Tag Archives: Blu-ray/DVD reissues

Blu-ray reissue: Excalibur ***1/2

July 21, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 2, 2011)

Image result for excalibur 1981

Excalibur – Warner Bros. Blu-ray

Eclectic director John Boorman tried his hand at adventure-fantasy in this umpteenth version of the King Arthur legend, with varying results (mostly good). Although purists might see it as bit of a Cliff Notes take (and granted, there are some jarring jumps in the narrative), I think this is one case where style trumps substance.

Photographed in a gauzy, dreamlike haze (by Alex Thomson, who also shot Legend and Labyrinth), the film is buoyed by a marvelous cast, including Nigel Terry, Nicol Williamson, Gabriel Byrne, Liam Neeson, Patrick Stewart, and the great Helen Mirren (as a deliciously evil Morgana). One thing’s for sure-there’s much more sex and violence than previous versions of the Arthurian legend, and more emphasis on the darker aspects of the tale (like the incest, for example). Definitely not recommended for a double bill with The Sword in the Stone on family movie night, if you know what I’m saying.

Warner skimps on extras, but the Blu-ray transfer is excellent.

Conspiracy a-go-go, Show Biz, Thriller

Blu-ray reissue: Blow Out ****

July 21, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 2, 2011)

Blow Out – Criterion Collection Blu-ray

This 1981 thriller is one of Brian de Palma’s finest efforts. John Travolta stars as a sound man who works on schlocky horror films. While making a field recording of ambient nature sounds, he unexpectedly captures audio of a fatal car crash involving a political candidate, which may not have been an “accident”. The proof lies buried somewhere in his recording-which naturally becomes a coveted item by some dubious characters. His life begins to unravel synchronously with the secrets on his tape. The director employs an arsenal of influences (from Antonioni to Hitchcock), but succeeds in making this one his most “de Palma-esque” with some of the deftest set-pieces he’s ever done (particularly in the climax). Criterion has done this visual stunner proud with their Blu-ray. The extras include in-depth interviews with de Palma and co-star Nancy Allen.

Dystopian, Journalism, On Pop Culture, Sci-Fi

DVD Reissue: Max Headroom ***1/2

July 19, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on August 7, 2010)

Video killed the radio star

And then committed suicide

–Doug Powell, “Empty Vee”

The original maven of the matrix has returned. The belated release of ABC-TV’s late 80s one-season wonder, Max Headroom on DVD has given sci-fi geeks a nice little lift from the midsummer doldrums (hey-why is everybody looking at me like I’m some kind of a nerd?).

In case you spent the 80s in a coma, or you’re too young to remember, “Max Headroom” was a fictional, computer-generated TV personality who was created via a blend of live-action camera, prosthetics and old-school animation techniques. First appearing in 1985 on Channel 4 in the U.K. as the host for a weekly, MTV-style music video/variety show, the hip, irreverent and oh-so-sardonic Max was indelibly brought to “life” by the comic improvisations of square-jawed Canadian actor Matt Frewer, backed by a bevy of hip writers (it’s like Robin Williams mind-melded with HAL 9000).

The original one-hour pilot that kicked off the British variety series in 1985 provided a back story for the character, and was quite an impressive production. An imaginative mash-up of Brazil, Network and The Parallax View, it is set in a dystopian metropolis some “20 minutes into the future” and concerns an investigative journalist (Frewer) who works for a media conglomerate called Network 23.

He is hot on the trail of his own employers, who have developed a secretive video technology that can deliver a huge cache of subliminal advertising to unwitting TV viewers in a matter of seconds; such a huge amount of information, in fact, that some people have an adverse physical reaction (OK, they explode-don’t worry, not a spoiler). A shadowy conspiracy thriller ensues. While fleeing would-be assassins, he runs smack into a parking gate arm (emblazoned with the warning “Max Headroom”). Soon thereafter, his memory and persona is “saved” and downloaded into a hard drive, which then transmogrifies into the “Max” we all know and love.

I remember first seeing the British pilot here in the states on Cinemax, which kicked off the domestic version of the variety series (only a handful of installments, which aired back in 1986). Unfortunately (most likely due to legal snafus) that original pilot is not included in the DVD set; if you scrounge around secondhand stores and yard sales you may spot the odd VHS copy (I found mine for $3 at a Hollywood Video a couple years ago when they were liquidating VHS inventory). I recommend catching it, if you haven’t.

What is included is the 14 episode season that aired on ABC in 1987, a coveted cult item. The reworked U.S. pilot follows the same basic story line (although not quite as gritty and technically accomplished as the original) and sets up the character dynamics for the series. Frewer reprises his dual role as investigative TV journalist Edison Carter and his alter-ego, Max. Also retained from the original pilot are the lovely Amanda Pays (as Edison’s controller) and the delightful William Morgan Sheppard as “Blank Reg”, a Mohawk-sporting pirate cable channel entrepreneur. The always dependable Jeffrey Tambor was recruited for the U.S. series to play Carter’s producer.

Something else retained for the U.S. series (and much to its benefit) was a good portion of the original British production and writing team. As I’ve been working my way through the episodes over the past week, it amazes me how subversive the show was for U.S. network TV; especially with its unapologetic leftist, anti-corporate, anti-consumer culture message. With hindsight being 20/20, it’s not surprising that it was yanked after one season. Sad as it is for me to say, you would never see a show like this on American television now that dared to challenge the status quo (the X-Files had its moments, but cloaked them in horror-show silliness, more often than not).

Some of the story lines are quite prescient, dealing with themes like the advent of social networking, cyber-crime, and the merging of the technocracy with the idiocracy (which any casual perusal of YouTube will confirm). Perhaps what resonates most significantly in hindsight is the show’s depiction of news as infotainment and an insidiously corporate-controlled media (dismissed by many as far-fetched paranoid fantasy 23 years ago). Worth ch-ch-ch-checking out.

Drama, Dystopian, Sci-Fi

Blu-ray reissue: THX-1138 ***

June 29, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 11, 2010)

THX-1138 (The George Lucas Director’s Cut) – Warner Blu-ray

Is it just me, or is it a fact that the farther back you go in George Lucas’ catalog, the more “mature” his films become? At any rate, I still like to revisit his 1971 debut now and then, and marvel at how prophetic it was in many ways; although its unifying theme, if it has one, remains elusive. Lucas gives his own imaginative take on an Orwellian “future”, where people have become dehumanized “product”, barely distinguishable from each other or from the stark technology that coddles and enslaves them (been to the mall lately?).

And, just like in 1984, or the cult TV series The Prisoner, the biggest crime one can commit in this strictly regimented society is to be a non-conformist. Robert Duvall (as the eponymous character) gives an interesting physical performance that at times borders on mime (think Chaplin’s Modern Times-except without the laughs).

Oddly, Lucas’ predominately white on white color scheme is even more striking in high-def. There are tons of extras to plow through on this Warner Blu-ray, including Lucas’ original student film version.

Action, Adventure, Drama

Blu-ray reissue: The Seven Samurai ****

June 29, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 11, 2010)

The Seven Samurai – Criterion Collection Blu-ray

“The greatest film ever made” may be one of the most overused hyperbolic superlatives in film criticism-but Akira Kurosawa’s 1954 masterpiece comes pretty damn close. Set in the 16^th century, during Japan’s feudal period, it’s an elemental tale about farmers who have reached the end of their rope with marauding bandits, who swoop into their valley like clockwork for an annual raid on the food stores that they toil for all season to grow and harvest.

Although they can offer little more than some meager bags of rice as payment, they manage to convince a down-on-his-luck yet forthright samurai to take care of their “problem” once and for all. He recruits six fellow out-of-work warriors and sets to work. The story may be simple, but there can be much beauty in simplicity, especially in the hands of a craftsman like Kurosawa-san.

This is literally a movie with something for everyone-adventure, action, comedy, drama, romance, and perhaps most importantly, genuine heart and soul. This one movie has inspired and influenced the work of so many other filmmakers that it boggles the mind.

Criterion’s 2010 Blu-ray set carries over the same beautifully restored print and the extras from their 2006 reissue set, plus new features. And…the film has never looked this good!

Drama, War

Blu-ray reissue: Paths of Glory ****

June 29, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 11, 2010)

Paths of Glory – Criterion Collection Blu-ray

Stanley Kubrick really came into his own with his third film (fourth, if you include his never-officially-released “lost film”, Fear and Desire). Kirk Douglas is in top form as a WWI French regiment commander caught between the political machinations of his superiors and the empathy he feels for his battle-weary soldiers, who are little more than cannon-fodder to the paper-pushing top brass.

After an artillery unit serving under Douglas refuses to execute an insane directive from a glory-hungry field general to lay a barrage into their own forward positions, the commanding generals decide that the best way to ensure against any such future “mutiny” is to select three scapegoats from the rank and file to be court-martialed and shot.

Despite all the technical innovations in film making that have evolved in the 50+ years since this film was released, the battle sequences still make you scratch your head in wonder as to how Kubrick was able to render them with such verisimilitude. The insanity of conflict has rarely been parsed onscreen with such economy and clarity. A true classic. Criterion’s Blu-ray print has been transferred with an obvious attention to quality and detail that befits a Kubrick film.

Cult Movie, Film Noir, Horror, Thriller

Blu-ray reissue: The Night of the Hunter ****

June 29, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 11, 2010)

The Night of the Hunter – Criterion Collection Blu-ray (2-disc)

Is it a film noir? A horror movie? A black comedy? A haunting American folk tale? The answer would be yes. The man responsible for this tough-to-categorize 1957 film was one of the greatest acting hams of the 20^th century, Charles Laughton, who began and ended his directorial career with this effort. Like a great many films now regarded as “cult classics”, this one was savaged by critics and tanked at the box office upon its initial release (enough to spook Laughton from ever returning to the director’s chair).

Robert Mitchum is brilliant (and genuinely scary) as a knife-wielding religious zealot who does considerably more “preying” than praying. Before his condemned cell mate (Peter Graves) meets the hangman, he talks in his sleep about $10,000 in loot stashed on his property. When the “preacher” gets out of the slam, he makes a beeline for the widow (Shelly Winters) and her two young’uns. A disturbing tale unfolds. The great Lillian Gish is on board as well. It’s artfully directed by Laughton and beautifully shot by DP Stanley Cortez.

Criterion has done their usual voodoo with a gorgeous transfer. The 160-minute companion documentary nearly overshadows the feature. It was meticulously assembled over several decades by its director, who had access to a stash of disorganized rushes and outtakes from the film (that almost got tossed by Laughton’s widow). Laughton liked to keep the camera rolling between takes, which turned out to be a serendipitous choice for the benefit of future film scholars and movie buffs, because it is pretty amazing footage.

Dystopian, Sci-Fi, Up the Workers

Blu-ray reissue: Metropolis (1927) ****

June 29, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 11, 2010)

The Complete Metropolis – Kino Lorber Blu-ray

For film buffs, the news that a “complete” print of Fritz Lang’s visionary expressionist 1927 sci-fi masterpiece had been discovered languishing on a dusty shelf in a film historian’s personal collection in Argentina in 2008 was akin to hearing that the Holy Grail had turned up at a church rummage sale. A box-office flop upon its first run, it was famously butchered for time by its original U.S. distributor, and censored for content by German authorities. Happily for fans, the film is now likely as close as it is ever going to get to its original presentation as intended by Lang.

Kino has one-upped their previous “definitive” DVD version with this new Blu-ray transfer of the Murnau Foundation’s latest re-tweaking, which now shores up previously choppy scenes by incorporating 20+ minutes of the Argentine footage. A recently discovered copy of the censor’s notes (containing all of the original inter-titles) was an equally valuable tool for the restoration team (especially for syncing up the original music score, which has been beautifully re-recorded). This all adds up to a new total running time of 147 minutes (compared to the tacky 90-minute Georgio Moroder-scored version that floated around for years, this is a godsend).

There is one caveat you should be aware of. The recovered Argentine footage was a 16mm copy of a tattered 35mm print. They cleaned it up as best they could without compromising image; be warned that these new inserts are relatively “gauzy”, albeit essential. Still, this (nearly) complete version, with its absorbing companion documentary, makes it a worthwhile investment for collectors.

Culture Clash, Drama, War

Blu-ray reissue: Merry Christmas, Mr. Lawrence ***1/2

June 29, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 11, 2010)

Merry Christmas, Mr. Lawrence – Criterion Collection Blu-ray

I had nearly given up all hope that this largely-forgotten 1983 gem from Nagisa Oshima (In the Realm of the Senses, Empire of Passion) would ever see the light of day on DVD, much less be given the Criterion treatment on Blu-ray-but there you go. I remember at the time of its original release, the stunt casting of David Bowie and (equally flamboyant) Japanese pop star Ryuichi Sakamoto in the leads seemed to generate more interest than the film itself.

The story is set during WW2; Bowie and Ryuichi play a headstrong, defiant British officer and a disciplinarian Japanese prison camp commander who butt heads from day one. The dynamic between the two men initially recalls the relationship between Alec Guinness and Sessue Hayakawa in The Bridge on the River Kwai-but quickly moves into some more decidedly weird areas (very, very weird areas).

Tom Conti is excellent as a fellow British prisoner who attempts to mediate peace between the two. The real scene-stealer is Takeshi Kitano, as a prison guard. He injects a subtle humanity into a character that could have easily played one-dimensional. Sakamoto composed the hauntingly beautiful soundtrack (an electro-pop pioneer, he was the founder of the Yellow Magic Orchestra).

This is a film that deserves a serious reappraisal. That being said, the films of Oshima are always a challenging, and not for all tastes, so consider this a guarded recommendation; while definitely worth consideration for the collector on your list who is a confirmed fan of the director, perhaps a “test” rental first would work best for others.

Film Noir

Blu-ray reissue: The Maltese Falcon ****

June 29, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 11, 2010)

The Maltese Falcon – Warner Blu-ray

This iconic noir, based on a classic Dashiell Hammett novel and marking the directing debut for a Mr. John Huston, is so vividly burned into the film buff zeitgeist, that I don’t feel the need to recount the plot. Suffice it to say that “When a man’s partner is killed, he’s supposed to do something about it.” And leave it at that. Humphrey Bogart truly became “Humphrey Bogart” with his performance as San Francisco gumshoe Sam Spade. Equally memorable performances from Sidney Greenstreet, Mary Astor, Peter Lorre (“Look what you did to my shirt!”), Lee Patrick and Elisha Cook, Jr. round things off quite nicely.

Some might quibble that Blu-ray can only make so much improvement on a black and white print that has always been a bit on the grainy side to begin with, but I discern sharper detail than the previous Warner Bros. DVD versions (not to mention blacker blacks, whiter whites, and an overall improved gray scale…for those who geek out on that sort of thing).