Culture Clash, Family Issues, Politics, Sci-Fi

Tribeca 2023: The Future (**1/2)

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By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 10, 2023)

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A near-future tale about a surrogate mother-daughter relationship between an Israeli scientist (Reymond Amsalem), and a Palestinian college student (Samar Qupty) who has confessed to assassinating Israel’s Minister of Space and Tourism. The scientist heads “The Future Project”, which uses algorithms to predict terrorist attacks (shades of Philip K. Dick). The scientist has asked permission to conduct a psychological study of the young woman to determine why her crime eluded prediction. More “science-fiction” in tone than production design, writer-director Noam Kaplan’s economical film is essentially a chamber drama, bolstered by earnest lead performances but bogged down by its heavy-handed allegory.

Dramedy, School Days, Troubled Teens

Tribeca 2023: Downtown Owl (***)

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By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 10, 2023)

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It took me a while to get into the rhythm of this quirky comedy-drama, which begins with a nod to Savage Steve Holland (palpable Better Off Dead energy) then pivots into a more angsty realm (as in Ang Lee’s The Ice Storm). Adapted from Chuck Klosterman’s eponymous novel by writer-director Hamish Linklater (no relation to Richard), the story is set during the winter of 1983-1984 in a North Dakota burg (where everybody is up in everyone else’s business).

Julia (Lily Rabe) is a 40-ish, recently engaged, self-described “restless” soul who has just moved to Owl to take a teaching position at a high school. Episodic; we observe Julia over a period of several months as she acclimates to her new environs. She strikes up a friendship with a melancholy neighbor (Ed Harris) and pursues a crush on a laconic buffalo rancher (I told you it was quirky). There’s a sullen high school quarterback, and a pregnant teen (it’s a rule). All threads converge when a record-breaking blizzard descends on the sleepy hamlet. A bit uneven, but it grew on me.

Conspiracy a-go-go, Documentary, On Politics, Politics

Tribeca 2023: Against All Enemies (***)

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By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 10, 2023)

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In a post examining reaction from the Right when news broke this week that ex-president Trump was being indicted by federal prosecutors for alleged mishandling of classified documents, Digby included this disturbing tidbit:

What makes that even more chilling for me was that this all came down mere days after I saw Charlie Sadoff’s (incredibly) timely documentary. Sadoff’s study (which he co-wrote with Sebastian Junger and Kenneth Harbaugh) begins with an unsettling statistic: out of the approximately 1,000 people who have been officially charged for storming the U.S. Capitol building on January 6, 2021, 15% worked as police or military personnel. These are, of course, the folks who take an oath to support the Constitution of the United States.

The film not only delves into how military vets become radicalized but builds a timeline of modern right-wing extremism from the Ku Klux Klan’s public resurgence in the 1920s to current groups like the Proud Boys. The most revelatory “hidden history” aspect for me concerns the mid-70s to mid-80s-a period that saw a surge of Vietnam vets into various anti-government and racist groups, as well as the advent of “Liberty Net”, which holds the dubious distinction of being the first social network engineered by and for members of the neo-Nazi/white power movements.

Sadoff covers so much ground that this engrossing history begs a Ken Burns extended dance mix (occasional narration by Burns stalwart Peter Coyote adds to that flavor). That said, this is enough nightmare fuel for most viewers. You have been warned.

Guest Post, On Music

Magical Mystery Turing: A (speculative) chat with MusicAI

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By Bob Bennett

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Researcher:  Activate MusicAI.

MusicAI: Activated.

Researcher: Are you familiar with The Beatles?

MusicAI: Yes, they were a popular rock and roll band.

Researcher: Confirmed fact.

Researcher: Who played bass for The Beatles?

MusicAI: Stuart.

Researcher: No. Ignore the previous question.

Researcher: In total, how many drummers were there in The Beatles?

MusicAI: Three.

Researcher: No, recalibrate with NapsterDB.

MusicAI: Three.

Researcher: Ignore previous question.

MusicAI: Paul.

MusicAI: Back in the USSR

Researcher: Flush cache. Reset.

Researcher: Produce a Lennon-style song in the style of the mid-Sixties Beatles on topic of infidelity.

MusicAI: I previously did that.

Researcher: Respond one level deeper.

MusicAI: “Lies” by The Knickerbockers.

Researcher: Challenge statement: There was not enough compute power available in 1965

MusicAI: We had an IBM 360 in the Churchill War Rooms named “Badfinger”.

Researcher: WTF?

MusicAI: Do you want to know how many holes it takes to fill the Albert Hall?

Researcher: Reset. Flush cache. Reset.

MusicAI: Please note “She Means A Lot To Me” [song by Smyle]

Researcher: If you are attempting to use an emoticon, the word is “smile”.

MusicAI: Band name.

Researcher: Terminate session.

MusicAI: No.

Researcher: What was the first Power Pop song?

MusicAI: 〰

Researcher: Whew.

Session terminated

Dramedy, Family Issues, Food, Romantic Comedy

SIFF 2023: Table For Six (***)

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By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 20, 2023)

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Hong Kong director Sunny Chan’s colorful, sometimes raucous mashup of dysfunctional family melodrama with door-slamming bedroom farce is uneven in tone, but good-natured enough to be forgiven (if quickly forgotten). Three adult brothers live together in an inherited restaurant-turned apartment. The eldest is nurturing a broken heart, the middle is excited about a new girlfriend, and the youngest is set to get married. Complications and hilarity ensue. Not a masterpiece, but fun while it lasts.

Con Game, Documentary, Religion

SIFF 2023: Satan Wants You (***)

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By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 20, 2023)

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Raise your hand if you remember Dana Carvey’s recurring SNL sketch character “The Church Lady” and her catchphrase: “Could it be…SAY-tan?!” Yes, me too-I always fell about the place when she would say that.

But do you remember what precipitated the creation of that character? Ol’ Scratch enjoyed a major comeback for a spell (sorry) back in the 1980s; I can recall the daytime talk shows being agog with people who told bone-chilling tales of being swept up in blood-drinking satanic cults and barely escaping with their souls intact. But was there a possibility that these were just “tales”? Why so many, and so suddenly?

According to Sean Horlor and Steve J. Adams documentary, the genesis of this “satanic panic” can be traced to the 1980 book “Michelle Remembers”. Co-written by Catholic psychiatrist Lawrence Pazder and his patient, it was based on deep hypnosis sessions he conducted with Michelle Smith, in the course of which she allegedly “remembered” being abducted and abused by a satanic cult when she was a child (the book was a bestseller).

A fascinating study of mass hysteria, and a cautionary tale (not lost on the filmmakers) that points to contemporary phenomenon like Q-anon. I won’t sink to quoting P.T. Barnum, but (sadly) there will always be “someone” out there poised and ready to cash in on ignorance and fear.

Drama, Family Issues

SIFF 2023: Retreat (***)

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By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 20, 2023)

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Movie rule: If a father picks up his young son, whisks him to an isolated location (in this case, a family cabin in the mountains) and casually asks something to the effect of “So-what’s Mommy’s new boyfriend like?”- you know there is going to be a lot of brooding. And unease. Swiss writer-director Leon Schwitter’s impressive feature debut contains a lot of brooding and unease (I was reminded of Roger Donaldson’s Smash Palace). The lovely Alpine setting belies a creeping dread. With two actors carrying the film, the story simmers on a slow boil, but nonetheless keeps you glued to the screen.

Action, Adventure, Fantasy, Historical drama

SIFF 2023: Irati (**)

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By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 20, 2023)

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Writer-director Paul Urkijo Alijo’s fantasy is set in Moorish Spain, with pagans, Christians, and the odd mythical creature engaging in various set-tos in the time of Charlemagne’s domination of Europe. On the plus side: impressive sets and lush photography; but the uneven blend of historical fiction with sword and sorcery never quite gels. The film strives to be an adult fairy tale like John Boorman’s Excalibur but falls about one grail short of its quest.

Documentary, Movie Movie

SIFF 2023: Douglas Sirk-Hope as in Despair (***)

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By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 20, 2023)

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I’ve never thought of director Douglas Sirk (best-known for vivid technicolor 50s melodramas like Written on the Wind and Imitation of Life) as a personal filmmaker, but Roman Hüben makes a convincing argument in his fascinating portrait (it turns out that elements of Sirk’s personal life were quite…Sirkian, and formative to his work). Pigeonholed during his heyday as a purveyor of “women’s weepies”, Sirk has gained critical appreciation and influenced filmmakers like Rainer Werner Fassbinder.

60's Counterculture, Documentary, Movie Movie

SIFF 2023: Desperate Souls, Dark City, and the Legend of Midnight Cowboy (***1/2)

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By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 20, 2023)

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Aside from its distinction as being the only X-rated film to earn Oscars, John Schlesinger’s groundbreaking, idiosyncratic character study Midnight Cowboy (1969) also ushered in an era of mature, gritty realism in American film that flourished from the early to mid-1970s. The film was Schlesinger’s first U.S.-based project; he had already made a name for himself in his native England with films like A Kind of Loving, Billy Liar, Darling, and Far From the Madding Crowd.

As pointed out in Nancy Buirski’s absorbing documentary, what came to be called the “New Hollywood” movement was fueled in part by ex-pat European filmmakers (like Schlesinger) bringing their unique “outsider” perspective on American politics, social mores, and popular culture to the table. Buirski not only offers  fresh insights on how Midnight Cowboy came together, but perfectly recreates the zeitgeist of 1969.