By Dennis Hartley
(Originally posted on Digby’s Hullabaloo on December 22, 2007)
Here’s a line you’ve likely never heard in an ABC After-school Special:
“I’m already pregnant, so what other shenanigans can I get into?”
It’s a bullet-proof rhetorical question, posed by a glibly self-aware 16 year-old named Juno MacGuff, played to perfection by the ever-surprising Ellen Page (Hard Candy) in the cleverly written and wonderfully acted film Juno, from director Jason Reitman.
Juno is an intelligent and unconventional Minneapolis teen who finds herself up the duff after deciding, on one fateful evening, to lose her virginity with her (initially) platonic buddy, a gawky, introverted but sweet-natured classmate named Paulie (Michael Cera). Not wanting to be a burden to Paulie, or trouble her loving parents (J.K. Simmons and Allison Janney) with the news, Juno decides to take sole responsibility for her situation.
After losing her nerve at an abortion clinic, Juno brainstorms with her girlfriend Leah (Olivia Thirlby) who suggests a search in the Penny Saver for couples looking to adopt. Enter Mark and Vanessa (well-played by Jason Bateman and Jennifer Garner), a childless yuppie couple with a sprawling house in the ‘burbs, complete with the requisite unfinished nursery. With the blessing of Juno’s supportive dad, papers are drawn up and Mark and Vanessa become the adoptive parents-in-waiting. Everything appears hunky dory- but you know what they say about the best-laid plans.
With such oft-used cinematic fodder at its core, this film could have easily descended into cliché-ridden piffle, but luckily doesn’t pander to the audience. I Page and Cera mange to convey Juno and Paulie’s growing pains in a very genuine manner, despite the stylized dialog. Simmons and Janney are excellent as Juno’s dad and step mom, respectively. It’s refreshing to see Simmons play such a likeable character after all the heavies he’s played in the past.
Reitman (son of director Ivan Reitman) has hit one out of the park with this sophomore effort (his first film was Thank You For Smoking) thanks in no small part to Diablo Cody’s smart script. A must-see.
Juno and its young star reminded me of one of my all-time favorite films, Wish You Were Here-David Leland’s 1987 comedy-drama about a headstrong 16-year-old girl “coming of age” in post WW 2 England. The story is loosely based on the real-life exploits of infamous British madam Cynthia Payne (Leland also collaborated as screenwriter with director Terry Jones on the film Personal Services, which starred Julie Walters and covered Payne’s later adult years).
Vivacious teenager Emily Lloyd makes an astounding, Oscar-worthy debut as pretty, potty-mouthed “Linda”, whose hormone-fueled manic behavior and sexual antics cause her somewhat reserved widower father and younger sister to walk around in a perpetual state of public embarrassment.
With a taut script and precise performances, the film breezes along on a deft roller coaster of deep belly-laugh hilarity and genuine, bittersweet emotion. Excellent support from the entire cast, especially from the great Thom Bell, who finds a sympathetic humanity in a vile character that a lesser actor could not likely pull off.
It’s quite unfortunate that Emily Lloyd, who displayed such amazing potential in this debut, never really “broke big”, appearing in only a few unremarkable projects and then basically dropping off the radar to join that sad “whatever happened to…” file. Let’s hope that Ellen Page fares better.