By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 31, 2014)

SIFF has secured a newly-struck print for the 50th anniversary of this Sidney Lumet film. Rod Steiger delivers a searing performance as a Holocaust survivor, suffering from (what we now know as) PTSD. Hostile, paranoid and insular, Steiger’s character is a walking powder keg, needled daily not only by haunting memories of the concentration camp, but by the fear and dread permeating the tough, crime-ridden NYC neighborhood where his pawnshop is located. When he finally comes face-to-face with the darkest parts of his soul, and the inevitable breakdown ensues, it’s expressed in a literal “silent scream” that is arguably the most astonishing moment in Steiger’s impressive canon of work. Morton S. Fine and David Friedkin adapted their screenplay from Edward Lewis Wallant’s novel. Lumet’s intense character study is a prime example of the move toward “social realism” in American film that flourished in the early 1960s.

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 31, 2014)

This omnibus of six short multi-genre stories provides a showcase for the talents of a half dozen emerging African filmmakers. The only connecting thread between the shorts is that each one is set against a modern urban backdrop (in the cities of Abidjan, Cairo, Dakar, Johannesburg, Lagos, and Nairobi). The collection is somewhat hit and miss; for me it was an even 50/50 split, with half of the vignettes not really going anywhere. The standout piece is  To Repel Ghosts (from Ivory Coast filmmaker Philippe Lacote), which is a haunting, impressionistic speculation based on a 1988 visit to Abidjan made by artist Jean-Michel Basquiat, shortly before his death at age 27.

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 24, 2014)

Bookended by an enigmatic dissolve as mysterious as love itself (Jesus, I sound like a Hallmark card), Scott Cohen’s film focuses on the complexities of human relationships. Newlyweds Peter and Chloe (Vincent Kartheiser and Olivia Thirlby) are honeymooning on a research vessel headed for Antarctica. They’re still getting to know each other; there’s nothing like being stuck together on a boat to bring latent issues to the fore. Increasingly squally seas become a metaphor for the couple’s increasingly tempestuous gulf. Will their love weather this storm, or dash them on the rocks, leaving them stranded, alone in their arctic desolation? Initially, I thought “Lost in Translation meets March of the Penguins“, but it’s more of a mumblecore take on Letter Never Sent. A meditation on love, nature, and the fact that the problems of three little people don’t amount to a hill of beans in this crazy world. Recommended…but you must be patient, grasshopper.