temperatures closed in on the critical 1.5-degree Celsius rise above pre-industrial levels, after which we will see irreversible damage to the planet. These aren’t freak outliers: The extreme heat we’re experiencing is something we’ll need to be prepared to deal with on a much more regular basis, along with storms, floods and drought. […]

A key trend highlighted by the US government’s Fifth National Climate Assessment, published in November, was that climate change is provoking extreme weather events across the country that are both more frequent and more severe. It pointed to an increase in heatwaves and wildfires in the West over the past few decades, the increased drought risk in the Southwest over the past century and more extreme rainfall east of the Rockies. Hurricanes have also been intensifying, as those who have found themselves in the path of a storm know all too well. […]

Even if you live in a region that hasn’t yet directly been impacted by a climate-linked weather event, you’re not off the hook.

“As the climate continues to warm, most areas will be at an increased risk of some types of climate-linked extreme weather,” says Russell Vose, chief of the Monitoring and Assessment Branch at NOAA’ National Centers for Environmental Information and one of the NCA’s authors. “Perhaps the best example is extreme heat – it can occur anywhere.”

He points to the scorching heat dome that descended on the Pacific Northwest in June and July 2021, which was unprecedented in the historical record. The unpredictable nature of such extreme heat means no regions are marked as safe.

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At first glance, the image above may appear to be a still from a post-apocalyptic film-but it’s a photo I snapped outside my Seattle office in September of 2020. You’re looking due East across Lake Washington at around 10am…directly into the sun and toward the Bellevue skyline. I was not using any filters, nor was there any retouching of the photo. Normally, the view across the lake appears as it does in this photo I took:

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We not only had a freakish late summer “heat dome” in the Pacific Northwest, but much of the West Coast was aflame. For over a month, resulting smoke made air quality so dangerous that local health officials recommended staying indoors and sealing up windows (good times for those of us with no A/C). It was also recommended to wear masks outdoors…which we were already doing for COVID indoors. Oy.

Was this a sneak preview ? How’s the air today? According to The American Lung Association’s “State of the Air” report for 2024 (their 2025 report isn’t out yet)…let’s just say, I wouldn’t toss those N95s away yet.

The “State of the Air” 2024 report finds that despite decades of progress cleaning up air pollution, 39% of people living in America—131.2 million people—still live in places with failing grades for unhealthy levels of ozone or particle pollution. This is 11.7 million more people breathing unhealthy air compared to last year’s report.

The significant rise in the number of individuals whose health is at risk is the result of a combination of factors. Extreme heat, drought and wildfires are contributing to a steady increase in deadly particle pollution, especially in the western U.S. Also, this year’s “State of the Air” report is using EPA’s new, more protective national air quality standard for year-round levels of fine particle pollution, which allows for the recognition that many more people are breathing unhealthy air than was acknowledged under the previous weak standard. […]

“State of the Air” 2024 is the 25th edition of this annual report, which was first published in 2000. From the beginning, the findings in “State of the Air” have reflected the successes of the Clean Air Act, as emissions from transportation, power plants and manufacturing have been reduced. In recent years, however, the findings of the report continue adding to the evidence that a changing climate is making it harder to protect human health. High ozone days and spikes in particle pollution related to extreme heat, drought and wildfires are putting millions of people at risk and adding challenges to the work that states and cities are doing across the nation to clean up air pollution.

I’m  just here to bring you good cheer.

Anyway, here are my picks for the Top 10 eco-flicks.

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Chasing Ice– Jeff Orlowski’s film is glacially paced. That is, “glacial pacing” ain’t what it used to be. Glaciers are moving along (“retreating”, technically) at a pretty good clip. This does not portend well. To be less flowery: we’re fucked. According to nature photographer (and subject of Orlowski’s film) James Balog, “The story…is in the ice.”

Balog’s journey began in 2005, while on assignment in the Arctic for National Geographic to document the effect of climate change. Up until that trip, he candidly admits he “…didn’t think humans were capable” of influencing weather patterns so profoundly. His epiphany gave birth to a multi-year project utilizing modified time-lapse cameras to capture alarming empirical evidence of the effects of global warming.,

The images are beautiful, yet troubling. Orlowski’s film mirrors the dichotomy, equal parts cautionary eco-doc and art installation. The images trump the montage of inane squawking by climate deniers in the opening, proving that a picture is worth 1,000 words.

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The Emerald Forest– Although it may initially seem a heavy-handed (if well-meaning) “save the rain forest” polemic, John Boorman’s underrated 1985 adventure (a cross between The Searchers and Greystoke: The Legend of Tarzan) goes much deeper.

Powers Boothe plays an American construction engineer working on a dam project in Brazil. One day, while his wife and young son are visiting the job site on the edge of the rain forest, the boy is abducted and adopted by an indigenous tribe who call themselves “The Invisible People”, touching off an obsessive decade-long search by the father. By the time he is finally reunited with his now-teenage son (Charley Boorman), the challenge becomes a matter of how he and his wife (Meg Foster) are going to coax the young man back into “civilization”.

Tautly directed, lushly photographed (by Philippe Rousselot) and well-acted. Rosco Pallenberg scripted (he also adapted the screenplay for Boorman’s 1981 film Excalibur).

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Godzilla vs. the Smog Monster– I know what you’re thinking: there’s no accounting for some people’s tastes. But who ever said an environmental “message” movie couldn’t also provide mindless, guilty fun? Let’s have a little action. Knock over a few buildings. Wreak havoc. Crash a wild party on the rim of a volcano with some Japanese flower children. Besides, Godzilla is on our side for a change. Watch him valiantly battle Hedora, a sludge-oozing toxic avenger out to make mankind collectively suck on his grody tailpipe. And you haven’t lived until you’ve heard “Save the Earth”-my vote for “best worst” song ever from a film (much less a monster movie).

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An Inconvenient Truth– I re-watched this recently; I hadn’t seen it since it opened in 2006, and it struck me how it now plays less like a warning bell and more like the nightly news.  It’s the end of the world as we know it. Apocalyptic sci-fi is now scientific fact. Former VP/Nobel winner Al Gore is a Power Point-packing Rod Serling, submitting a gallery of nightmare nature scenarios for our disapproval. I’m tempted to say that Gore and director Davis Guggenheim’s chilling look at the results of unchecked global warming only reveals the tip of the iceberg…but it’s melting too fast.

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Koyannisqatsi– In 1982 this genre-defying film quietly made its way around the art houses; it’s now a cult favorite. Directed by activist/ex-Christian monk Godfrey Reggio, with beautiful cinematography by Ron Fricke (who later directed Chronos, Baraka, and Samsara) and music by Philip Glass (who also scored Reggio’s sequels), it was considered a transcendent experience by some; New Age hokum by others (count me as a fan).

The title (from ancient Hopi) translates as “life out of balance” The narrative-free imagery, running the gamut from natural vistas to scenes of First World urban decay, is open for interpretation. Reggio followed up in 1988 with Powaqqatsi (“parasitic way of life”), focusing on the First World’s drain on Third World resources, then book-ended his trilogy with Naqoyqatsi (“life as war”).

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Manufactured Landscapes– A unique eco-documentary from Jennifer Baichwal about photographer Edward Burtynsky, who is an “earth diarist” of sorts. While his photographs are striking, they don’t paint a pretty picture of our fragile planet. Burtynsky’s eye discerns a terrible beauty in the wake of the profound and irreversible human imprint incurred by accelerated modernization. As captured by Burtynsky’s camera, strip-mined vistas recall the stark desolation of NASA photos sent from the Martian surface; mountains of “e-waste” dumped in a vast Chinese landfill take on an almost gothic, cyber-punk dreamscape. The photographs play like a scroll through Google Earth images, as reinterpreted by Jackson Pollock. An eye-opener.

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Princess Mononoke– Anime master Hayao Miyazaki and his cohorts at Studio Ghibli have raised the bar on the art form over the past several decades. This 1997 Ghibli production is one of their most visually resplendent. Perhaps not as “kid-friendly” as per usual, but many of the usual Miyazaki themes are present: humanism, white magic, beneficent forest gods, female empowerment, and pacifist angst in a violent world. The lovely score is by frequent Miyazaki collaborator Joe Hisaishi. For another great Miyazaki film with an environmental message, check out Nausicaa Valley of the Wind.

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Queen of the Sun- I never thought that a documentary about honeybees would make me laugh and cry-but Taggart Siegel’s 2010 film did just that. Appearing at first to be a distressing examination of Colony Collapse Syndrome, a phenomenon that has puzzled and dismayed beekeepers and scientists alike with its increasing frequency over the past few decades, the film becomes a sometimes joyous, sometimes humbling meditation on how essential these tiny yet complex social creatures are to the planet’s life cycle. Humans may harbor a pretty high opinion of our own place on the evolutionary ladder, but Siegel lays out a convincing case which proves that these busy little creatures are, in fact, the boss of us.

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Silent Running– In space, no one can hear you trimming the verge! Bruce Dern is an agrarian antihero in this 1972 sci-fi adventure, directed by legendary special effects wizard Douglas Trumbull. Produced around the time “ecology” was a buzzword, its message may seem a little heavy-handed today, but the film remains a cult favorite.

Dern plays the gardener on a commercial space freighter that houses several bio-domes, each dedicated to preserving a species of vegetation (in this bleak future, the Earth is barren of organic growth).

While it’s a 9 to 5 drudge gig to his blue-collar shipmates, Dern sees his cultivating duties as a sacred mission. When the interests of commerce demand the crew jettison the domes to make room for more lucrative cargo, Dern goes off his nut, eventually ending up alone with two salvaged bio-domes and a trio of droids (Huey, Dewey and Louie) who play Man Friday to his Robinson Crusoe. Joan Baez contributes two songs on the soundtrack.

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Soylent Green– Based on a Harry Harrison novel, Richard Fleischer’s 1973 film is set in 2022, when traditional culinary fare is but a dim memory, due to overpopulation and environmental depletion. Only the wealthy can afford the odd tomato or stalk of celery; most of the U.S. population lives on processed “Soylent Corporation” product. The government encourages the sick and the elderly to politely move out of the way by providing handy suicide assistance centers (considering ongoing threats to our Social Security system, that doesn’t seem much of a stretch anymore).

Oh-there is some ham served up onscreen, courtesy of Charlton Heston’s scenery-chewing turn as a NYC cop who is investigating the murder of a Soylent Corporation executive. Edward G. Robinson’s moving death scene has added poignancy; as it preceded his passing by less than two weeks after the production wrapped.

# # #

Bonus Tracks!

Here’s an environmentally-sound mixtape for Earth Day:

UPDATE: Mercy mercy me:

Environmental groups are bracing for the Trump administration to potentially target their tax-exempt status, a move that could come down on Earth Day, this coming Tuesday, according to reporting from multiple outlets published Wednesday.

Rumors about such a move are swirling as the Trump administration is also reportedly considering plans to revoke Harvard University’s tax-exempt status, a major escalation against the elite institution that critics said marks just the start of a broader assault on nonprofits that refuse to acquiesce to the administration’s demands.

Fears that President Donald Trump will try to revoke environmental groups’ tax-exempt status is the “rumor of the day that is flying around D.C.,” Brett Hartl, the government affairs director at the nonprofit Center for Biological Diversity, toldE&E News. “There’s lots of rumors about what terrible thing [Trump] wants to do on Earth Day, to just give everybody the middle finger.”

Sources who spoke to Bloomberg Law on the condition of anonymity told the outlet that multiple conservation and environmental groups are preparing and assembling legal teams in response to the rumors. Per Bloomberg Law, a potential order from Trump could also seize groups’ funding and designate them as domestic terrorists.

“We are trying to not panic, because we don’t know what it is,” Hartl told E&E News, though he added that environmentalists would “rally together and support each other.”

Kieran Suckling, executive director for the Center for Biological Diversity, told Bloomberg Law that his organization is preparing for a potential order, and said the group would take legal action if it comes to pass.

501(c)(3) tax-exempt organizations, such as the Center for Biological Diversity and Earthjustice, are exempt from federal income tax and can collect tax-deductible donations.

The environmentalist and author Bill McKibben reacted to the reporting by remarking that the threat comes amid the “ongoing decimation of federally funded climate science.”

“I know a great many of these people, and I admire their work endlessly; it’s an honor to be counted among them, even if I’m only a volunteer,” he said of those who work for green groups. “It was perhaps inevitable that Trump and his team would target us; together we’ve been making life harder for his clients in the fossil fuel industry. And in the new America, if you don’t knuckle under you get a knuckle sandwich. Figuratively speaking. One hopes.”

Let us all hope. In the meantime-think globally, act locally.

No more lies: A mobilizing mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on April 5, 2025)

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Stand, you’ve been sitting much too long
There’s a permanent crease in your right and wrong
Stand, there’s a midget standing tall
And a giant beside him about to fall

— from “Stand” by Sly & the Family Stone

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Well…it’s been an eventful week for the resistance:

WASHINGTON (AP) — In a feat of determination, New Jersey Democratic Sen. Cory Booker held the Senate floor with a marathon speech that lasted all night and into Tuesday night, setting a historic mark to show Democrats’ resistance to President Donald Trump’s sweeping actions.

Booker took to the Senate floor on Monday evening, saying he would remain there as long as he was “physically able.” It wasn’t until 25 hours and 5 minutes later that the 55-year-old senator, a former football tight end, finished speaking and limped off the floor. It set the record for the longest continuous Senate floor speech in the chamber’s history. Booker was assisted by fellow Democrats who gave him a break from speaking by asking him questions on the Senate floor.

It was a remarkable show of stamina as Democrats try to show their frustrated supporters that they are doing everything possible to contest Trump’s agenda. Yet Booker also provided a moment of historical solace for a party searching for its way forward: By standing on the Senate floor for more than a night and day and refusing to leave, he had broken a record set 68 years ago by then Sen. Strom Thurmond of South Carolina, a segregationist and southern Democrat, to filibuster the advance of the Civil Rights Act in 1957.

“I’m here despite his speech,” said Booker, who spoke openly on the Senate floor of his roots as the descendant of both slaves and slave-owners. He added, “I’m here because as powerful as he was, the people are more powerful.”

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On Wednesday, some familiar faces from Russia picked up the torch:

Pussy Riot, the provocative, political Russian punk band, came to Washington Square Park Wednesday to deliver a stern warning: “Wake up, America!”

Their faces hidden behind red ski masks, six members of the feminist art collective marched down Fifth Ave. and into the Greenwich Village park around 1 p.m. Standing in front of the Washington Square Arch, they unfurled two large banners bearing messages: “Don’t Give Up” and “Freedom of Speech?”

Two other members of the group held up a rotating collection of placards with phrases like “Fever Dream,” “1984” and “Great Again: The Greatest Greatness But Mine Is Greater (Again).”

“We’ve been imprisoned in Russia,” said band member Masha Alyokhina. “We’ve been persecuted. We are in federal wanted lists in our country. So if we appear on the border, we’ll be immediately arrested for our anti-Putin and anti-war — [a war] which he started — activities.

“We are here now because we see the [rise] of authoritarian[ism] here. We want to call people to not be silent and we want people to remember to not to give up, even in the difficult conditions — to have hope inside, to have belief.”

Well, someone was paying attention:

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Via Axios:

Protesters across the U.S. rallying as part of the “Hands Off!” movement on Saturday are taking to the streets, state capitals, federal buildings, congressional offices and city centers to protest the Trump administration.

Why it matters: President Trump’s political, economic, social, health and legal changes have mobilized a wide cross-section of Americans.

State of play: Demonstrators are also speaking out against Elon Musk’s involvement in the federal government as an unelected official running DOGE.

The anticipated protests prompted the White House to reschedule its Saturday White House spring garden tours.

By the numbers: More than 1,100 rallies, visibility events and meetings were scheduled in all 50 states as of Wednesday.

Organizers said they had more than 500,000 RSVPs as of Friday night. Dozens of advocacy organizations partnered to support Saturday’s mass mobilization

As I am writing this midday Saturday, it’s going pretty, pretty, well:

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Looking strong here in the Pacific Northwest, too. Hail Portlandlandia:

Not too shabby here in Seattle today, either:

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I’m sorry to hear the White House had to reschedule its Saturday White House spring garden tours, but as Malvina Reynolds sang…if that is Freedom’s price, we don’t mind. In the spirit of solidarity, I’ve picked a few more golden greats guaranteed to mobilize the troops.

The Beatles – “Revolution”

Frank Zappa – “Trouble Every Day”

Elvis Costello – “Night Rally”

Green Day – “American Idiot”

The Clash – “Clampdown”

Woody Guthrie – “All You Fascists Bound to Lose”

Bob Marley & the Wailers – “Get Up, Stand Up”

The Style Council – “The Whole Point of No Return”

Tracy Chapman – “Talkin’ About a Revolution”

John Lennon – “Power to the People”

Sly & the Family Stone – “Stand!”

Heaven 17 – “(We Don’t Need This) Fascist Groove Thang”

Public Enemy – “Fight the Power”

Rage Against the Machine – “Take the Power Back”

Gil Scott-Heron – “The Revolution Will Not Be Televised”

The Honeydrippers – “Impeach the President”

The Buffalo Springfield – “For What It’s Worth”

Billy Bragg – “There is Power in a Union”

Malvina Reynolds – “It Isn’t Nice”

Pete Seeger – “We Shall Overcome”

Angel dust Byrons: A Rock ‘n’ Noir mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on March 8, 2025)

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Heard about the restaurant on the Moon? Great food…no atmosphere.

Yeah, I know. You rolled out of your crib in hysterics the first time you heard that one. But let’s face it – “atmosphere” is essential; not just for breathing, but for setting a mood.

I’ve curated a noir mixtape that is all about atmosphere; 20 songs evoking dark alleys, rain-slicked streets, low-rent rooms, beautiful losers, and broken dreams. In other words, this ain’t no party, this ain’t no disco. Besides …everyone knows tough guys don’t dance.

BARRY ADAMSON: The Man With the Golden Arm – Prolific, genre-hopping UK musician-composer-producer Barry Adamson’s brilliant 1988 arrangement of the theme from Otto Preminger’s eponymous 1955 noir is a tad down-tempo compared to the film version (written by Elmer Bernstein and originally performed by Richard Maltby & His Orchestra), but nonetheless compelling.

STAN RIDGWAY: Drive, She Said – Harry Chapin’s “Taxi” meets Edgar G. Ulmer’s Detour in this cinematic cabby’s tale from the former Wall of Voodoo lead singer.

THE ALLIES: Emma Peel – The Allies were an early 80s power pop band from Seattle who should have gone places. Unrequited love in the sickly glow of a cathode ray.

Emma, I’ll be your Steed
I’ll be all you ever need
If I cry and if I bleed
Will it help me?

ELVIS COSTELLO: Watching the Detectives – Another two-dimensional dream. She’s filing her nails while they’re dragging the lake… Damn, that’s cold.

THE DOORS: Riders on the StormThere’s a killer on the road. Distant thunder, the cascading shimmer of a Fender Rhodes, a desolate tremolo guitar and dangerous rhythms.

JULEE CRUISE: Summer Kisses, Winter TearsAnd nothing can light the dark of the night/Like a falling star. Somehow, that’s less than reassuring. Ms. Cruise’s Elvis cover is nothing, if not atmospheric.

BLUE ÖYSTER CULT: Then Came the Last Days of MayWasn’t until the car suddenly stopped/In the middle of a cold and barren plain… A tragic tale of a drug deal gone terribly, terribly wrong.

STEELY DAN: Don’t Take Me Alive – I’m on the lam, but I ain’t no sheep.

Got a case of dynamite
I could hold out here all night
Yes I crossed my old man back in Oregon
Don’t take me alive

CHICO HAMILTON QUINTET: Sidney’s Theme (from The Sweet Smell of Success)Alexander Mackendrick’s 1957 film noir is one of the most vicious and cynical ruminations on America’s obsession with fame and celebrity (the sharp Clifford Odets/Ernest Lehman screenplay drips with venom). Many scenes take place in a jazz club, featuring performances by the Chico Hamilton Quintet. “Sidney” is the character played by Tony Curtis; he’s a smarmy and furtive press agent who sucks up to Burt Lancaster’s JJ Hunsecker, a powerful NYC columnist who can launch (or sabotage) show biz careers with a flick of his poison pen.

WAS (NOT WAS): Somewhere in America (There’s a Street Named After My Dad) – Our luckless protagonist is trapped in an asphalt jungle; dreaming of a pleasant valley Sunday.

At night only crickets
No prowlers, no sirens
No pinky ring hustlers
No angel dust Byrons
No bars on the windows
No saber-toothed neighbors
Just good simple folks
In a rainbow of flavors

THE LOUNGE LIZARDS: Harlem Nocturne – The Lounge Lizards were formed in the late 70s by actor-musician John Lurie (sax) and his brother Evan (keys), backed by a revolving door of players until the group’s dissolution in 1998. This cover of Earle Hagen and Dick Rogers’ standard evokes smoky lounges, shady dealings, and last calls.

MICHAEL FRANKS: Nightmoves – An instrumental version of this moody piece (composed by Michael Smalls) played under the opening credits for Arthur Penn’s eponymous 1975 neo-noir. Michael Franks later wrote lyrics for it and released a vocal version, which appeared on his 1976 album “The Art of Tea”. Featuring the great Larry Carlton on guitar.

I keep you in frame and I whisper your name till the picture fades
The feeling is already gone, I don’t know why I’m going on
Can’t remember the ending

DAVID BAERWALD: A Secret Silken World – I don’t know what war-torn region of the human soul Baerwald visited in order to find the characters for this story, but I don’t ever want to go there, even just to snap a few pictures.

The seats of his car were like a woman’s skin
Made me think about all those places I’ve been
It made me understand murder and the nature of sin
I leaned back and I listened to his music

AL STEWART: Broadway Hotel – According to Al Stewart, “It’s a very strange song. It’s about a woman who checks into a hotel in order to be alone. She’s alone for a little while and she orders room service. The man who comes up and brings the trey begins a lengthy relationship with her. They lock themselves in the room for about a week and then they order room service.” Oh, what does he know about it? I’m still picturing the flickering light of a neon sign stabbing through the blinds of the hotel room window…

You’re seeking a hideaway
Where the light of day
Doesn’t touch your face
And a door sign keeps the world away
Behind the shades
Of your silent day.

MICK RONSON: Slaughter on 10th Avenue – Richard Rogers originally composed this moody piece to accompany the eponymous ballet featured in Rogers and Hart’s 1936 stage musical On Your Toes. The song was revived in Robert Laven’s 1957 film noir, Slaughter on 10th Avenue…which, despite co-opting the title of the ballet from On Your Toes, had a completely different plot line (adapted from William Keating’s autobiography). A long, strange trip from a 30s ballet to a 70s rocker, but the late great guitar god of glam makes it sing.

ROY BUDD: Get Carter Main Theme – Easily vying for the crown as the best British gangster film of all time (or perhaps a tie with The Long Good Friday), Mike Hodges’ 1971 neo-noir Get Carter (adapted from Ted Lewis’ novel Jack’s Return Home ) was a superb showcase for star Michael Caine. It also featured a fab soundtrack by British jazz pianist Roy Budd. This main theme plays over the opening credits, click-clacking in syncopation with Caine’s train ride to Newcastle (as Caine kills time in the coach car reading a Raymond Chandler novel). Perfect.

COCKNEY REBEL: Mirror Freak –Steve Harley’s enigmatic tale of skins, spivs, and other assorted night creatures.

Oh you’re too cute to be a big rock star
But if you’re cool you may not push it too far
Oh just believe in yourself and take a tip from the elf
And sing a boogie to the image fatale

GIL SCOTT-HERON: Pieces of a Man – Everyone has their breaking point. Gil Scott-Heron’s soulful vocal, Brian Jackson’s transcendent piano, the great Ron Carter’s sublime stand-up bass work, and the pure poetry of the lyrics render a heartbreaking tale.

Pieces of that letter
Were tossed about that room
And now I hear the sound of sirens
Come knifing through the gloom

They don’t know what they are doing
They could hardly understand
That they’re only arresting
Pieces of a man

HENRY MANCINI: Theme from Peter Gunn – I didn’t realize until recently that Peter Gunn was streaming on Prime Video. I didn’t see it during its original run (being that I was 2 years old when the series premiered in 1958). I’ve been digging that crazy jazz and noir vibe (goes down easy in tightly-scripted 27-minute installments, which makes for a perfect nightcap). Of course I’ve always loved the theme song (who doesn’t?), which features one of the greatest guitar riffs of all time. Despite myriad cover versions, Henry Mancini’s original still rules.

ROBYN HITCHCOCK: Raymond Chandler Evening – And with this selection, our coda, have a pleasant one.

It’s a Raymond Chandler Evening,
And the pavements are all wet,
And I’m lurking in the shadows
‘Cause it hasn’t happened yet.

Bonus Track!

TONY POWERSDon’t Nobody Move (This is a Heist) – This seedy nighttime crawl through the streets of New York leans toward wry comedy, but is noir-adjacent. The 1982 video was a fan favorite on USA’s Night Flight (which is where I first saw it).

They wuz towin’ me away
Cuz I don’t have
Diplomat plates
While this diplomat I know
Is smugglin’ “H”
Into the states
I said “lemmee have
The ticket ‘n the car –
Save me a trip”
So they hauled me in
For giving them
Some unauthorized lip…

L.A. is a feeling: A mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullbaloo on January 11, 2025)

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Drivin’ down your freeways
Midnight alleys roam
Cops in cars, the topless bars
Never saw a woman
So alone, so alone

– from “L.A. Woman”, by The Doors

In my 2019 review of Jacques Demy’s 1969 drama Model Shop, I wrote:

George’s day (and the film) turns a 180 when he visits a pal who runs an auto repair shop and espies a lovely woman (Anouk Aimee) who is there to pick up her car. On impulse, he decides to follow her in his MG (yes, it’s a bit on the stalking side). He follows her high up into the hills over L.A., and then seems to lose interest. He stops and takes in a commanding view of the city and the valley beyond, deeply lost in thought.

In my favorite scene, he drives up into (Laurel Canyon?) to visit a friend who’s a musician in an up-and-coming band. George’s pal turns out to be Jay Ferguson, keyboardist and lead singer of the band Spirit (and later, Jo Jo Gunne). Ferguson (playing himself) introduces George to his band mates, who are just wrapping a rehearsal. Sure enough, the boys in the band are Ed Cassidy, Randy California, and Matthew Andes-which is the classic lineup for Spirit! The band also provided the soundtrack for the film.

After the band splits, Jay plays a lovely piano piece for George; a song he’s “working on”. After some small talk, George sheepishly hits Jay up for a loan. No problem, man. Jay’s got him covered. George delivers this short, eloquent soliloquy about Los Angeles:

I was driving down Sunset and I turned on one of those roads that leads into the hills, and I stopped at this place that overlooks the whole city; it was fantastic. I suddenly felt exhilarated. I was really moved by the geometry of the place…its harmony. To think that some people claim that it’s an ugly city, when it’s really pure poetry…it just kills me. I wanted to build something right then; create something. It’s a fabulous city.

It is a fabulous city…as far as I know. I don’t live there, but the “L.A.” that lives in my mind will always be a fabulous city. I’ve visited maybe 10 times in my life, and it’s always a fresh kick.

I was all of 19 years old in 1975 the first time I visited L.A., while still living in Alaska. I went with a friend, a fellow music geek who had grown up there. He introduced me to his “holy trinity” of record stores: Tower Records on the Strip, Aron’s on Melrose (their sidewalk sales were legend), and of course, the original Rhino Records store on Westwood Boulevard (as immortalized by Wild Man Fischer).

I actually remember picking up a copy of that 45, which Rhino was offering for free with any purchase. At any rate, I went absolutely ape shit (I remember flying back north with about 150 LPs in tow). We didn’t have record stores like that in Fairbanks. We returned the following summer for a rinse and repeat.

The L.A. music scene was a real eye-opener for me. I was there only a week or so for both trips (1975 and 1976), but was able to catch quite a few acts at The Roxy and The Troubadour (and possibly the Whisky A Go Go…I was in a Thai Stick haze at the time). I can’t recall which acts I saw which year, but the list includes Captain Beefheart, Nils Lofgren, The L.A. Express (with a surprise appearance by Joni Mitchell!), Kinky Friedman and the Texas Jewboys, Larry Coryell, Chunky, Novi & Ernie, Procter & Bergman, and others I’m fogging on.

My most recent visit was in 2019, to hang for a few days with my pal Digby and her husband. We took a road trip from Santa Monica to Santa Barbara to catch The Cult at the Bowl. I’d never been to Santa Barbara, so I was really digging the 90-mile drive along the Pacific Coast Highway. For locals, I’m sure the road signs you pass along the way are incidental, but for me, it was like “Ventura? As in Ventura Highway in the sunshine? Malibu? Redondo Beach?! Point Dume?! You mean…THE Point Dume? As in god damn you all to hell?”

I may not be a resident Angelino, but my heart certainly goes out to the people who have lost loved ones, homes and businesses in the unprecedented wildfires that continue to threaten life and property in the greater Los Angeles region as of this writing. Having been through a house fire where I literally lost nearly everything I owned, I can empathize. I was in my early 20s at the time, so I had the resilience of youth on my side and got back on track relatively quickly-but I think about people who are getting on later in life (like I am now) and how difficult it must be to lose everything and have to start over again. This too shall soon pass.

In the meantime, there are good vetted resources available if you want to help victims. And for this week’s post, I’ve curated a special mixtape as a musical love letter to that “fabulous city” that lives in my mind.

L.A. Woman – The Doors

To Live and Die in L.A. – Wang Chung

Nite City – Nite City

L.A. Dreamer – Charlie

Walking in L.A. – Missing Persons

Hollywood Nights – Bob Seger and the Silver Bullet Band

The Sixteens – The Sweet

Valley Girl – Frank Zappa and Moon Zappa

Los Angeles – X

Cracked Actor – David Bowie

Marie Provost – Nick Lowe

Celluloid Heroes – The Kinks

Sunset Boulevard – City Boy

Free-Fallin’ – Tom Petty

Ladies of the Canyon – Joni Mitchell

California Dreamin’ – The Mama’s and the Papa’s

California Girls – The Beach Boys

Mulholland Drive – October London

Straight From the Heart – George Duke

Ventura Highway – America

99 Miles From L.A. – Albert Hammond

I Love L.A. – Randy Newman

Redondo Beach – Patti Smith

Coming Into Los Angeles – Arlo Guthrie

All I Wanna Do – Sheryl Crow

Previous posts with related themes:

Chinatown

Criss-Cross

The Day of the Locust

The Decline of Western Civilization

Drive

Farewell, My Lovely

He Walked By Night

In a Lonely Place

Kiss Me Deadly

The Long Goodbye

The Loved One

The Mayor of the Sunset Strip

Miracle Mile

Mulholland Drive

Once Upon a Time in Hollywood

Rampart

Repo Man

The Runaways

Shampoo

To Live and Die in L.A.

Skating away: A Solstice Mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 21, 2024)

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Happy Solstice! I thought I’d whip up a wintry mix of (literally) cool tunes to celebrate the shortest day of the year (buck up, little camper…we’ll start gaining daylight tomorrow). So for a much-needed mental health break…turn off the news, fix yourself a nice cup of hot chocolate (or kick it up a notch), dim all the lights, cozy up in front of the fireplace (real or virtual), don your favorite noise-cancelling headphones and (if I may quote from a Styx song) let the melody just drift your cares away.

California Dreamin’ – The Mamas & the Papas

A Hazy Shade of Winter– Simon & Garfunkel

Waiting for the Winter – Popguns

Theme from “Due South” – Jay Semko

Rangers at Midnight – Crack the Sky

A Winter’s Tale – Jade Warrior

Wintertime Love – The Doors

Sometimes in Winter – Blood, Sweat, & Tears

Song of the Evergreens – Chicago

Superwoman – Stevie Wonder

Snowflake – Kate Bush

Winter Wine – Caravan

Northern Lights – Renaissance

Winter in the Country – Cleaners From Venus

Ring Out, Solstice Bells – Jethro Tull

A Happy Little Space For Election Anxiety

By Dennis Hartley

(Originally posted at Digby’s Hullabaloo on November 2, 2024)

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Is there such a thing as situational ADD? I’ve really been having a hard time focusing recently. I have writer’s block. My bedtime has been all over the map. I’ve been stress eating (I had ice cream for dinner the other night). I can’t watch an entire movie in one sitting. I don’t drink, but I’ve been toying with the idea of taking it up as a pastime.

I’ve noticed that these symptoms have become more acute the closer we get to Election Day. I suspect I am not alone in this predicament, bon ami? With that in mind, let’s take a trip back in time…back to those heady days of this past July (did I mention that my perception of the time-space continuum has also taken a hit?).

That was my long-winded way of apologizing for this re-run. So until we meet again next Saturday on the other side of whatever happens this coming Tuesday, keep your feet on the ground and keep reaching for the stars (or the Dewars). Sláinte!

(Originally posted at Digby’s Hullabaloo on July 20, 2024)

Book of Saturday, Chapter III: A Chillaxing Mixtape

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Dee: Jane, do you ever feel like you are just this far from being completely hysterical twenty-four hours a day?

Jane: Half the people I know feel that way. The lucky ones feel that way. The rest of the people ARE hysterical twenty-four hours a day.

— from Grand Canyon, screenplay by Lawrence and Meg Kasdan

HAL 9000: Look Dave, I can see you’re really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over.

— from 2001: A Space Odyssey, screenplay by Stanley Kubrick and Arthur C. Clarke

George Fields: [to Dorothy/Michael] I BEGGED you to get therapy!

— from Tootsie, screenplay by Murray Schisgal

I’ll be honest. This has been a particularly rough week for news junkies and/or anyone who cares about the future of our democracy. As Howard Beale once said, I don’t have to tell you things are bad. Everybody knows things are bad. Of course, we’ve “been here before”, seemingly on the brink of sociopolitical collapse (I’m old enough to remember 1968). After all, history (as one of the students in The History Boys proffers) is best defined as “…just one fuckin’ thing after another.” The future’s uncertain and the end is always near-so why worry?

That said, if there is one constant through all the years, it’s sweet, sweet music (I’ll bet you thought I was going to say “baseball”, didn’t you?). Speaking of “constants through all the years”, you’ve heard the one about cockroaches and Cher surviving the Apocalypse? You can add this item to that list: Maxell UD XL-II 90 cassettes (I used to buy ’em by the “brick”).

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I have a stash of mix tapes that I curated from the mid 70s through the early 90s. A few years back I was transferring some to CD and I’ll be damned if some of the oldest ones didn’t sound just as good as the day I recorded them (my theory is that they are manufactured from the same material they use for “black boxes” in airplanes).

I was into putting together “theme sets” long before I got into the radio biz. My mix tapes were popular with friends; I’d make copies on demand, and name them (of course). One of my faves was “The Oh My God I am So Stoned Tape”. I don’t think that requires explanation; I mean, it was the 70s and I was a long-haired stoner music geek.

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50 years later, I’m still putting together theme sets. It is my métier. Kind of sad, really (grown man and all). Anyway …turn off the news (it’s depressing!), turn down the lights, do some deep breathing, put on some noise-cancelling ‘phones and let “The Oh My God I am So Stoned Tape 2024” wash anxiety away. I’ve sequenced the songs in a manner designed to sustain a certain mood-so for maximum effect, I suggest that you listen to it in order. Enjoy!*

*Herbal enhancement optional

The Jazz Butcher Conspiracy – “Partytime”

Simon and Garfunkel – “Punky’s Dilemma”

The Style Council – “The Whole Point of No Return”

The Herd – “On Your Own”

Budgie – “Make Me Happy”

Batdorf and Rodney – “Poor Man’s Dream”

Chunky, Novi, & Ernie – “Atlantic Liner”

Hall & Oates – “Las Vegas Turnaround (The Stewardess Song)”

War – “All Day Music”

Malo – “Suavecito”

Foghat – “I Couldn’t Make Her Stay”

Beth Orton – “Couldn’t Cause Me Harm”

David Sylvain – “I Surrender”

Brian Protheroe – “Pinball”

Roger Powell – “Windows”

Kiss – “A World Without Heroes”

Tim Curry – “Out of Pawn”

Russ Ballard – “Helpless”

The Tom Robinson Band – “War Baby”

Charlie – “L.A. Dreamer”

Joe Vitale – “Feeling’s Gone Away”

David Bowie – “Don’t Look Down”

Dead Can Dance- “The Carnival is Over”

Scott Walker – “Angels of Ashes”

Nick Heyward – “The Day it Rained Forever”

13 songs the lord never taught us: A mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on October 19, 2024)

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I know what you’re thinking-we’re still about 2 weeks out from Halloween  …but ’tis the season. Besides, “Halloween” is practically a 4th-quarter long celebration, considering its proximity to All Saints Day, All Souls Day, All Hallows’ Eve, El Dia de los Muertos, Ghost Festival, Guy Fawkes Night, Mischief/Devil’s/Hell’s Night and Samhain. In that spirit, I offer a few frightening picks for your party playlist.

ALICE COOPER: The Ballad of Dwight Frye – “I’ve gotta get OUTTA here!” A theatrical paean to the screen actor who played a bevy of loony tune characters, most notably  “Renfield” in Tod Browning’s 1931 version of Dracula. Just remember…”sleepin’ don’t come very easy, in a straight white vest.”

BAUHAUS: Bela Lugosi’s Dead – The Goth anthem. “Undead, undead, undead …” We get it.

BLACK SABBATH: Black Sabbath– Album 1, side 1, cut 1: Howling wind, driving rain, the mournful peal of a bell, and the heaviest, scariest tri-tone power chord riff you’ve ever heard. “Please God help meee!!“Talk about a mission statement.

PINK FLOYD: Careful With That Axe, Eugene – The Floyd’s most ominous dirge is basically an instrumental mood piece, but Roger Waters’ eerie shrieking  is the stuff of nightmares.

ATOMIC ROOSTER: Death Walks Behind You– “Lock the door, switch the light…you’ll be so afraid tonight.” A truly unnerving track from one of my favorite 70s British prog-rock bands.  Keyboardist Vincent Crane pulls double duty on this list; he had previously played with The Crazy World of Arthur Brown (below).

THE DAMNED: Dr. Jekyll and Mr. Hyde– You know what they say: You’re never alone with a schizophrenic! Choice cut from the U.K. pop-punk band’s finest LP, The Black Album.

THE CRAZY WORLD OF ARTHUR BROWN: Fire- Yes, that Arthur Brown…heir to Screamin’ Jay Hawkins, the forefather of Alice Cooper, and most importantly, the god of hell fire!

THE CRAMPS: Goo Goo Muck–It would be sacrilege not to include the kings of Psychobilly.

SCREAMIN’ JAY HAWKINS: I Put a Spell on You– This cat must have scared the living shit out of middle America, smack dab in the middle of the drab Eisenhower era. “Moohoohaha!

THE DOORS: Riders on the Storm – The first time I heard this song was in 1971. I was 14. It haunted me then and haunts me now. It was my introduction to aural film noir. Distant thunder, the cascading shimmer of a Fender Rhodes, a desolate tremolo guitar and dangerous rhythms.“There’s a killer on the road. His brain is squirming like a toad.” Fuck oh dear, this definitely wasn’t the Archies.

Jim Morrison’s vocals got under my skin. Years later, a friend explained why. If you listen carefully, there are three vocal tracks. Morrison is singing, chanting and whispering the lyrics. We smoked a bowl, cranked it up and concluded that it was a pretty neat trick.

VANILLA FUDGE: Season of the Witch– Donovan’s original version doesn’t hold a candle to this marvelously histrionic psychedelic train wreck.  Eat your heart out, Bill Shatner!

THE ROLLING STONES: Sympathy for the Devil- “Something always happens when we play this song.” Famous last words there from Mick Jagger in the 1970 rock doc Gimme Shelter, moments before the cameras (unknowingly, at time of filming) capture the fatal stabbing of an audience member.  Now that’s scary.

KING CRIMSON: 21st Century Schizoid Man– “Cat’s foot, iron claw, neurosurgeons scream for more…at paranoia’s poison door...”  And that’s  the most optimistic part of this song!

Bonus track!

LED ZEPPELIN: (backwards) Stairway to Heaven– Rumor has it there is a painting of Jimmy Page  going all to hell. If you believe in that sort of thing (there are two paths you can go by).

Pleasant dreams!

I wish this wasn’t an evergreen post

By Dennis Hartley

You know it’s the first day back to school in America when:

I’ve run out of words on this subject, so I am re-posting this (again).

(Originally posted on Digby’s Hullabaloo on February 14, 2023)

Tell me why: A therapeutic mixtape

 

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In a 2016 piece about the mass shooting at Orlando’s Pulse nightclub, I wrote:

But there is something about [Orlando] that screams “Last call for sane discourse and positive action!” on multiple fronts. This incident is akin to a perfect Hollywood pitch, writ large by fate and circumstance; incorporating nearly every sociopolitical causality that has been quantified and/or debated over by criminologists, psychologists, legal analysts, legislators, anti-gun activists, pro-gun activists, left-wingers, right-wingers, centrists, clerics, journalists and pundits in the wake of every such incident since Charles Whitman perched atop the clock tower at the University of Texas and picked off nearly 50 victims (14 dead and 32 wounded) over a 90-minute period. That incident occurred in 1966; 50 years ago this August. Not an auspicious golden anniversary for our country. 50 years of this madness. And it’s still not the appropriate time to discuss? What…too soon?

All I can say is, if this “worst mass shooting in U.S. history” (which is saying a lot) isn’t the perfect catalyst for prompting meaningful public dialogue and positive action steps once and for all regarding homophobia, Islamophobia, domestic violence, the proliferation of hate crimes, legal assault weapons, universal background checks, mental health care (did I leave anything out?), then WTF will it take?

Well, that didn’t take:

Morning dawned Tuesday on East Lansing to a rattled Michigan State University campus hours after a mass shooting left three dead and five others critically injured.

An alert was sent at 8:31 p.m. Monday, telling students to “run, hide, fight” with a report of shots fired at Berkey Hall and at the MSU Union.

Two people were killed at Berkey Hall, said university Interim Deputy Police Chief Chris Rozman. The gunman then moved to the MSU Union, where another was killed.

Students were told to shelter in place as authorities searched for the gunman. The 43-year-old suspect was Anthony McRae, Rozman said at a news conference Tuesday. McRae was found off campus early Tuesday before he could be arrested; he had died from what appeared to be a self-inflicted gunshot wound. […]

McRae was not affiliated with the university, and authorities didn’t know early Tuesday why he came to MSU.

“We have absolutely no idea what the motive was,” Rozman said.

“Absolutely no idea” indeed. As in, I have absolutely no idea why our legislators cannot seem to take even one tiny infinitesimal step forward on enacting sensible gun reform. Well…I have some idea:

And today, Michigan’s governor (as any decent and compassionate leader reflexively does) has donned the mantle of Consoler-in-Chief:

It appears the governor and I are of like mind:

Saddest of all, the MSU shootings occurred on the eve of a grim anniversary:

You remember Parkland, right? In my review of the 2020 documentary After Parkland, I wrote:

So where are we at today, in the two years since a gunman opened fire with a semi-automatic rifle at Stoneman Douglas High, killing 17 people and wounding 17 others in just 6 minutes? According to a 2019 AP story, a report issued in February of last year by a student journalism project “…concluded that  1,149 children and teenagers died from a shooting in the year since the massacre at Marjory Stoneman Douglas High School,” citing that the stats cover “school shootings, domestic violence cases, drug homicides and by stray bullets”. Mind you, nearly another year has passed since that report was released. […]

The most powerful moments [in After Parkland] are in the beginning, which contains a collage of real-time cell phone audio of the Parkland incident. The chilling sounds of automatic gunfire and students screaming in pain and terror made me think of the Martin Luther King quote ” Wait has always meant Never ”. If every lawmaker was locked in chambers and forced to listen to that audio on a continuous loop until they passed sensible gun reform, perhaps they would all finally reach their breaking point.

You know what “they” say-we all have a breaking point. When it comes to this particular topic, I have to say, I think that I may have finally reached mine. I’ve written about this so many times, in the wake of so many horrible mass shootings, that I’ve lost count. I’m out of words. There are no Scrabble tiles left in the bag, and I’m stuck with a “Q” and a “Z”. Game over. Oh waiter-check, please. The end. Finis. I have no mouth, and I must scream.

Something else “they” say…music soothes the savage beast. Not that this 10-song playlist that I have assembled will necessarily assuage the grief, provide the answers that we seek, or shed any new light on the subject-but sometimes, when words fail, music speaks.

As the late great Harry Chapin tells his audience in the clip I’ve included below: “Here’s a song that I could probably talk about for two weeks. But I’m not going to burden you, and hopefully the story and the words will tell it the way it should be.” What Harry said.

“Family Snapshot” – Peter Gabriel

“Friend of Mine” – Jonathan & Stephen Cohen (Columbine survivors)

“Guns Guns Guns” – The Guess Who

“I Don’t Like Mondays” – The Boomtown Rats

“Jeremy” – Pearl Jam

“Melt the Guns” – XTC

“Psycho Killer” – The Talking Heads

“Saturday Night Special” – Lynyrd Skynyrd

“Sniper” – Harry Chapin

“Ticking” – Elton John

20 Big Ones: A Summer Mixtape

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 8, 2024)

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OK, it may not be Summer yet on the calendarbut try telling that to Mother Nature:

Excessive heat warnings are set to expire this weekend after daily temperature records have been set across the US Southwest.

Extreme temperatures are expected to continue in California, Nevada and Arizona into Saturday.

An excessive heat warning in Las Vegas will expire Saturday night with temperatures remaining around 115F (46.1) on Saturday and dropping to 112F (44.4C) on Sunday.

Similar to the trend throughout last week, temperatures will remain high at night hovering around the low 80s.

On Thursday, the heat hit 113F (45C) in Phoenix. Record-breaking temperatures led to 11 people taken to the hospital while waiting to attend a Donald Trump rally on Wednesday.

Phoenix will see some slight relief after the heat warning expires Friday night, but the high temperature remains in triple digits for Saturday at 108F (42.2C) and 104F (40C) on Sunday.

National Weather Service (NWS) alerts remain in place on Friday for the wider area, covering a population of around 20 million people.

The heat marks the first round of dangerous temperatures this season with the possibility of excessive heat persisting into next week for some areas, according to the NWS Weather Prediction Centre.

Scientists say extreme weather events are becoming more frequent and intense as a result of climate change.

Although the official start of summer is still two weeks away, NWS has advised people in the affected areas to limit outdoor activity and stay hydrated.

It earlier warned that there would be little overnight relief from the scorching temperatures.

On Thursday, NWS thermometers showed new highs for 6 June in locations that included Las Vegas and Death Valley. The latter location hit 122F (50C).

The fire department in Clark County, home of Las Vegas, responded to at least 12 calls since Wednesday related to heat exposure, the Associated Press reported. Nine of those callers needed to be treated at a hospital.

Reporting the reading of 113F (45C) at Sky Harbour, the NWS’s Phoenix office said this exceeded the previous high for 6 June that was set in 2016.

Phoenix is America’s hottest big city, and there were 645 heat-related deaths last year in the wider Maricopa County. […]

Temperatures are about 20-30F above average for this time of year.

While heat domes were once described as rare, they are becoming more common and intense because of human-induced climate change, scientists say.

The European Union’s Copernicus Climate Change Service announced on Wednesday that the world has surpassed one full year of back-to-back monthly heat records.

The climate change service also found that May marked the 11th consecutive month that the global average temperature was at least 1.5C above the pre-industrial average of the late 1800s, which references a period before there was a significant increase in emissions of greenhouse gases.

Scientists say the high temperatures were driven by human-caused climate change combined with the El Niño climate phenomenon.

“We are living in unprecedented times,” Carlo Buontempo, director of Copernicus, said earlier this week.

By the time I get to Phoenix…I’ll be melting.

Hot damn, summer in the city. Speaking of which-here are a few of my fave songs of the season. You’ve heard some a bazillion times; others, not so much.

Stay cool!

Martin Newell– “Another Sunny Day” – Despite the fact he’s been cranking out hook-laden, Beatle-esque pop gems for five decades, endearingly eccentric singer-musician-songwriter-poet Martin Newell (Cleaners From Venus, Brotherhood of Lizards) remains a selfishly-guarded secret by cult-ish admirers (guilty as charged). This summery confection is from his 2007 album A Summer Tamarind.

First Class – “Beach Baby” – UK studio band First Class was the brainchild of singer-songwriter Tony Burrows, who also sang lead on other one-hit wonders, including “Love Grows Where My Rosemary Goes” (The Edison Lighthouse), “My Baby Loves Lovin’” (White Plains), and “United We Stand” (The Brotherhood of Man). This pop confection was a Top 10 song in the U.S. in 1974.

Jade Warrior– “Bride of Summer” – Here’s a summer tune you’ve never heard on the radio. This hard-to-categorize band has been around since the early 70s; progressive jazz-folk-rock-world beat is the best I can do. Sadly, original guitarist Tony Duhig passed away in 1990. His multi-tracked lead on this song is sublime.

Bananarama– “Cruel Summer” – A more melancholy take on the season from the Ronettes of New Wave. I seem to recall a rather heavy rotation of this video on MTV in the summer of ’84. The video is a great time capsule of 1980s NYC.

Takuya Kuroda – “Everybody Loves the Sunshine” – Japanese trumpeter Takuya Kuroda’s 2014 cover of a Roy Ayers composition is a hypnotic, transporting “headphone song”. Immerse yourself.

The Beatles – “Good Day Sunshine” – The kickoff to Side 2 of Revolver finds Paul McCartney in full cockeyed optimist mode. Everything about his song is “happy”, from the lyrics (I feel good, in a special way / I’m in love and it’s a sunny day) and the bright harmonies, to George Martin’s jaunty ragtime piano solo. Paul has said that he was inspired by the Lovin’ Spoonful.

Pink Floyd – “Granchester Meadows” – This is from one of Pink Floyd’s more obscure albums, Ummagumma. Anyone who has ever sat under a shady tree on a summer’s day strumming a guitar will “get” this song, which is one of David Gilmour’s most beautiful compositions. I love how he incorporates nature sounds. Aaahh…

Joni Mitchell– “The Hissing of Summer Lawns” – The haunting title cut from Joni’s 1975 album, co-written by drummer John Guernin (who also plays Moog). The song also features Victor Feldman on keyboards and James Taylor on guitar.

Sly & the Family Stone– “Hot Fun in the Summertime” – A quintessential summer song and an oldies radio staple. And don’t forget…I “cloud nine” when I want to.

Walter Egan– “Hot Summer Nights” – While it didn’t achieve the gold status of his 1978 chart hit “Magnet and Steel”, Walter Egan’s first single (taken from his 1977 debut album Fundamental Roll) is a minor classic that still sounds so right blasting out of your car radio.

Mungo Jerry– “In the Summertime” – It wouldn’t have worked without the jug.

Marshall Crenshaw– “Starless Summer Sky” – In a just world, this power pop genius would have ruled the airwaves. Here’s one of many perfect examples why.

The Isley Brothers– “Summer Breeze” –  Seals & Crofts wrote and performed the original version, but the Isleys always had a knack for making covers their own. Ernie Isley’s guitar work is superb.

Weekend –”Summerdays” – Weekend was a spin-off of The Young Marble Giants.  Formed in 1981, the Welsh band only released one studio album (1982’s La Variete), but they created a distinctive sound that ages well, compared to many of their indie contemporaries. This breezy number encapsulates the vibe-an infusion of jazz, samba, pop and world beat topped off by Allison Statton’s soothing vocals.

The Lovin’ Spoonful– “Summer in the City” – All around, people lookin’ half-dead/walkin’ on the sidewalk, hotter than a match head. Written by John Sebastian, Mark Sebastian and Steve Boone, this 1966 hit is a clever portmanteau of music, lyrics and effects that quite literally sounds like…summer in the city.

XTC– “Summer’s Cauldron/Grass” – A mini-suite of sorts, all about summer romance, lazy days, and the uh, things we did on grass. Produced by Todd Rundgren.

Blue Cheer– “Summertime Blues” – Eddie Cochran wrote and performed it originally, and the Who did a great cover on Live at Leeds, but for sheer attitude, I have to go with this proto-punk (some have argued, proto-metal) classic from 1968.

The Kinks– “Sunny Afternoon” – This poor guy. Taxman’s taken all his dough, girlfriend’s run off with his car…but he’s not going to let that ruin his summer: Now I’m sittin here/ sippin’ at my ice-cooled beer/ lazin’ on a sunny afternoon…

Central Line– “Walking Into Sunshine” – Gotta walk into the sun, ah-ah. A hook-laden jam by the now-defunct UK funk outfit. If this 1984 club hit doesn’t brighten your day…I’d seriously look into it.

The Beach Boys– “The Warmth of the Sun” – This song (featuring one of Brian Wilson’s most gorgeous melodies), appeared on the 1964 album Shut Down Vol 2. Atypically introspective and melancholy for this era of the band, it had an unusual origin story. Wilson and Mike Love began working on it in the wee hours of November 22, 1963; news of JFK’s assassination changed the emotional tenor of the lyrics, as well as fueling the haunting vocal performances.

Praise the Law and Pass the Kutchie

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on April 20, 2024)

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Dreadlocks can’t smoke him pipe in peace Too much informers and too much beast Too much watchie watchie watchie, too much su-su su-su su Too much watchie watchie watchie, too much su-su su-su su

-from “Tenement Yard”, by Jacob Miller

Happy Holiday! How about some good news? Via the AP:

Saturday marks marijuana culture’s high holiday, 4/20, when college students gather — at 4:20 p.m. — in clouds of smoke on campus quads and pot shops in legal-weed states thank their customers with discounts.

This year’s edition provides an occasion for activists to reflect on how far their movement has come, with recreational pot now allowed in nearly half the states and the nation’s capital. Many states have instituted “social equity” measures to help communities of color, harmed the most by the drug war, reap financial benefits from legalization. And the White House has shown an openness to marijuana reform.

The origins of the date, and the term “420” generally, were long murky. Some claimed it referred to a police code for marijuana possession or that it derived from Bob Dylan’s “Rainy Day Women No. 12 & 35,” with its refrain of “Everybody must get stoned” — 420 being the product of 12 times 35.

But the prevailing explanation is that it started in the 1970s with a group of bell-bottomed buddies from San Rafael High School, in California’s Marin County north of San Francisco, who called themselves “the Waldos.” A friend’s brother was afraid of getting busted for a patch of cannabis he was growing in the woods at nearby Point Reyes, so he drew a map and gave the teens permission to harvest the crop, the story goes.

During fall 1971, at 4:20 p.m., just after classes and football practice, the group would meet up at the school’s statue of chemist Louis Pasteur, smoke a joint and head out to search for the weed patch. They never did find it, but their private lexicon — “420 Louie” and later just “420” — would take on a life of its own. […]

Some celebrations are bigger than others: The Mile High 420 Festival in Denver, for example, typically draws thousands and describes itself as the largest free 4/20 event in the world. Hippie Hill in San Francisco’s Golden Gate Park has also attracted massive crowds, but the gathering was canceled this year, with organizers citing a lack of financial sponsorship and city budget cuts. […]

The number of states allowing recreational marijuana has grown to 24 after recent legalization campaigns succeeded in Ohio, Minnesota and Delaware. Fourteen more states allow it for medical purposes, including Kentucky, where medical marijuana legislation that passed last year will take effect in 2025. Additional states permit only products with low THC, marijuana’s main psychoactive ingredient, for certain medical conditions.

But marijuana is still illegal under federal law. It is listed with drugs such as heroin under Schedule I of the Controlled Substances Act, meaning it has no federally accepted medical use and a high potential for abuse.

The Biden administration, however, has taken some steps toward marijuana reform. The president has pardoned thousands of people who were convicted of “simple possession” on federal land and in the District of Columbia.

The Department of Health and Human Services last year recommended to the Drug Enforcement Administration that marijuana be reclassified as Schedule III, which would affirm its medical use under federal law.

According to a Gallup poll last fall, 70% of adults support legalization, the highest level yet recorded by the polling firm and more than double the roughly 30% who backed it in 2000.

Nice to see more and more forward-thinking states joining the “over-the-counter”-culture, with a new shopping list: Milk, bread, eggs, and ganja. In Washington state, we’ve been smoking our pipes in peace since 2014. So I thought I would welcome the newbies to our cannabis club by sharing my picks for the top five Rasta movies, in alphabetical order…seen?

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Countryman Writer-director Dickie Jobson’s 1982 low-budget wonder has it all. Adventure. Mysticism. Political intrigue. Martial Arts. And weed. Lots of weed. A pot-smuggling American couple crash land their small plane near a beach and are rescued by our eponymous hero (Edwin Lothan, billed in the credits as “himself”), a fisherman/medicine man/Rasta mystic/philosopher/martial arts expert who lives off the land (Lothan, who passed away in 2016, was a fascinating figure in real life).

Unfortunately, the incident has not gone unnoticed by a corrupt, politically ambitious military colonel, who wants to frame the couple as “CIA operatives” who are trying to disrupt the upcoming elections. But first he has to outwit Countryman, which is no easy task (“No one will find you,” Countryman assures the couple, “You are protected here.” “Protected by who?” the pilot asks warily. “Elements brother, elements,” says Countryman, with an enigmatic chuckle). I love this movie. It’s wholly unique, with a fabulous reggae soundtrack.

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The Harder They Come– While the Jamaican film industry didn’t experience an identifiable “new wave” until the early 80s, Perry Henzel’s 1973 rebel cinema classic laid the foundation. From its opening scene, when wide-eyed country boy Ivan (reggae’s original superstar, Jimmy Cliff) hops off a Jolly Bus in the heart of Kingston to the strains of Cliff’s “You Can Get It If You Really Want”, to a blaze of glory finale, it maintains an ever-forward momentum, pulsating all the while to the heartbeat riddim of an iconic soundtrack. Required viewing!

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Rockers– Admittedly, this island-flavored take on the Robin Hood legend is short on plot, but what it may lack in complexity is more than compensated for by its sheer exuberance (and I have to watch it at least once a year). Grecian writer-director Theodoros Bafaloukos appears to have cast every reggae luminary who was alive at the time in his 1978 film. It’s the tale of a Rasta drummer (Leroy “Horsemouth” Wallace) who has had his beloved motorcycle stolen (customized Lion of Judah emblem and all!) by a crime ring run by a local fat cat.

Needless to say, the mon is vexed. So he rounds up a posse of fellow musicians (Richard “Dirty Harry” Hall, Jacob Miller, Gregory Isaacs, Robbie Shakespeare, Big Youth, Winston Rodney, et. al.) and they set off to relieve this uptown robber baron of his ill-gotten gains and re-appropriate them accordingly. Musical highlights include Miller performing “Tenement Yard”, and Rodney warbling his haunting and hypnotic  Rasta spiritual “Jah No Dead” a cappella.

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Stepping Razor: Red X– Legalize it! Nicholas Campbell’s unflinching portrait of musician Peter Tosh (who co-founded the Wailers with Bob Marley and Bunny Wailer) is not your typical rockumentary. While there is plenty of music, the  focus is on Tosh’s political and spiritual worldview, rendered via archival footage, dramatic reenactments, and excerpts from a personal audio diary in which Tosh expounds on his philosophies and rages against the “Shitstem. “

One interesting avenue Campbell pursues suggests that Tosh was the guiding force behind the  Wailers, and that Marley looked up to Tosh as a mentor in early days (I suspect that it was more of a Lennon/McCartney dynamic). A definite ‘must-see’ for reggae fans.

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Word, Sound, and Power – Jeremiah Stein’s 1980 documentary clocks in at just over an hour but is the best film I’ve seen about roots reggae music and Rastafarian culture. Barely screened upon its original theatrical run and long coveted by music geeks as a Holy Grail until its belated DVD release in 2008 (when I was finally able to loosen my death grip on the sacred, fuzzy VHS copy that I had taped off of USA’s Night Flight back in the early 80s), it’s a wonderful time capsule of a particularly fertile period for the Kingston music scene.

Stein interviews key members of The Soul Syndicate Band, a group of studio players who were the Jamaican version of The Wrecking Crew; they backed Jimmy Cliff, Bob Marley, Burning Spear, and Toots Hibbert (to name but a few). Beautifully photographed and edited, with outstanding live performances by the Syndicate. Musical highlights include “Mariwana”, “None Shall Escape the Judgment”, and a spirited acoustic version of “Harvest Uptown”.

Bonus tracks!

OK …if you’d rather chill, here’s a mixtape. Headphones and munchies on standby: