The Top 100 films since 2007, and a shameless holiday pitch

By Dennis Hartley

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It’s hard to believe it’s been 11 years since my pal Digby graciously offered me a crayon, a sippy cup and a weekly play date on her otherwise grownup site so I can scribble about pop culture.

And just over 2 years ago, I put up Den of Cinema. Initially, this blog was created as a handy archive for readers who have followed my reviews over at Digby’s place; it has evolved a bit to include additional musings about music, pop culture and politics.

You’ve probably noticed that this site remains unencumbered by flashy ads and annoying pop ups that distract you from what (I assume) you’re here for…which is to catch up on recent posts or perhaps peruse the (searchable!) archives of well over 900 posts.

You know where this is going, don’t you?

I’m not the high pressure type, so I’ll just throw this out there: This is a 100% reader-supported site, it’s “that time of year”, and if you sample the wares on a regular basis and wish to help out  with a donation (upper left corner), I would be ever so grateful.

Or don’t. Either way, you are always welcome here, and I’m just happy to know that you’re out there…somewhere, in the dark.

Anyway…Merry Crimble, and a Happy Goo Year!

So what about these “100 films” you speak of (you’re thinking?). By popular demand (heh) here are  my top 10 picks for each of the years since I began writing film reviews over at Digby’s Hullabaloo (you may want to bookmark this post as a  reference for movie night).

[Click on title for full review]

2007

Eastern Promises, The Hoax, In the Shadow of the Moon, Kurt Cobain: About a Son, Michael Clayton, My Best Friend, No Country for Old Men, Pan’s Labyrinth, PaprikaZodiac

2008

Burn After Reading, The Dark Knight, The Gits, Happy Go Lucky, Honeydripper, Man on Wire, Milk, Slumdog Millionaire, Vicky Cristina Barcelona, The Visitor

2009

The Baader Meinhof Complex, Inglourious Basterds, In the Loop, The Limits of Control, The Messenger, A Serious Man, Sin Nombre, Star Trek, Where the Wild Things Are, The Yes Men Fix the World

2010

Creation, Inside Job, Joan Rivers: A Piece of Work, Little Big Soldier, A Matter of Size, My Dog Tulip, Nowhere Boy, Oceans, The Runaways, Son of Babylon

2011

Another Earth, Certified Copy, The Descendants, Drei, Drive, The First Grader, Midnight in Paris, Summer Wars, Tinker/Tailor/Soldier/Spy, The Trip

2012

Applause, Dark Horse, Killer Joe, The Master, Paul Williams: Still Alive, Rampart, Samsara, Skyfall, The Story of Film: an Odyssey, Your Sister’s Sister

2013

The Act of Killing, Big Star: Nothing Can Hurt Me, Computer Chess, 56 Up, The Hunt, Mud, The Rocket, The Silence, The Sweeney, Upstream Color

2014

Birdman, Child’s Pose, A Coffee in Berlin, The Grand Budapest Hotel, Kill the Messenger, The Last Days of Vietnam, Life Itself, A Summer’s Tale, The Wind Rises, The Theory of Everything

2015

Chappie, Fassbinder: Love Without Demands, An Italian Name, Liza the Fox Fairy, Love and Mercy, A Pigeon Sat on a Branch Reflecting on Existence, Song of the Sea, Tangerines, Trumbo, When Marnie Was There

2016

The Curve, Eat That Question, Hail Caesar!, Home Care, Jackie, Mekko, Older Than Ireland, Snowden, The Tunnel, Weiner

Blu-ray reissue: Tampopo ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 9, 2017)

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Tampopo – Criterion Collection Blu-ray

Self billed as “The first Japanese noodle western”, this 1987 entry from writer-director Juzo Itami is all that and more. Nobuko Niyamoto is superb as the eponymous character, a widow who has inherited her late husband’s noodle house. Despite her dedication and effort to please customers, Tampopo struggles to keep the business afloat, until a deux ex machina arrives-a truck driver named Goro (Tsutomo Yamazaki).

After one taste, Goro pinpoints the problem-bland noodles. No worries-like the magnanimous stranger who blows into an old western town (think Alan Ladd in Shane). Goro takes Tampopo on as a personal project, mentoring her on the Zen of creating the perfect noodle bowl.

A delight from start to finish, offering keen insight on the relationship between food, sex and love. Criterion’s edition features a nicely restored print and a generous helping of extras, including Rubber Band Pistol, Itami’s 1962 debut short film.

Blu-ray reissue: Stormy Monday ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 9, 2017)

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Stormy Monday – Arrow Video Blu-ray (Region “B”)

I have to admit, I geeked out a little when I heard that Mike Figgis’ tightly-scripted, gorgeously-photographed 1988 Brit-noir (his feature directorial debut) was finally getting the high-def home video treatment that it so richly deserves.

Sean Bean stars as a restless young drifter who blows into Newcastle and falls in with a local jazz club owner (Sting). Right about the same time, a shady American businessman with mob ties (Tommy Lee Jones) arrives to muscle in on a land development deal, accompanied by his ex-mistress/current P.A. (Melanie Griffith). As romantic sparks begin to fly between Bean and Griffith, the mobster puts the thumbscrews to the club owner, who stands in the way of the development scheme by refusing to sell. Things get complicated.

This is one of my favorite 80s sleepers; a criminally under-seen and underrated gem. Arrow’s sparkling transfer is a revelation; a great showcase for cinematographer Roger Deakins’ work here, which rates among his best. Extras include an interesting “then and now” tour of the Newcastle film locations.

Blu-ray reissue: Sid and Nancy ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 9, 2017)

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Sid and Nancy – Criterion Collection Blu-ray

The ultimate love story…for nihilists. Director Alex Cox has never been accused of subtlety, and there’s certainly a glorious lack of it here in his over-the-top 1986 biopic about the doomed relationship between Sex Pistols bassist Sid Vicious and his girlfriend Nancy Spungen.

Gary Oldman and Chloe Webb chew all the available scenery as they shoot up, turn on and check out. It is a bit of a downer, but the cast is great, and Cox (who co-scripted with Abbe Wool) injects a fair amount of dark comedy (“Eeew, Sid! I look like fuckin’ Stevie Nicks in hippie clothes!”).

The movie also benefits from outstanding cinematography by Roger Deakins, which is really brought to the fore in Criterion’s 4K restoration. Extras include a 1987 doc on the making of the film, and the “infamous” 1976 Sex Pistols TV interview with Bill Grundy.

Blu-ray reissue: Mickey One ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 9, 2017)

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Mickey One – Indicator Limited Edition Blu-ray

Arthur Penn’s 1965 existential film noir stars Warren Beatty as a standup comic who is on the run from the mob. The ultimate intent of this pursuit is never made 100% clear (is it a “hit”, or just a debt collection?), but one thing is certain: viewers will find themselves becoming as unsettled as the twitchy, paranoid protagonist. It’s a Kafkaesque nightmare, with echoes of Godard’s Breathless. A true rarity-an American art film, photographed in expressive, moody chiaroscuro by DP Ghislain Cloquet (who also did the cinematography for Bresson’s classic Au Hasard Balthazar and Woody Allen’s Love and Death). Nice transfer. Extras include a 40-page booklet and a new interview with Penn’s son Matthew.

Blu-ray reissue: Lost in America ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 9, 2017)

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Lost in America– Criterion Collection Blu-ray

Released at the height of Reaganomics, this 1985 gem can now be viewed in hindsight as a spot-on satirical smack down of the Yuppie cosmology that shaped the Decade of Greed. Director/co-writer Albert Brooks and Julie Hagerty portray a 30-something, upwardly mobile couple who quit their high-paying jobs, liquidate their assets, buy a Winnebago, and hit the road with a “nest egg” of $145,000 to find themselves. Their goals are nebulous (“we’ll touch Indians”).

Unfortunately, due to unforeseen circumstances, the “egg” is soon off the table, and the couple find themselves on the wrong end of “trickle down”, to Brooks’ chagrin. Like most Brooks films, it is as painfully funny as it is to watch it (I consider him the founding father of  the Larry David/Ricky Gervais school of “cringe comedy”). Criterion’s extras are skimpy, but the 2K restoration is fabulous.

Blu-ray reissue: Day of the Jackal ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 9, 2017)

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The Day of the Jackal – Arrow Video Blu-ray (Region “B”)

“Conspiracy a-go go” films don’t get any better than Fred Zinnemann’s taut political thriller. Adapted from Frederick Forsyth’s eponymous 1971 bestseller, this 1973 film (set in 1962) takes you on a chilling “ride-along” with a professional assassin (Edward Fox) who is hired by a French right-wing extremist group to kill President Charles de Gaulle. It’s a real nail-biter from start to finish, intelligently written and well-crafted.

While undoubtedly not his intent, Zinnemann’s documentary-style realism regarding the hit man’s meticulous prep work and coolly detached social engineering methodology at times plays like a “how-to” guide (shudder). Arrow’s print is the best I’ve seen of this film. Among the extras: a new interview with a Zinnemann biographer, and Kenneth Ross’ entire original screenplay (CD ROM content).

Blu-ray reissue: Blow-Up ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 9, 2017)

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Blow-Up – Criterion Collection Blu-ray

You know how the song goes: “England swings like a pendulum do”. And nobody swung the art house in the 60s like Italian director Michelangelo Antonioni. Combine the acid-dazed op art splendor of 1966 London with Antonioni’s predilection for enigmatic narrative, and out pops this colorful mind-bender.

A “mod” photographer (David Hemmings) is wandering around a public park and espies a lovely young woman (Vanessa Redgrave) who is acting a bit erratic. Intrigued, he shoots a series of photos. When he develops them, he realizes that he may have inadvertently documented a crime. What ensues is part mystery-thriller and part youth-exploitation flick. Look for a great scene in a club where The Yardbirds (featuring Jimmy Page and Jeff Beck) rave it up! Also in the cast: Sarah Miles, Jane Birkin, and Verushka.

Criterion’s 2017 Blu-ray features a 4K restoration, which is quite vibrant. Extras include a new 52-minute documentary about the making of the film, a 2016 interview with Vanessa Redgrave,  and archival interviews with Antonioni, David Hemmings, and Jane Birken.

Blu ray reissue: Barry Lyndon ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 9, 2017)

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Barry Lyndon – The Criterion Collection Blu-ray

Stanley Kubrick’s beautifully photographed, leisurely paced adaptation of William Makepeace Thackeray’s rags-to-riches-to-rags tale about a roguish Irishman (Ryan O’Neal) who grifts his way into the English aristocracy is akin to watching 18th-century paintings sumptuously spring to life (funnily enough, its detractors tend to liken it to “oil paintings” as well, but for entirely different reasons). The cast includes Marisa Berenson, Patrick Magee, Leonard Rossiter and Leon Vitali.

This magnificent 1975 film has improved with age, like a fine wine; successive viewings prove the stories about Kubrick’s obsession with the minutest of details were not exaggerated-every frame is steeped in verisimilitude. Michael Hordern’s delightfully droll voice over work as The Narrator rescues the proceedings from sliding into staidness. The most elegant “long con” in cinema…from both a narrative and visual standpoint.

Criterion’s superb 4K restoration is a vast improvement over Warner’s 2011 Blu-ray release; finally giving full due to one of the most visually resplendent costume dramas of all time. Criterion also packed in the extras on this one, including new and archival interviews with cast and crew, as well as featurettes covering everything from cinematography, production design, costume design to critical reappraisal. A must-have.

But he plays one on TV-Bill Nye: Science Guy (***)

By Dennis Hartley

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In a nonsensical world such as ours, it somehow makes perfect sense that it took a Cornell-educated Boeing engineer-turned TV sketch comic-turned-goofy kid’s science show host to become logic’s ultimate champion in the sometimes downright insane public debate among (alleged) adults regarding human-caused global warming.

Such is the long strange trip of Bill Nye, aka “The Science Guy”, recounted in a new “warts and all” documentary by David Alvarado and Jason Sussberg called (wait for it) Bill Nye: Science Guy. While the filmmakers’ non-linear structure (which vacillates abruptly between eco-doc,  spotty biography and science lesson) takes acclimation, there does seem to be a method to the madness.

Is there “madness” behind Nye’s transition from the bubbly “Science Guy” persona to the relatively more glum-faced crusader we have seen in more recent years taking the science deniers to task? Even the film’s subject himself is unsure of exactly “who” he is at times; as revealed in a fascinating segment where Nye is interviewed by neuroscientist Heather Berlin, who is conducting a study on the effects of celebrity and fame on the brain and the psyche.

She sees in Nye “a great test case” with which to explore her thesis. After admitting that the pressures of fame have made him “close [himself] off” in his public and personal life, Nye becomes palpably (and uncharacteristically) uncomfortable in front of the camera.

As if to further assure us that they are not making a hagiography , the film makers allow some of their subject’s former TV collaborators to dish some passive-aggressive disgruntlement that suggests Nye’s desire for fame and fortune (in the early days, at least) may have trumped any altruistic intentions to bring science to the masses. That said, there are still a number of admirers like Neil deGrasse Tyson on camera to praise Nye and his accomplishments.

My favorite part is where Nye goes to Kentucky for a public debate with anti-evolutionist Ken Ham. Nye first takes us along on a tour of Ham’s Creation Museum, where he finds one particular exhibit suggesting dinosaurs and humans co-existed at the same time to be “very troubling”. Luckily, for viewers like myself who are fully ready at this point to begin hurling objects at the screen, an antidote is administered soon thereafter with a shift back to reality (and sanity) when Nye attends the National Science Teacher’s Conference.

There are also some genuinely touching moments; during a family visit, Nye reveals that his brother and sister struggle with Ataxia, a rare neurological disease that affects balance and gait. While it is a hereditary affliction in his family (his father had it), Nye has never shown any signs to date of having inherited the malady himself. Consequently, he admits to suffering from a kind of “survivor’s guilt”, which has haunted him all of his adult life.

Another chunk is devoted to examining Nye’s current “day job” as CEO of The Planetary Society, which was co-founded by his mentor Carl Sagan (Sagan’s widow Ann Druyan, who co-wrote the 1980 PBS series Cosmos and is the creator-producer-writer of the 2014 sequel Cosmos: A Spacetime Odyssey, also appears throughout the film).

While they may not have crafted a definitive portrait of Nye, the filmmakers do manage to pass on his “Science Guy” persona’s infectious enthusiasm for the joy of discovery. And it did leave me with the comforting thought that he’s one of the good ones who are out there, holding up the line of defense against blind superstition and purposeful disinformation. In light of the current state of our union, we need all the help we can get in that department.