Category Archives: Documentary

SIFF 2013: Furever **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2013)

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Furever is a mildly engaging look at the peculiarly American obsession with memorializing pets once they have passed on. I say “mildly engaging” because this ground has been pretty well covered (no pun intended), most notably in Errol Morris’ classic 1978 documentary Gates of Heaven. Still, director Amy Finkel takes a fairly comprehensive approach, interviewing bereaved pet owners, psychologists and of course the people in the industry who make some pretty good coin off of other people’s grief (yeah, I know…I’m a cynical bastard). The film runs out of steam when you realize that it’s making the same point over and over, but inevitably piques morbid interest when it focuses on the extreme examples (like folks who have their dead “loved ones” stuffed).

SIFF 2013: We Steal Secrets ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2013)

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For his timely political doc We Steal Secrets: The Story of WikiLeaks, director Alex Gibney sets out not only to construct a “people’s history” of the whistle-blowing website, but ambitiously aims to deconstruct the Sphinx that is founder Julian Assange.

As to the first goal, Gibney scores, on count two, not so much; Assange remains a bit of a cypher. Still, Assange is only half the equation here. The real heart and soul of the film is the story of Pvt. Bradley Manning, who allegedly leaked 700,000 government documents and pieces of classified military information to the site (his court martial begins Monday; although you wouldn’t know it from watching CNN, who are otherwise abuzz with all their pre-game coverage of the Zimmerman trial).

While he was unable to interview Manning, Gibney weaves in transcripts of email exchanges Manning had with hacker Adrian Lamo to paint a very moving, human portrait of this young man who (like Assange) is hero to some, “traitor” to others. Regardless of where you stand on that issue, this is essential viewing and could the most important American film of 2013.

SIFF 2013: The Human Scale ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

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Here’s a concept: In the Utopian future, cities will be designed at the behest of urban dwellers, as opposed to urban “planners”. In case you hadn’t noticed, most cities cramp our style with tightly-packed high-rises and dense noisy traffic, which doesn’t leave much space for the traditional “town square”. In his documentary The Human Scale, Danish director Andreas M. Dalsgaard examines the work of architect Jan Gehl, who posits that the fatal flaw of modern urban design lies in its ignorance of cultural anthropology. This results in cities blighted by social isolation and alienation. After conducting his own study over several decades, Gehl concluded that humans are happiest in a low-rise cityscape, enhanced with open public spaces (it’s rumored that we’re social creatures). Copenhagen is shown as one example of a city that has become more sustainable and people-centric. A fascinating, refreshingly optimistic look at creating a new paradigm.

SIFF 2013: Salma *1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

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Salma (from UK director Kim Longinotto) profiles a Tamil poet named Salma (now 45) who spent her first 25 years sequestered at home. Her family was adhering to a strict “unwritten law” forbidding pubescent girls from venturing outside the house (even to attend school) until they are married off. Longinotto documents Salma as she visits her family for the first time in years; she points out the tiny window that provided her sole portal to the outside world. She found ways to smuggle her early work out of the house, eventually becoming renowned throughout India. While its subject is compelling, it pains me to say that the film, while obviously meant to inspire, is flat and dull, with virtually no poetry in its soul.

SIFF 2013: Tito on Ice **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2013)

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When you think “road trip!” you usually don’t envision trekking through the nation formerly known as Yugoslavia while schlepping along the mummified remains of Marshal Tito (or a facsimile thereof). That is apparently what Swedish underground comic artists Max Andersson and Lars Sjunneesson did, to promote their book Bosnian Flat Dog at an alternative comic convention in Sarajevo. For his documentary Tito on Ice, Andersson and co-director Helena Ahonen mix Super8 footage from the trip with cardboard cutout stop-motion to create an offbeat (if scattershot) pastiche about art and politics that works best whenever focus shifts from the artists to recollections from people who came of age in the midst of the Yugoslav Wars in the early 1990s. This aspect recalls the 2007 animated film Persepolis, which was based on Marjane Satrapi’s graphic novel about growing up during the Iranian Revolution.

SIFF 2013: Out of Print **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

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My favorite Emo Philips joke goes: A man came to my door and said “I’d like to read your gas meter.” I said, “Whatever happened to the classics?” A breezy documentary called Out of Print takes that rhetorical question to the next level: Whatever happened to reading? That is, “reading” in the traditional sense…as in holding a book and turning pages? Director Vivienne Roumani examines the impact of digital media on the world of publishing, with a variety of industry mavens weighing in with their take on the central question: “Is the book dead?” The issues raised mirror the economic, legal and aesthetic hysteria stirred up by the advent of music file sharing back in the late 90s. Absorbing, if not essential (and at 54 minutes long, it’s surely destined for PBS). Meryl Streep narrates.

SIFF 2013: Stories We Tell **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

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Canadian actress Sarah Polley has quietly made a name for herself as a feature film director in recent years (Away from Her, Take This Waltz). Now she turns the camera inward, for her documentary Stories We Tell. Polley uses her film as a sort of family therapy session, seeking to uncover the truth regarding her late mother’s rumored dalliances outside the marriage. Polley was 11 when her mother (also an actress) died of cancer. As Polley gently grills her father (a retired actor), siblings and long-time family friends, secrets, lies and unbelievable truths slowly burble to the surface, Rashomon-style. It teeters toward the navel-gazing side, but it unravels like a good mystery should.

SIFF 2013: Big Joy ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

Big Joy: The Adventures of James Broughton is an aptly entitled profile of the free-spirited poet, playwright and filmmaker (1913-1999) who was part of the “San Francisco Renaissance” (pre-cursors to The Beats). Stephen Silha’s documentary is as playful and provocative as his subject, who emerges here as one of those fascinating, Zelig-like figures who managed to remain relevant to and in simpatico with nearly every major counter-culture arts/social movement from the Beats and the hippies to gay liberation and beyond. I admit being previously unfamiliar with Broughton, but this film made me a fan.

SIFF 2013: Forbidden Voices ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

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Forbidden Voices (from Swiss director Barbara Miller) is an excellent doc profiling three influential “cyber-feminists” who bravely soldier on in the blogosphere whilst running a daily gauntlet of intimidation from their respective governments, including (but not limited to) overt surveillance, petty legal harassment and even physical beatings. Despite the odds, Yoani Sanchez (Cuba), Farnez Seifi (Iran, currently exiled in Germany) and Zeng Jinyan (China) are affecting change (if only baby steps). In an interesting (and disturbing) bit of kismet, a day after I saw this, the DOJ/AP phone records scandal broke.

SIFF 2013: Our Nixon ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2013)

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In Our Nixon, director Penny Lane strives to construct an arch portrait of The Tricky One by sneaking in through the back door. It seems some of the president’s men were home movie buffs. A treasure trove of Super8 footage taken by H.R. Haldeman, John Erlichman and Dwight Chapin during their White House tenure recently surfaced. Lane blends choice snippets of the aforementioned with archival news footage, interviews with the three aides and excerpts from the infamous secret Oval Office recordings. It’s the Nixon administration retooled as an episode of Entourage. No new revelations or insight for political junkies, but for viewers of a “certain age”, it sustains an oddly nostalgic tone.