Category Archives: Documentary

SCOTUS Night at the Movies: Stonewall Uprising & SIcko revisited

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 27, 2015)

https://antistatestl.files.wordpress.com/2012/06/stonewall-rioters-throwing-things.jpg

Stonewall rioters on the night on June 28, 1969

The White House on the night of June 26, 2015

What an extraordinary week it has been for tangible progressive change. The Confederate flag came down, and the Rainbow flag went up. 6 million Americans let out a collective sigh of relief when they learned they weren’t going to lose their AHCA coverage after all. All I can say is, the nine men and women of the Supreme Court certainly earned their $4700 paychecks for this week…and a drink on me (well, some of them get a drink on me). Fuck it, I feel magnanimous. Give my man Scalia a shot of pure applesauce. On me.

However, before we get wrapped up in patting ourselves on the back for this “overnight” paradigm shift toward the light, let us not forget that such things don’t just spontaneously occur without somebody having made a sacrifice, or at the very least, raised a little fuss:

It isn’t nice to block the doorway

It isn’t nice to go to jail

There are nicer ways to do it

But the nice ways always fail

-Malvina Reynolds

In the wee hours of June 28, 1969 the NYPD raided a Mafia-owned Greenwich Village dive called the Stonewall Inn, a popular gay bar on Christopher Street. As one of those policemen recalls in the documentary, Stonewall Uprising, the officers were given “…no instructions except-put them out of business.”

Hard as it might be for younger readers to fathom, despite the relative headway that had occurred in the civil rights movement for other American minorities by that time, the systemic persecution of sexual minorities was still par for the course as the 60s drew to a close. There were more laws against homosexuality than you could count. The LGBT community was well-accustomed to this type of roust; the police had no reason to believe that this wouldn’t be another ho-hum roundup of law-breaking sexual deviants. This night, however, was to be different. As the policeman continues, “This time they said: We’re not going, and that’s that.”

Exactly how this spontaneous act of civil disobedience transmogrified into a game-changer in the struggle for gay rights makes for a fascinating history lesson and an absorbing film. Filmmakers Kate Davis and David Heilbroner take an Errol Morris approach to their subject. Participants give an intimate recount of the event and how it changed their lives, while the several nights of rioting (from initial spark to escalation and immediate aftermath) are effectively recreated using a mixture of extant film footage and photographs (of which, unfortunately, very little exists) with dramatic reenactments.

Davis and Heilbroner also take a look back at how life was for the “homophile” community (as they were referred to by the media at the time). It was, shall we say, less than idyllic. In the pre-Stonewall days, gays and lesbians were, as one interviewee says, the “twilight” people; forced into the shadows by societal disdain and authoritarian persecution. As I watched the film, I had to pinch myself as a reminder that this was happening in America, in my lifetime (you, know, that whole land of the “free” thingie).

Perhaps not so surprising are the recollections that the media wrote off the incident as an aberration; little more than a spirited melee between “Greenwich Village youths” and the cops (“Homo Nest Raided, Queen Bees Are Stinging Mad”, the N.Y. Sunday News headline chuckled the following day). I think this film is an important reminder that when it comes to civil rights, America is not out of the woods. Not just for the LGBT community; the incident in Charleston is a grim reminder that we’ve got lots of work to do. Stonewall might seem like ancient history, but its lessons are on today’s fresh sheet.

https://4.bp.blogspot.com/_zGreRPcsAtg/S3KUVyJUAyI/AAAAAAAABc4/E5fYly8rQcc/s400/SiCKO1.jpg

 Back in July of 2007, when Obamacare (or even an Obama administration) was still but a gluten-free, tree-huggin’ lib’rul socialist wish fantasy, Digby and I put up a double post on Michael Moore’s documentary, Sicko. 2007 wasn’t that long ago, but when you consider all of the jiggery pokery that “our friends across the aisle” have spewed forth to obstruct the Affordable Health Care Act, it feels like eons. And I don’t think I have to remind you how bleak and hopeless it all seemed at the time. As I wrote in my review:

 

Our favorite cuddly corn-fed agitprop filmmaker is back to stir up some doo-doo, spark national debate and make pinko-hatin’ ‘murcan “patriots” twitch and shout…you have likely gleaned that I am referring to documentary maestro Michael Moore’s meditation on the current state of the U.S. health care system, Sicko.

[…] The film proceeds to delve into other complexities contributing to the overall ill health of our current system; such as the monopolistic power and greed of the pharmaceutical companies, the lobbyist graft, and (perhaps most depressing of all) the compassionless bureaucracy of a privatized health “coverage” system that focuses first and foremost on profit, rather than on actual individual need.

[…] Moore makes his point quite succinctly-the need for health care is a basic human need. It should never hinge on economic, political or ideological factors. As one of his astute interviewees observes, it is a right, not a privilege.

 Here was some of Digby’s take; as usual, she nails it on the sociopolitical angle:

sicko is a surprisingly affecting movie, with its cast of people who you cannot look at and say they are dirty hippies, or losers or people who should have known better. They are regular Americans- hard working people who had the bad luck to get sick. And the amazing thing is that they were almost all insured. (The stories of the uninsured are so horrific that you almost have to laugh at the idea that our system could be considered superior to the worst third world country by anyone)

This movie is perhaps the opening salvo in a new movement for guaranteed national health care. I hope so. We don’t need to reinvent the wheel. There are a variety of health care systems out there that work better than ours does for less money. All we have to do is be willing to set aside our misplaced pride and admit that this isn’t working and we need to do something about it. There are experiments all over the globe with universal care — we can pick among them and find something that’s right for us. Even business is getting ready to jump on board because these costs are starting to kill them too.

Absolutely goddam right…we didn’t need to reinvent the wheel, yet we got it rolling (well, at least Obamacare is a start in the right direction). And hopefully, the SCOTUS decision will force the obstructionists to pack up their tire spikes and go home for good.

I’m placing me under arrest: The Seven-FIve ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 6, 2015)

https://pmcdeadline2.files.wordpress.com/2014/11/seven-five-documentary.jpg?w=641

Pretzels and beer. Soup and sandwich. New York City and police corruption. Some things seem to naturally go together. Not that police corruption is exclusive to the Big Apple, but there is something inherently cinematic about the combo. Serpico…based on a true story. The French Connection…based on a true story. Prince of the City…based on a true story. Cop Land, Bad Lieutenant…mmm, could happen (I think you get the gist).

The story in Tiller Russell’s riveting documentary, The Seven-Five, is not only true, but comes right from the mouths of the perps themselves. The “star” (for wont of a better term) of Russell’s film was once dubbed the “dirtiest cop” in the department’s history by NYC rags (and that’s saying a lot).

Michael Dowd headed up a posse of rogue cops who worked the 75th Precinct. For a period stretching from the late 80s into the early 90s, they shook down Brooklyn drug dealers for protection money (among many other things). At the apex of his “career”, Dowd was basically holding down two full-time jobs, one as a cop, and one as a robber. As one of the interviewees observes, “Some cops end up becoming criminals; Michael Dowd was a criminal, who just happened to become a cop.”

When Dowd and his cohorts first popped onscreen, I became a little disoriented. I knew that this was billed as a “documentary”, but surely these were actors; they seemed too much in “character”. I mean, these guys could just as well have strolled right out of a Scorsese film (I could easily picture Dowd saying “Business bad? Fuck you. Pay me.”).

It’s easy to be bamboozled by Dowd’s…charm? But you have to delineate the colorful raconteur from the laundry list of misdeeds he so casually catalogs…he is by any definition a bad, bad man. At least former partner Ken Eurell displays something resembling a conscience (Eurell was a “good” cop…until he fell under sway of Dowd, who never was). Compelling yet disturbing, The Seven-Five tells an all-too-familiar tale that reflects a systemic blight that continues to fester in American cities large and small.

SIFF 2015: The Killing Fields of Dr. Haing S. Ngor **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 30, 2015)

http://www.calhum.org/images/uploads/blog_marquee/The_Killing_Fields_of_Dr_Haing_S_Ngor_BlogImage.jpg

If you’ve seen Roland Joffe’s 1984 war drama The Killing Fields, you’ll likely never forget the extraordinarily moving Oscar-winning performance by “non-actor” Dr. Haing S. Ngor. Ngor didn’t need to call on any Actor’s Studio “sense memory” tricks to deliver his utterly convincing turn as a man who somehow survived and escaped from captivity during Cambodian dictator Pol Pot’s unspeakably bloody purge of his own people…he had lived the experience himself. Arthur Dong’s documentary fills us in on what led up to Ngor’s surreal moment in the Hollywood spotlight, and his subsequent second life as a political activist. Unfortunately, despite the late Dr. Ngor’s admirable achievements and Dong’s noble intentions, the workmanlike construct of the film makes it a bit of a slog; it loses focus and runs out of steam about halfway through. Still worth seeing for the simple fact that (Joffe’s film aside), few have expended time and energy to document the worst holocaust since WW2.

SIFF 2015: The Black Panthers: Vanguard of a Revolution **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 30, 2015)

http://static01.nyt.com/images/2015/02/08/arts/08FORTNIGHT1/08FORTNIGHT1-master675.jpg

If this rote recap of The Black Power Movement feels destined for PBS…it’s because it is. However, that shouldn’t deter you from catching it; it’s an eminently watchable (if not necessarily enlightening) look at an important corollary of the 1960s civil rights movement that, despite its failures and flaws, represents one of the last truly progressive grass roots political awakenings in America. For a fresher perspective, check out The Black Power Mixtape (my review).

SIFF 2015: Cartoonists: Foot Soldiers of Democracy ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 23, 2015)

http://www.siff.net/assets/Images/festival/2015/films/C/CartoonistsFootSoldiersofDemocracy.jpg

French filmmaker Stephanie Valloatto’s globetrotting documentary profiles a dozen men and women who make their living drawing funny pictures about current events. I know what you’re thinking…beats digging ditches, right? Well, that depends. Some of these political cartoonists ply their trade under regimes that could be digging a “special” ditch, reserved just for them (if you know what I’m saying).

The film can be confusing; in her attempt to give all 12 subjects equal face time, Valloatto’s frequent cross-cutting can make you lose track of which country you’re in (it’s mostly interior shots). That aside, she gets to the heart of what democracy is all about: speaking truth to power. It’s also timely; in one scene, an interviewee says, “Like a schoolchild, I told myself: I shouldn’t draw Muhammad.” Then, holding up a sketch of you-know-who, he concludes: “Drawing is the correct answer to the forbidden.”

SIFF 2015: The Forecaster ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 23, 2015)

http://www.trbimg.com/img-5518bea4/turbine/la-et-mn-forecaster-movie-review-20150327

There’s a conspiracy nut axiom that “everything is rigged”. Turns out it’s not just paranoia…it’s a fact. At least that’s according to this absorbing documentary from German filmmaker Marcus Vetter, profiling economic “forecaster” Martin Armstrong. In the late 70s, Armstrong formulated a predictive algorithm (“The Economic Confidence Model”) that proved so accurate at prophesying global financial crashes and armed conflicts, that a shadowy cabal of everyone from his Wall Street competitors to the CIA made Wile E. Coyote-worthy attempts for years to get their hands on that formula.

And once Armstrong told the CIA to “fuck off”, he put himself on a path that culminated in serving a 12-year prison sentence for what the FBI called a “3 billion dollar Ponzi scheme”. Funny thing, no evidence was ever produced, nor was any judgement passed (most of the time he served was for “civil contempt”…for not giving up that coveted formula, which the FBI eventually snagged when they seized his assets). Another funny thing…Armstrong’s formula solidly backs up his contention that it’s the world’s governments running the biggest Ponzi schemes…again and again, all throughout history.

An eye-opener!

 

SIFF 2015: Beats of the Anatov ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 16, 2015)

http://static.melkweg.nl/uploads/images/scaled/event_header/14190

In the harrowing opening sequence of Sudanese war journalist Hajooj Kuka’s documentary, members of a refugee camp frenetically scatter for cover as one of them exclaims “The plane is coming! The Antonov! It’s here!” The obviously unnerved cameraman swerves his lens skyward, where a solitary, seemingly benign prop plane lazes overhead.

Then suddenly, a massive explosion…followed by shocked silence for a few seconds as the camera surveys the damage; several huts engulfed in flame. Then, as the smoke clears, a most extraordinary sound; the last thing you would expect to hear: the laughter of children. “The laughter is always there,” a resident explains, “People laugh despite the catastrophe because they realize they are not hurt…laughter is like a new birth.”

This pragmatism has become a crucial coping mechanism for the people of the Blue Nile and Nuba mountain regions of Sudan, an African nation that has been in a perpetual civil war since 1956. Kuka  illustrates how it’s not just laughter, but non-stop communal singing and dancing that keeps spirits (and culture) alive. Most interestingly, there is zero demarcation between the “performer” and the “audience”. Anyone can play along or improvise a verse; it’s Democracy at its purest.

SIFF 2015: Fassbinder: To Love Without Demands ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 16, 2015)

http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2015/2/11/1423673038768/To-Love-Without-Demands-010.jpg

An oft-quoted ancient Chinese philosopher once proffered “The flame that burns twice as bright burns half as long”. He could have been prophesying the short yet incredibly productive life of Rainer Werner Fassbinder. By the time he died at age 37 in 1982, the iconoclastic German director-screenwriter-actor (and producer, editor, cameraman, composer, designer, etc.) had churned out 40 feature films, a couple dozen stage plays, 2 major television film series, and an assortment of video productions, radio plays and short films.

When you consider the fact that this prodigious output occurred over a mere 15 year period, it’s possible that the man actually died from sheer exhaustion (I got exhausted just reading through his credits and realizing I’ve barely taken in one-third of his oeuvre over the years). In just under 2 hours, Danish director Christian Braad Thomsen does an amazing job of tying together the prevalent themes in Fassbinder’s work with the personal and psychological motivations that fueled this indefatigable drive to create, to provoke, and to challenge the status quo.

SIFF 2015: Best of Enemies ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 16, 2015)

http://www.trbimg.com/img-55b95e17/turbine/la-et-mn-buckley-vidal-best-of-enemies-20150730

In their absorbing documentary, Morgan Neville and Robert Gordon recount ABC’s 1968 Democratic/Republican conventions coverage debates between William F. Buckley (from the Right!) and Gore Vidal (from the Left!), culminating in an apoplectic Buckley’s threat (live, on national television) to give Vidal a right, and a left (after calling Vidal a “queer”). You’ll witness not only the birth of TV punditry, but the opening salvo in the (still raging) “culture wars”. This one’s a must-see.

SIFF 2015: Tab Hunter Confidential **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 16, 2015)

https://www.hollywoodreporter.com/wp-content/uploads/2015/03/tab_hunter_confidential_still.jpg

Actor. Pop star. Teen idol. Equestrian. Figure-skater. Closeted. It’s certainly been a long, interesting ride for Tab Hunter, profiled in this documentary from Jeffrey Schwartz. Using a wealth of archival footage and assembled in a visually playful manner recalling The Kid Stays in the Picture, Schwartz largely lets Hunter tell his own story (he’s quite the engaging raconteur), with co-stars, close friends and film historians cheering from the sidelines. The candid Hunter (now retired from showbiz) recalls his life, loves and career; it’s interesting to get his take on that “chalk running backwards” phenomenon of becoming a movie star before becoming an actor. The film ultimately leans  a wee bit toward hagiography (it was co-produced by Hunter’s long-time companion Allan Glaser), but Hunter (still impossibly handsome at 83) is so positive and self-effacing that it’s nearly impossible to not succumb to his charm.