Tag Archives: Blu-ray/DVD reissues

Blu-ray reissue: Godzilla: The Showa Era Films 1954-1975 (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 14, 2019)

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Godzilla: The Showa Era Films 1954-1975 – Criterion Collection

I admit that I was pretty, pretty excited when I heard about this 15-film box set. To which some of you are likely saying to yourself as you read this: “What are you, 8 years old?!” Well…as I once wrote in a short review of Godzilla vs. Hedora (aka Godzilla vs. the Smog Monster):

Who ever said an environmental “message” movie couldn’t also provide mindless, guilty fun? Let’s have a little action. Knock over a few buildings. Wreak havoc. Crash a wild party on the rim of a volcano with some Japanese flower children. Besides, Godzilla is on our side for a change. Watch him valiantly battle Hedora, a sludge-oozing toxic avenger out to make mankind collectively suck on his grody tailpipe. And you haven’t lived until you’ve heard “Save the Earth”-my vote for “best worst” song ever from a film (much less a monster movie).

OK, every Godzilla feature isn’t a “message” film; sometimes, a movie about a monster who emerges from the sea to knock shit over is just a movie about a monster knocking shit over until he gets bored and then slinks back into the sea (roll credits). But hey, those wonderfully unapologetic Japanese films with guys in monster suits knocking over model buildings and decimating toy tanks and toy fighter jets have never looked as sharp as this!

All 15 films in the series (which kicks off with 1954’s black and white classic Gojira and bookends with 1975’s Terror of Mechagodzilla) are presented in beautiful new HD transfers. I haven’t had a chance to explore all the extras yet, but they are plentiful. The 8 Blu-ray discs are housed in a hardcover book that includes beautiful graphics and essays on each film. Collectors should appreciate the overall space-saving design of the package.

Blu-ray reissue: FM (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 14, 2019)

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FM – Arrow Films

John Alonzo’s 1978 comedy-drama (written by Ezra Sacks) centers on fictional L.A. rock station “Q-Sky” FM, which has just shot to number one, to the elation of hip program director Jeff Dugan (Michael Brandon), who leads a team of colorful DJs (Martin Mull, Cleavon Little, Alex Karras and Eileen Brennan). While Dugan sees the win as validation for his “free form” approach, corporate HQ views it as a potential cash cow for landing big accounts like the U.S. Army. The battle lines between art and commerce are drawn…and it’s on.

Granted-the film is uneven, but the cast is game, the soundtrack is great, and Linda Ronstadt and band are in fine form performing several live numbers. It’s a nice snapshot of the era when “underground” FM was making a shift to the more corporate “Layla-Free Bird-Tom Sawyer” format that flogs to this day.

Arrow’s image quality is quite an improvement over the long out-of-print DVD version. Extras include 2 new interviews with star Michael Brandon and screenwriter Ezra Sacks.

The Chant of Jimmie Blacksmith (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 14, 2019)

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The Chant of Jimmie Blacksmith – Kino-Lorber

One of the highlights of the “Australian New Wave” that flourished in the 70s and 80s, writer-director Fred Schepsi’s 1978 drama (adapted from Thomas Keneally’s novel, which is loosely based on a true story) is set in Australia at the turn of the 20th Century.

Jimmie Blacksmith (Tommy Lewis) is a half-caste Aboriginal who goes out into the world to make his own way after being raised by a white minister and his wife. Unfortunately, the “world” he is entering from the relative protective bubble of his upbringing is that of a society fraught with systemic racism; one that sees him only as a young black man ripe for exploitation.

While Jimmie is inherently altruistic, every person has their limit, and over time the escalating degradation and daily humiliations lead to a shocking explosion of cathartic violence that turns him into a wanted fugitive. An unblinking and uncompromising look at a dark period of Australian history; powerful and affecting.

Kino-Lorber’s transfer is excellent. The 2-disc release has two versions of the film, the original Australian version, and the “international” cut (several minutes shorter). The longer cut features a commentary track by Schepsi. There is also an interview with Schepsi and DP Ian Baker, as well as an archival interview with the late Tommy Lewis.

Blu-ray reissue: Charley Varrick (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 14, 2019)

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Charley Varrick – Kino-Lorber

It’s nice to see this tough, gritty and underappreciated crime drama/character study from 1973 getting some Blu-ray love.

Directed by Don Siegel (the original Invasion of the Body Snatchers, The Big Steal, The Lineup, Hell is For Heroes, Dirty Harry) and adapted from John Reese’s novel by Howard Rodman and Dean Reisner, the film stars Walter Matthau as a master thief/ex- stunt pilot who gets into hot water when he unwittingly robs a bank that washes money for the mob. I think it’s one of his best performances. Unique crime drama with a great cast (Joe Don Baker is memorable as a kinky hit man).

If the cheeky, colorful dialog reminds you of a certain contemporary film maker, all will become clear when one character is warned that if he doesn’t come clean, the mob may come after him with “a pair of pliers and a blowtorch.”

Kino-Lorber’s Blu-ray features a sharp transfer from a new 4K remaster, as well as a 76-minute 2015 documentary delving into the film’s production and director Siegel’s career.

Blu-ray Reissue: Betty Blue (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December14, 2019)

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Betty Blue – The Criterion Collection

This 1986 drama from Jean-Jacques Beineix (Diva) is an erotically-charged tale of love and madness that is at once as seductive and unsettling as its eponymous heroine (especially as embodied by the voluptuous Beatrice Dalle, in her astounding film debut). Jean-Hugues Anglade co-stars as Zorg, a half-hearted writer who quietly chugs along supporting himself as a handyman. When he meets Betty, he finds instant romance (and a Muse), but his life just as quickly begins to get turned upside down by her increasingly unpredictable mood swings. Anglade and Dalle are charismatic.

Criterion’s edition features the full 186-minute cut of the film. The new hi-def digital restoration really makes Jean Francois Robin’s striking cinematography pop with its gorgeously saturated colors. Extras include an engaging 2013 documentary with recollections by director Beineix, Anglade and Dalle, and a 1977 short film by Beineix.

Blu-ray reissue: Zachariah (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 13, 2019)

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Zachariah – Kino-Lorber

Originally billed as “the first electric western”, George Englund’s 1971 curio barely qualifies as a “western”, but it certainly is plugged in, turned-on and far out, man.

Perhaps a more apt title would have been “Billy the Kid vs Siddhartha”. No, seriously-it is (allegedly) based on Herman Hesse’s classic. Well, there is a protagonist, and he does go on a journey…but that’s where the similarities end. Still, I think it’s a hoot, with a screenplay concocted by members of The Firesign Theater (who later fled in horror from the finished product). It does have its moments; mostly musical.

My favorite scene features the original James Gang (Joe Walsh, Dale Peters and Jim Fox) rocking out in the middle of the desert as our hero (John Rubinstein) makes his grand entrance (it presages a scene in Blazing Saddles, where Sherriff Bart tips his hat to Count Basie and orchestra as they perform amidst the sagebrush). Also look for Country Joe and the Fish and fiddler Doug Kershaw. Don Johnson co-stars. Not for all tastes, but cult movie buffs will enjoy it.

Great transfer and enlightening new interview with Rubinstein.

Blu-ray reissue: Year of the Dragon (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 13, 2019)

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Year of the Dragon – Warner Brothers

This brutal, visceral crime thriller/culture clash drama from 1985 is one of writer-director Michael Cimino’s most polarizing films. Nonetheless, it has garnered a sizable cult following over the years.

Co-written by Oliver Stone and based on Robert Daley’s novel, Cimino’s follow-up to his critically drubbed 1980 epic Heaven’s Gate (no pressure!) divided both critics and audiences with its uncompromising take on gang violence, the international drug trade, and ethnic stereotyping.

Mickey Rourke stars as a decorated NYC police captain newly assigned to Chinatown who embarks on a single-minded mission to bust up the various criminal enterprises run by the district’s powerful triads (by any means necessary). Rourke’s combative “cop on the edge” (also a Vietnam vet) is equal parts Popeye Doyle and Archie Bunker; his casual racism suggests that he may have not been the ideal political choice for this posting.

Rourke really pulls out all the stops. John Lone also does a great turn as his sociopathic nemesis, a politically savvy rising star in the Chinese mob.

As usual, Warner skimps on extras (there’s a commentary track by Cimino), but image and sound quality are tops.

Blu-ray reissue: Stranger Than Paradise (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 13, 2019)

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Stranger Than Paradise – Criterion Collection

With this 1984 indie classic, Jim Jarmusch established his formula of long takes and deadpan observances on the inherent silliness of human beings. John Lurie stars as Willie, a brooding NYC slacker who spends most of his time hanging and bickering with his buddy Eddie (Richard Edson).

Enter Eva (Eszter Balint), Willie’s teenage cousin from Hungary, who appears at his door. Eddie is intrigued, but misanthropic Willie has no desire for a new roommate, so Eva decides to move in with Aunt Lotte (Cecillia Stark), who lives in Cleveland. Sometime later, Eddie convinces Willie that a road trip to Ohio might help break the monotony. Willie grumpily agrees, and they’re off to visit Aunt Lotte and Eva. Much low-key hilarity ensues.

Future director Tom DiCillo did the black and white photography, evoking strange beauty in the stark, wintry, industrial flatness of Cleveland and environs.

Criterion’s restoration is beautiful. Extras include commentary by Jarmusch and Edson, and Jarmusch’s 1980 color feature debut Permanent Vacation (also restored).

Blu-ray reissue: Someone to Watch Over Me (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 13, 2019)

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Someone to Watch Over Me – Shout! Factory

This crime thriller may be one of director Ridley Scott’s less-heralded (if not nearly forgotten) films but is one of my favorite neo-noirs of the 80s. The 1987 release stars Tom Berenger as a married NYC police detective from a working-class neighborhood who is assigned to bodyguard a Manhattan socialite (Mimi Rogers) after she becomes a key witness in a murder case. Initially, their relationship is strictly professional, but…well, you know.

Granted, the narrative may be somewhat familiar, but the film is stylish, sumptuously photographed (by Steven Poster), and well-acted (Berenger and Rogers have great chemistry, and Lorraine Bracco is a standout as Berenger’s wife).

The transfer is gorgeous. Extras include interviews with Poster and screenwriter Howard Franklin (no commentary track).

Blu-ray reissue: Mikey and Nicky (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 13, 2019)

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Mikey and Nicky – Criterion Collection

You could call Elaine May’s 1976 mob drama the anti-Godfather. In fact, its verité-style portrayal of two mobbed-up pals in a desperate quandary is so workaday that it even makes suburban dad Tony Soprano look like some stylized hoity-toity version of a “gangster”.

May’s film is “a night in the life” of Nicky (John Cassavetes), a low-rent bookie who has used up all the good graces of some very serious made guys and now fears for his life. Holed up in a cheap hotel room and on the verge of a breakdown, he calls on his pal Mikey (Peter Falk) to help him brainstorm out of his mess. A long dark night of the soul lies ahead.

The loose, improvisational rawness in many scenes may grate on some (especially those unfamiliar with Falk’s previous collaborations with Cassavetes; the pair had by then developed a unique shorthand and that takes some acclimation). Ned Beatty is on hand as an exasperated hit man.

The new 4K scan of the film looks true-to-life (much of it was photographed using available light).