SIFF 2016: Vintage Tomorrows **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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I’m not going to liken Byrd McDonald’s doc about hardcore steam punks to an extended Portlandia vignette, and I’ve nothing against a little harmless role-playing fun amongst consenting adults. That said-the more out of their way interviewees go to defensively insist they are not just privileged, white Victorian Era nostalgia junkies who dig Jules Verne and love wearing goggles and pith helmets…the more so they seem. Or perhaps I’m just the stick in the mud that can’t see the ball players but for all the corn.

SIFF 2016: Uncle Howard **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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Maybe I’m jaded from having seen one too many documentaries about the NYC arts scene; from the people (the Beats, Warhol’s Factory alums, the Velvets, Patti Smith, the punks, Mapplethorpe, Haring, Basquiat, the Club Kids, etc.) to the haunts (SoHo, TriBeBa, the Chelsea Hotel, CBGB’s, Studio 54, etc.) it’s all been pretty well strip mined by filmmakers. Perhaps that explains why we’re now reduced to a documentary, about a documentarian, who once made a documentary about William Burroughs. If you’re stuck for an angle…go meta (a credo that frequently saves my ass). Still, this heartfelt tribute to Burroughs: The Movie director Howard Brookner (who died of AIDS in 1989), by his nephew Aaron Brookner is not wholly unwatchable, and ultimately quite moving.

SIFF 2016: The Night Stalker ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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Seattle filmmaker Megan Griffiths’ speculative chiller is based on serial killer Richard Ramirez. A lawyer (Bellamy Young) is hired to exonerate a Texas death row inmate by extracting a confession from California death row inmate Ramirez (Lou Diamond Phillips), whom the interested parties believe to be the real perp. One complication: When she was a teenager, the lawyer was unhealthily obsessed with the “Night Stalker” murders. A psychological cat-and-mouse game ensues (think Starling vs. Lecter in Silence of the Lambs). Philips delivers an intense, truly unnerving performance.

SIFF 2016: Long Way North ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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Recommended for ages 6+ by SIFF, this adventure tale benefits greatly from its creative pedigree; director Remi Chaye was first AD and head of layout for The Secret of Kells, which remains one of the most beautifully animated feature films of recent years (outside of Studio Ghibli). The story centers on a 15 year-old girl from an aristocratic St. Petersburg family who refuses to write off her missing explorer grandfather, whom the rest of her family believes to be dead. Armed with a copy of her grandfather’s itinerary, an ability to parse navigational charts, and lots of moxie, she slips away from her family’s estate and talks her way aboard a merchant vessel, determined to locate him and his North Pole-bound ship. Exciting and well-made family entertainment.

SIFF 2016: If There’s A Hell Below **1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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For the first two thirds of this conspiracy thriller, which concerns a clandestine meeting between a journalist and a government whistle-blower, writer-director Nathan Williams masterfully utilizes the desolate moonscape of Eastern Washington to create an almost unbearable sense of tension and dread (a la Spielberg’s Duel, or the crop dusting sequence in Hitchcock’s North by Northwest). Unfortunately, he jinxes his streak with a lazily constructed third act. Still, it’s an audacious debut that portends considerable promise for any future endeavors…which I am looking forward to.

SIFF 2016: Home Care ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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The “Kubler-Ross Model” postulates that there are five distinct emotional stages humans experience when brought face-to-face with mortality: denial, anger, bargaining, depression, and acceptance. All five are served up with a side of compassion, a dash of low-key anarchy and a large orange soda in this touching dramedy from Czech director Slavek Horak. An empathic, sunny-side-up Moravian home care nurse (Alena Mihulova) is so oriented to taking care of others that when the time comes to deal with her own health crisis, she’s stymied. A deft blend of family melodrama and gentle social satire. Mihulova and Boleslav Polivka (as her husband) make an endearing screen couple.

SIFF 2016: Death By Design ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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Sue Williams’ eco-doc takes a hard look at what you might call the “iButterfly Effect” that the unceasing demand for new and improved personal high-tech devices is having on our planet. Granted, your average consumer who lines up at midnight for first crack at the latest smart phone has probably never heard of a suicide net, nor are they tossing and turning at night, haunted by visions of impoverished Third World children picking through chemical-leaching e-waste. But it’s never too late to start.

SIFF 2016: Alone **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 14, 2016)

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This extremely weird Korean thriller (is that redundant?) from director Park Hong-min centers on a young photographer who inadvertently documents a woman’s rooftop murder while taking pictures from his balcony, setting off a chain of nightmarish events. What ensues is kind of like Groundhog Day meets Carnival of Souls…in Seoul. Good use of that city’s back alley labyrinths to create a claustrophobic mood (recalling Duvivier’s use of Algiers’ Casbah quarter locales in his 1937 crime drama Pepe le Moko). It gets less involving (and more gruesome) as it chugs along; genre fans may like it more.

Defending liberty!

By Dennis Hartley

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The World of Bad Taste, pt. II:

(from BBC News)

An online auction for the pistol used to kill unarmed black teenager Trayvon Martin has apparently reached $65m (£45m), organisers say.

The sale has been plagued by fake bidders including “Racist McShootface”.

George Zimmerman, who shot and killed the teenager, had planned to auction what he called “an American icon” on the website Gun Broker on Thursday.

But the web posting was removed just as the auction was due to begin with a reserve price of $5,000 (£3,450).

United Gun Group is now hosting the auction.

In a statement on Twitter they defended the sale of the gun on their site. They were “truly sorry” for the Martin family’s loss but said it was their goal to “defend liberty”.

“Unless the law has been violated, it is the intention of the United Gun Group to allow its members to use any of the available features. While not always popular this is where we stand.”

“An American icon”.  He’s right…in an unintentionally ironic context:

God bless America.

Today? Christie’s. Tomorrow…the World!

By Dennis Hartley

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So there’s Michelangelo, Rodin…and then there’s this guy:

(from Independent UK)

A statue of Hitler on his knees by Italian artist Maurizio Cattelan has sold at auction for an earth-shattering $17.2 million (£12 million).

Titled Him, the wax sculpture was expected to make between $10million and $15 million at Christie’s auction house in New York. 

Having made well over the estimated amount, the sale set a record for the Italian satirical artist, best known for La Nona Ora (The Ninth Hour) – a sculpture of  Pope John Paul II having been hit by a meteorite. Cattelan’s previous record was $7.9 million for a statue of himself peeping through a hole in the floor.

Completed in 2001, Him is supposed to disrupt the viewers sense, with the work appearing like a small child from behind, yet with Hitler’s face offering a sinister contrast.

Describing the piece, the 55-year-old artists said: “Hitler is pure fear; it’s an image of terrible pain. It even hurts to pronounce his name. And yet that name has conquered my memory, it lives in my head, even if it remains taboo.

“Hitler is everywhere, haunting the spectre of history; and yet he is unmentionable, irreproducible, wrapped in a blanket of silence. 

The work previously caused controversy when it was installed in a former Warsaw Ghetto, a place where thousands of Jews died under Nazi rule.

“I’m not trying to offend anyone,” Cattelan continued. “I don’t want to raise a new conflict or create some publicity; I would just like that image to become a territory for negotiation or a test for our psychoses.”

Fair enough. Although, if your intent is so truly benign (and far be it from me to feel I have any presumptive right to advise you what to do with your own hard-earned  money), it would be a nice gesture to donate a portion of that $17 mil to, oh, I don’t know…The Holocaust Museum? Or maybe a human rights organization? So, what’s next?

Earlier this year, the artist revealed he would be returning to the Guggenheim Museum in New York to install a new artwork: a solid gold toilet titled America which patrons of the gallery may use.

Hang on. Crapping on America whilst seated on a solid gold toilet? Hate to break it to you, but Mr. Trump could sue you for plagiarism.

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