By Dennis Hartley
(Originally posted on Digby’s Hullabaloo on November 28,2020)
The Grey Fox – Kino Classics
I was overjoyed to finally retire my dog-eared VHS copy of Philip Borso’s underappreciated 1982 gem. Filmed on location in Washington State and British Columbia, Borso’s biopic is a naturalistic “Northwestern” in the vein of Robert Altman’s McCabe and Mrs. Miller; an elegiac portrait of a turn-of-the century “west” that is making an uneasy transition into modernity (which puts it in a sub-genre that includes Peckinpah’s Ride the High Country or Richard Brooks’ Bite the Bullet).
The film is based on the real-life exploits of “gentleman robber” Bill Miner (who may or may not have been the progenitor of the venerable felonious command: “Hands up!”). The Kentucky native was a career criminal who spent about half his life as a guest of the State of California. First incarcerated in his early 20s, he was released in 1880 and resumed his former activities (robbing stagecoaches). The law caught up with him and he did a long stretch in San Quentin. When he got out of stir in 1901, he was in his mid-50s.
The Grey Fox picks up Miner’s story at this point, just as he is being “released into the 20th-Century” from San Quentin. Miner is wonderfully portrayed by then 60-year-old Richard Farnsworth. Jackie Burroughs is excellent as well, playing a feminist photographer who has a relationship with Miner. John Hunter’s screenplay weaves an episodic narrative as spare and understated as its laconic and soft-spoken protagonist.
Kino’s Blu-ray features a new 4K restoration, highlighting DP Frank Tidy’s fabulous cinematography (he also shot Ridley Scott’s debut 1977 feature film The Duellists, one of the most beautiful-looking films this side of Kubrick’s Barry Lyndon). This is a film well-worth your time, whether this is your first time viewing or you are up for a revisit. (Full review)