Category Archives: On Music

About bloody time: Yes is in!

By Dennis Hartley

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Last year, when Yes was nominated for the umpteenth time for induction into the Rock and Roll Hall of Fame,  I made my case:

Long before MTV (or YouTube), my teenage self would while away many hours listening to Yes with a good set of cans, staring at Roger Dean’s art, envisioning my own music videos (special effects courtesy of the joint that I rolled on the inside of the convenient gate-fold sleeve). Good times (OP sighs, takes moment of silence to reflect on a life tragically misspent). Anyway, why this band hasn’t been inducted yet is beyond me. Complex compositions informed by deeply layered textures, impeccable musicianship, heavenly harmonies, topped off by Jon Anderson’s ethereal vocals; an embodiment of all that is good about progressive rock (I know the genre has its detractors, to whom  I say…”You weren’t there, man!”)

Uh…what I said. At any rate, when it was announced today that Yes finally made the grade, I was overjoyed. Okay, maybe that’s a bit of an overreaction to something that is relatively inconsequential when contrasted with larger concerns going on in the world right now…but you know what? I’ve seen an inordinate number of my personal musical icons shuffled off to that great gig in the sky this year, so its nice to savor a little happy news about those who are still rockin’, eh?

And you know what else I’ve seen?

 

So he laid down…R.I.P. Greg Lake

By Dennis Hartley

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You know what, 2016? Fuck you. Seriously. This is really too much.

Bowie. Prince. Sir George Martin. Leonard Cohen. Leon Russell. Glenn Frey. Paul Kantner. Keith Emerson…now, Greg Lake.

This is the toughest one for me since Bowie at the beginning of this year. Greg Lake was not only one of the gods of prog-rock, but for my money, owned the greatest set of pipes in any musical genre.

That voice has captivated me from the first time I heard “In the Court of the Crimson King” wafting from my radio back in 1969. Even through a tinny 4″ speaker, that beautiful, cathedral voice shot directly through my medulla oblongata and took my breath away.     Instrumental accompaniment was always purely optional:

And speaking of “cathedral”…

The angels can retire now.

The American Music Awards get real (for once)

By Dennis Hartley

So I was fast-forwarding  past the vapid, over-choreographed, auto-tuned corporate muzak on the AMAs tonight (thank the gods for DVRs), hoping against hope I’d stumble across something that resembled an organic, analog performance…when this happened:

No, you heard it right: “No Trump! No KKK! No Fascist USA!”

Oh, yeah. Kick out the jams, motherfuckers.

Can’t wait to see the president-elect’s 3am tweets about that one…

…and one is hope: So long, Leon

By Dennis Hartley

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Leon Russell 1942-2016

It’s getting crowded up there. Leonard Cohen on Friday, now Leon Russell on Sunday? All in all, the weekend’s been a bit of a bummer.

Oh well, we’ll always have their music.

Russell was one of the heavyweights; an in-demand session player for decades, he cut his teeth with the legendary “Wrecking Crew”, who  were profiled in Denny Tedesco’s eponymous 2015 doc (my review).

He also had a prolific recording career as a solo artist, and was a truly  outstanding songwriter. So many classics. Here is but a sampling…

https://youtu.be/tn-br0h4rZk

The saddest song in the world: R.I.P. Leonard Cohen

By Dennis Hartley

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1934-2016

It sounds like a bad joke: Man, what a depressing week! [“How depressing was it, Johnny?”]. I’ll tell you, Ed.  American democracy died on Tuesday…and Leonard Cohen was only able to make it to Friday.

(SFX: rim shot)

Hiyo!

Of course that’s not funny. But if I don’t laugh, I’ll cry. I’m all cried out.

It goes like this: The fourth, the fifth; the minor fall, the major lift

I’m uplifted already. Halle-fuckin’-lujah. Make the angels cry, Leonard:

Was anyone’s music more cinematic? Robert Altman was an early fan:

From his final album, released just weeks ago.  A true poet to the end:

Start drinking now: A mixtape for election eve

By Dennis Hartley

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Well, this is it.

We find out tomorrow if we still have a future. Drinks/meds on standby? Excellent! I brought chips ‘n’ dip. And tunes. Let’s rock:

  1. Frank Zappa & the Mothers of Invention – “Plastic People”

2. Barry McGuire – “Eve of Destruction”

3. R.E.M. – “It’s the End of the World”

4.  King Crimson – “Epitaph” (isolated vocal track version)

5. The Youngbloods – “Darkness, Darkness”

6. Roy Orbison – “It’s Over”

https://youtu.be/WKO_JRbcC04

7. The Doors – “The End”

8.  John Martyn – “I Don’t Want to Know”

9.  The Ramones – “I Wanna Be Sedated”

10. Styx – “Come Sail Away”

PLEASE VOTE.

Bono drops the mic on Trump

By Dennis Hartley

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From The Los Angeles Times:

Donald Trump has “hijacked” the Republican Party and comes in as possibly the “worst” idea ever for America, the lead singer of the band U2 said.

“America is the best idea the world ever came up with,” Irish singer-songwriter Bono told “CBS This Morning” in an interview that aired Tuesday. “But Donald Trump is potentially the worst idea that ever happened to America – potentially.”

Bono, whose real name is Paul David Hewson, argued that the Republican presidential nominee threatens America’s underlying values of justice and equality for all.

“He’s hijacked the party. I think he’s trying to hijack the idea of America,” he said. And I think it’s bigger than all of us. I think it’s …really dangerous.”

BOOM! Couldn’t have summarized it better myself.

I can’t wait to see Trump’s flurry of after-midnight tweets, firing back:

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Donald J. Trump @realDonaldTrump

“Pudgy Bono” said bad things about me. Ivanka tells me he’s this big deal rock singer. I bet I can do what he does so much better. Believe me.

Donald J. Trump @realDonaldTrump

I hear Pudgy Bono does lots of work for charities. I don’t know, but that’s what people say. Maybe someone should investigate these “charities”.

Donald J. Trump @realDonaldTrump

So I hear Pudgy Bono has been performing concerts in America. He’s not even a citizen. Does he have a work visa? I don’t know. We should check.

Donald J. Trump @realDonaldTrump

Have you seen Pudgy Bono’s tiny little hands? And he’s so short. I think he actually might be a leprechaun. I’m not sure. We’re looking into that.

Stay tuned…

Strictly rude: R.I.P. Prince Buster

By Dennis Hartley

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He may not have been as big of a household name as another Prince we lost earlier this year (what is it with 2016?), but Cecil Bustamente Campbell (aka Prince Buster) was no less an important figure in the music world, particularly to fans of Jamaican ska and rocksteady.

(from the Jamaica Observer)

Ska legend Prince Buster died Thursday morning in a South Florida hospital, his son Kareem Ali has confirmed.

The singer/producer, born Cecil Bustamante Campbell, was 78.

Prince Buster was ailing for some time, after suffering a series of strokes.

From West Kingston, Prince Buster was a protégé of producer Clement ‘Coxson’ Dodd. In the late 1950s, he launched his Voice Of The People sound system and label, which released a number of his self-produced hits including Wash Wash, Blackhead Chineyman and Judge Dread.

He also produced the Ffolkes Brothers Oh Carolina in 1961.

Buster had an enduring following in Europe, especially in the United Kingdom where he performed regularly up to 12 years ago.

Here’s one of his classic productions/compositions:

Hush up! My favorite by the man himself:

Seen.

Star-spangled ban: thoughts on the 1970 Atlanta Pop Festival

By Dennis Hartley

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46 years ago today, the 3-day 1970 Atlanta International Pop Festival opened.  Attendees were estimated to be around 200,000.

Historically overshadowed by Woodstock (held 11 months earlier), it still boasted an equally impressive roster of performers. Granted, a number of Woodstock luminaries were there (Jimi Hendrix, Johnny Winter,  Ten Years After, John Sebastian, Richie Havens, Mountain et.al.), but there were top acts exclusive to the Atlanta Festival like The Allman Brothers, B.B. King, The Chambers Brothers, Procol Harum, Grand Funk Railroad, Spirit, Rare Earth, Mott the Hoople, and It’s A Beautiful Day (just to name a few).

The cost of a ticket?  $14.  I’ll spell that out, so you don’t think it’s a typo: fourteen dollars. Yes, I know, inflation, yadda yadda…but still (a front row seat at this fall’s Desert Trip will only set you back $9,400).

https://upload.wikimedia.org/wikipedia/commons/b/bc/1970_Atlanta_Pop_Festival_program.jpg

But I digress. Back to Atlanta, 1970.  At midnight on July 4th, Jimi Hendrix performed to the biggest domestic audience of his career (sadly, just over two months later, he was gone forever). He played a rousing set, which is documented in the excellent 2015 Showtime production, Jimi Hendrix: Electric Church (currently available  on Showtime’s In-Demand feature, if you haven’t caught it yet). Hendrix included his idiosyncratic “Star Spangled Banner” salute (how could he not do it on the Fourth?), with fireworks. Pretty awesome stuff.

Unfortunately, despite the “right of the people peaceably to assemble”  (not to mention that whole freedom of expression thing) someone didn’t find Jimi’s paean so awesome (there’s one in every crowd). The “someone”?  Governor Lester Maddox. Two days after the festival, he announced he was going to push for legislation to ban any future such DFH events in his state.  Because you know…freedom.

Oh, Georgia. Happy holiday weekend, everyone!

We are the presumptive champions

By Dennis Hartley

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Oh, Donnie. Brian May is less than pleased with Trump co-opting Queen’s “We Are the Champions” as his grand entrance theme:

[From Rolling Stone]

“I’ve had an avalanche of complaints – some of which you can see in our ‘Letters’ page – about Donald Trump using our ‘We Are The Champions’ track as his ‘theme’ song on USA TV,” May wrote on his website. “This is not an official Queen statement, but I can confirm that permission to use the track was neither sought nor given. We are taking advice on what steps we can take to ensure this use does not continue. Regardless of our views on Mr. Trump’s platform, it has always been against our policy to allow Queen music to be used as a political campaigning tool.”

[…]

May isn’t the first musician to deny Trump access to their catalogs. In September, after the politician used R.E.M.’s hit “It’s the End of the World as We Know It (And I Feel Fine)” at a rally, singer Michael Stipe angrily responded, “Go fuck yourselves, the lot of you – you sad, attention-grabbing, power-hungry little men … Do not use our music or my voice for your moronic charade of a campaign.”

Sad! In the interest of mediation, may I suggest the following (and much more apropos) selection for Mr. Trump’s intros going forward?