Seattle Jewish Film Festival 2014: Hotel Lux **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on February 22, 2014)

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So Stalin and Hitler walk into a bar. Actually, it’s a hotel bar, and in reality, it’s a pair of German vaudevillians who have developed a musical comedy act based on their impersonations. Onstage, Hans (Michael Herbig) plays Stalin, and his partner Siegfried (Jurgen Vogel) portrays Hitler. Since this is Berlin in 1938, their act is becoming a bit risqué . Siegfried, a dedicated Communist, is the first to see the writing on the wall and decides to get out of Dodge, informing his partner that he’s going underground, dragging their mutual love interest Frida (Thekla Reuten) with him. Hans, who is apolitical, wants to keep his eye on the prize (he dreams of making it in Hollywood). He flees Berlin some time later via a forged Russian passport. Through a series of mix-ups, Hans ends up at the Hotel Lux (where the real Stalin and his inner circle are ensconced) mistaken for Hitler’s personal astrologer, with whom Stalin is eager to consult. At first, Hans ingratiates himself with Stalin, who likes the positive card readings. But Uncle Joe is mercurial, so Hans doesn’t know how long his charade will protect him from arbitrary execution. Much political intrigue (and hilarity) ensues. Sort of a cross between The Last Metro and The Court Jester, Leander Haussmann’s film is uneven at times, but carried by the winning performances.

Seattle Jewish Film Festival 2014: Brave Miss World ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on February 22, 2014)

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Cecilia Peck’s documentary is a portrait of Linor Abargil, an Israeli beauty queen turned women’s rights activist. That conversion was borne of a horrific personal trauma. At the age of 18, and just 6 weeks prior to being crowned Miss World in 1998, she was kidnapped, stabbed and raped while visiting Italy. Peck and her camera crew followed the seemingly tireless Abargil around the world for five years, documenting her drive to ensure that her attacker (eligible for parole this year) never sees the light of day, and continue her ongoing campaign to promote awareness of this often unreported crime. Everywhere she travels, she encourages victims to begin their healing by giving testimony. This is the most moving and inspiring aspect of the film; listening to these women (of all nationalities, social strata and ages) recounting their experiences and realizing how much courage it takes to come forward. You can’t help but feel outrage at the most maddeningly puzzling aspect of this vile and violent crime: Why does the burden of proof fall largely upon the victim?

Seattle Jewish Film Festival 2014: Aftermath ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on February 22, 2014)

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This intense drama from writer-director Wladyslaw Pasikowski (which reminded me of the 1990 West German film, The Nasty Girl) concerns a Polish émigré (Ireneusz Czop) who makes a visit from the U.S. to his hometown for the first time in decades to attempt a reconciliation with his estranged brother (Maciej Stuhr). He quickly gleans that his brother (whose wife has recently left him) has become a pariah to neighboring farmers and many locals in the nearby village. After some reluctance, his brother shows him why: he’s been obsessively digging out head stones from local roads that were originally re-appropriated from a Jewish graveyard during WW2, converting his wheat field into a makeshift cemetery. Oddly, he’s also learning Hebrew (the brothers are non-Jews). Not unlike the protagonist in Field of Dreams, he can offer no rational explanation; “something” is compelling him to do it. It seems he’s also dredging up shameful memories among the village elders that they would prefer not to process. It is a powerfully acted treatise on secrets, lies…and collective guilt.

Blu-ray reissue: That Sinking Feeling ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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That SInking Feeling – BFI Blu-ray (Region “B”)

This relatively obscure, low-budget 1979 wonder marked the debut for quirky Scottish writer-director Bill Forsyth (Gregory’s Girl, Local Hero). Sort of a Glaswegian version of Big Deal on Madonna Street, it’s the story of an impoverished teenager, tired of eating cornflakes for breakfast, lunch and dinner, who comes up with a scheme to make him and his underemployed pals rich beyond their wildest dreams-knocking over a plumbing supply warehouse full of stainless steel sinks. Funny as hell, imbued with the director’s unique brand of low-key anarchy and a poignant undercurrent of working class Weltschmerz. BFI’s region “B” Blu-ray* is packed with extras, and sports the cleanest transfer I’ve seen of this previously hard-to-find gem (*please note that this region “B”-encoded disc requires a region-free Blu-ray player for playback).

Blu-ray reissue: Red River ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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Red River– Criterion Collection Blu-ray (box set)

John Wayne and Montgomery Clift couldn’t have been more disparate in their respective approaches to acting, but it is precisely this “oil and water” dynamic that makes the relationship between their characters so compelling in Howard Hawks’ classic western.

Wayne is perfect as a hard ass cattle rancher at loggerheads with his adopted son (Clift), who he feels is too “soft” and high-minded to be worthy of his legacy. It all comes to a head during a grueling, “make it or break it” cattle drive from Texas to Missouri, which turns into a sort of epic, land-locked version of Mutiny on the Bounty.

Outstanding direction, a smart script (by Borden Chase and Charles Schnee) and fabulous supporting performances from Walter Brennan, Coleen Gray and John Ireland (Ireland and Clift share a scene fraught with a surprising degree of homo-eroticism, especially considering that this was 1948).

Criterion’s Blu-ray edition features the rarely seen original theatrical release (Hawks’ preferred cut). Oddly enough, it turns out that the version we’ve seen on home video and cable all these years was the preview version (also included), which runs several minutes longer due to sporadic inter-titles, which are replaced by Walter Brennan’s narration in the theatrical cut. Image quality is superb.

Blu-ray reissue: Princess Mononoke ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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Princess Mononoke – Disney Blu-Ray

I think it’s fair to say that anime master Hayao Miyazaki and his cohorts at Studio Ghibli have consistently raised the bar on the art form over the past several decades (that’s why I’m a little sad that Miazaki-san recently announced his retirement from directing). Disney studios have been s-l-o-w-l-y reissuing the Miyazaki catalog on Blu-ray. This 1997 Ghibli production is a welcome addition to high-def, as it is one of their most visually resplendent offerings. Perhaps not as “kid-friendly” as per usual, but most of the patented Miyazaki themes are present: humanism, white magic, beneficent forest gods, female empowerment, and pacifist angst in a ubiquitously violent world. The beautiful score is by frequent Miyazaki collaborator Joe Hisaishi.

Blu-ray reissue: The Long Goodbye ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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The Long Goodbye – Kino Video Blu-ray

If there is something vaguely familiar about the shambolic anti-hero of Robert Altman’s 1973 L.A. noir, it’s because he was clearly the inspiration for the protagonist in the Coen Brothers’ 1998 film, The Big Lebowski (at least that’s my theory). Granted, the “Dude” is a purely circumstantial “detective” who becomes embroiled in a complex mystery, and Philip Marlowe (Elliott Gould) is an actual shamus…who becomes embroiled in a complex mystery.

But both characters are wise asses, which tends to land them in hot water. Yet both also share a kind of Zen philosophy that helps them land on their feet. Gould’s Marlowe slouches his way through Altman’s slyly arch reinvention of the stock Raymond Chandler milieu with a bemused detachment, denoted by a shrug and a mumbled catchphrase that he repeats throughout the film (“It’s OK with me.”).

Leigh Brackett’s screenplay is rich in characterization; which is a good thing, because the plot is byzantine to the point of self-parody (which I’m sure was the intent). The great supporting cast includes Sterling Hayden, Nina van Pallandt and Henry Gibson. Director Mark Rydell (Cinderella Liberty, The Reivers, On Golden Pond) makes a rare acting appearance (and steals all his scenes) as a sadistic gangster.

Kino Video’s Blu-ray transfer, while on the grainy side, is still a marked improvement over MGM’s DVD. Extras include a session with Altman and Gould recalling the making of the film, and an interesting segment with the great cinematographer, Vilmos Zsigmond.

Blu-ray review: Jeff Beck Live in Tokyo ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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Jeff Beck Live in Tokyo – Eagle Vision Blu-ray

Who’s the coolest 70 year-old on the planet? My vote is for guitar virtuoso Jeff Beck, who just keeps improving with age. I’ve been playing guitar for over 40 years, and no matter how closely I study the man’s fingers, I am absolutely stymied as to how he wrestles those sounds from his axe. It’s some kind of alchemy that is beyond my ken. Eagle Vision’s Blu-ray captures a dynamic performance at the Tokyo Dome City Hall from April 2014. Beck glides effortlessly between genres, proving equally adept at blues, metal, fusion, jazz and funk (sometimes all within the same number). He also shows off his newest band, all chops players (as you would expect). It’s interesting to see him playing off a second guitarist (classical-leaning Nicolas Meier), which he hasn’t done in some time. Highlights include “A Day in the Life”, “Stratus”, and the achingly beautiful “Where Were You”. The disc has exemplary image and sound.

Blu-ray reissue: The Day the Earth Caught Fire ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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The Day the Earth Caught Fire – BFI Blu-ray (Region “B” )

Written and directed by Val Guest, this cerebral mix of conspiracy a-go-go and sci-fi (from 1961) has always been a personal favorite of mine. Simultaneous nuclear testing by the U.S. and Soviets triggers an alarmingly rapid shift in the Earth’s climate. As London’s weather turns more tropical by the hour, a Daily Express reporter (Peter Stenning) begins to suspect that the British government is not being 100% forthcoming on the possible fate of the world. Along the way, Stenning has some steamy scenes with his love interest (sexy Janet Munro). The film is more noteworthy for its smart, snappy patter than its run-of-the-mill f/x, but still delivers a compelling narrative. Co-starring the great Leo McKern (who steals every scene he’s in).

The releasing studio is BFI, a UK-based reissue outfit that employs the same grade of high standards that Criterion has become known for here in the U.S., with meticulously restored prints and extras geared toward the film buff. Please note that this review is based on the region “B” release, so it requires a region-free Blu-ray player.

Blu-ray reissue: All That Jazz ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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“It’s show time, folks!” From its exhilarating opening montage of an ego-crushing chorus line casting call, fast-cut in perfect sync to George Benson’s pulsing cover of “On Broadway”, to its jaw-dropping finale, a Busby Berkeley-on-acid song and dance number with the Angel of Death presiding, writer-director Bob Fosse’s semi-autobiographical tale of a fast-living, dexy-dropping, chain-smoking, hotshot choreographer (Roy Scheider) is the best (and most audacious) film ever made regarding this business we call “show”. Scheider is riveting, and Ann Reinking and Ben Vereen are in top form as well. Wholly entertaining, but not for the faint of heart (and definitely not for the whole family…this ain’t exactly Singin’ in the Rain). Criterion’s Blu-ray edition features a new 4K transfer, and extras include fascinating archival interviews with Fosse.