By Dennis Hartley
(Originally posted on Digby’s Hullabaloo on May 17, 2025)
Lionel Baier’s dramedy (adapted from Christophe Boltanski’s novel La Cache) is a child’s-eye view of the political tumult that permeated Paris in May of 1968.
A nine-year-old boy lives in a comically cramped apartment with his parents, his grandparents, a pair of uncles, and his great-grandmother. Everyone in the family is quirky, colorful, and whimsical (despite the near-revolution raging in the streets outside).
If you can get past the initial Wes Anderson vibe (with a zest of Jacques Tati), Baier does occasionally turn down the twee enough to fold in the sociopolitical realities of the era; leading to some profound moments (e.g. the film’s best scene is completely absurd, yet unexpectedly moving).