SIFF 2019: Emma Peeters (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

https://viewofthearts.files.wordpress.com/2018/09/j47e1afd.jpg?w=770

Maybe it’s coincidence, but what with the popularity of the HBO series Barry and this new black comedy from Belgian-American writer-director Nicole Palo, it appears acting class satires with dark undercurrents are now a thing.

As she careens toward her 35th birthday, wannabe thespian Emma (Monia Chakri, in a winning performance) decides that she’s had it with failed auditions and slogging through a humiliating day job. She’s convinced herself that 35 is the “expiry” date for actresses anyway. So, she prepares for a major change…into the afterlife.

Unexpectedly lightened by her decision, she cheerfully begins to check off her bucket list, giving away possessions, and making her own funeral arrangements. However, when she develops an unforeseen relationship with a lonely young funeral director, her future is uncertain, and the end may not be near. A funny-sad romantic romp in the vein of Harold and Maude.

SIFF 2019: Enormous: The Gorge Story (***)

By Dennis Hartley

http://dancemusicnw.com/wp-content/uploads/2015/04/DMB-at-The-Gorge.jpg

The Gorge is big. You just won’t believe how vastly, hugely, mind-bogglingly big it is. I mean, you may think it’s a long way down the road to the mall, but that’s just peanuts to the Gorge (with apologies to Douglas Adams). I refer to Washington State’s Columbia Gorge, 140 miles from Seattle. For music fans, the Gorge has become synonymous with memorable concert experiences. This amiable doc traces its transformation from a homemade stage built in the 80s to accommodate a wine-tasting to a now legendary music mecca. Employees, fans and artists (Dave Matthews, Mike McCready, Steve Miller, John Oates, Jason Mraz, et. al.) share favorite memories.

SIFF 2019: Raise Hell: The Life and Times of Molly Ivins (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

https://www.texasobserver.org/wp-content/uploads/2017/03/molly_thinking-759x492.jpg

Janice Engel profiles the late, great political columnist and liberal icon Molly Ivins, who suffered no fools gladly on either side of the aisle. Engel digs beneath Ivins’ bigger-than-life public personae, revealing an individual who grew up in red state Texas as a shy outsider.

Self-conscious about her physicality (towering over her classmates at 6 feet by age 12), she learned how to neutralize the inevitable teasing with her fierce intelligence and wit (I find interesting parallels with Janis Joplin’s formative Texas years). Her political awakening also came early (to the chagrin of her conservative oilman father).

The archival clips of Ivins imparting her incomparable wit and wisdom are gold; although I was left wishing Engel had included more (and I am dying to know what Ivins would say about you-know-who).

SIFF 2019: Fantastic Planet (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

https://s3.amazonaws.com/criterion-production/images/8209-adf872a80ab17248d0db526dc59ff118/fantastic_large.jpg

Director Rene Laloux’s imaginative 1973 animated fantasy (originally  La planete sauvage) is about a race of mini-humans called  Oms, who live on a distant planet and have been enslaved (or viewed and treated as dangerous pests) for generations by big, brainy, blue aliens called the Draags. We follow the saga of Terr, an Om who has been adopted as a house pet by a Draag youngster.

Equal parts Spartacus, Planet of the Apes, and that night in the dorm you took too many mushrooms, it’s at once unnerving and mind-blowing. SIFF is adding a unique twist: Seattle DJ “NicFit” will provide a live, “carefully curated soundtrack” of Flaming Lips tracks as accompaniment. Mushrooms not included.

SIFF 2019: X: The eXploited (**)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

https://www.filmfest-braunschweig.de/typo3temp/_processed_/csm_import_image_482_6122_87319391da.jpg

This dark, brooding neo-noir from Hungarian writer-director Karoly Ujj-Meszaros mostly succeeds at being dark and brooding. It begins promisingly with an interesting protagonist; a top-flight female police detective who has been relegated to desk duty because of an acute panic disorder, initiated by her late husband’s suicide (he was also a detective). Nonetheless, she is enlisted by a new department head to help investigate a string of suicides that may have been staged. Unfortunately, the film is ultimately bogged down by a murky, pointlessly byzantine plot.

SIFF 2019: Storm in My Heart (**)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

https://www.bfi.org.uk/sites/bfi.org.uk/files/styles/full/public/image/storm-in-my-heart-2018-001-splitscreen-susan-hayward-lena-horne.JPG?itok=anQU-Wks

Remember when some stoner discovered that if you sync up the Dark Side of the Moon album with The Wizard of Oz…magic happened? This is a similar concept. It’s tough to pigeonhole this “video essay” by obsessive cineaste and film maker Mark Cousins (The Story of Film, The Eyes of Orson Welles). I’d call it more of “an experiment”.

Anyway, his premise: Actresses Susan Hayward and Lena Horne were born on the same day in Brooklyn. Both ended up with storied careers. However, as Horne was African-American and Hayward was white, their trajectories were decidedly different.

Simultaneously running Horne’s 1943 musical Stormy Weather alongside Hayward’s 1953 film With a Song in My Heart, Cousins hopes viewers gain insight regarding racism in Hollywood. I tried, believe me. Aside from a few interestingly synchronous moments, I’m afraid that he did a complete flyover on me.

SIFF 2019: Kifaru (***1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2019)

https://i2.wp.com/www.thegate.ca/wp-content/uploads/2019/04/Kifaru.jpg?fit=880%2C493&ssl=1

I haven’t cried like this over an animal movie since I saw Old Yeller as a kid. But there’s a palpable sadness running throughout David Hambridge’s extraordinarily moving documentary about the life and death of “Sudan”, the last male white rhino. The film is as much about his dedicated caretakers James and JoJo, workers at Kenya’s Ol Pejeta wildlife conservancy. Thankfully, we are given hope for the future (thanks to the miracles of modern science).

SIFF 2019: The Legend of the Stardust Brothers (**)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

http://thirdwindowfilms.com/wp-content/uploads/2018/09/still01-1.jpg

Billed as “a lost gem of 1980s Japanese cinema”, this alleged cult film is an example of why some lost gems are perhaps best-left “lost” (you know…like Bilbo’s goddam ring). Then again, perhaps I wasn’t in the right mood (or under the influence of the right “enhancement”) to experience the sway it apparently holds over some midnight movie enthusiasts. Granted, there are moments of campy fun in this tale of a new wave duo’s rise and fall, but overall it’s a psychedelic train wreck. The original songs are gratingly awful…kind of a deal breaker for a musical.

SIFF 2019: I Am Cuba (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2019)

https://hyperallergic.com/wp-content/uploads/2019/02/SoyCuba_Maria2-720x405.jpg

There is a tendency to dismiss this 1964 film about the Cuban revolution as Communist propaganda. Granted, it was produced with the full blessing of Castro’s regime, who partnered with the Soviet government to provide the funding for director Mikhail Kalatozov’s sprawling epic. Despite the dubious backers, the director was given a surprising amount of creative freedom.

On the surface, Kalatozov’s film is in point of fact a propagandist polemic; the narrative is divided into a quartet of rhetoric-infused vignettes about exploited workers, dirt-poor farmers, student activists, and rebel guerrilla fighters.

However it is also happens to be a visually intoxicating masterpiece that, despite accolades from critics over the decades, remains relatively obscure. The real stars of the film are the director and his technical crew, who will leave you pondering how they produced some of those jaw-dropping set pieces and logic-defying tracking shots!

SIFF 2019: Eastern Memories (**)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

http://filmotor.com/wp-content/uploads/2018/05/eastern_memories_promo_still_web_medium_2-e1525618836431.jpg

Using excerpts from 100 year-old journals by Finnish linguist G.J. Ramstedt as a narrative, directors Niklas Kullstrom and Martti Kaartinen retrace his experiences in two countries. He was sent to Mongolia to study and compile a written record of the language, then was later assigned to a diplomatic post in Japan-where he studied the Korean language (I know-a little confusing).

While his studies were primarily academic, his journals reflected a more subjective take on the geography and people of the respective countries. The directors juxtapose Ramstedt’s century-old musings with modern travelogues of the locations he wrote about. Despite the intriguing premise, the film is deadly dull in execution-not helped by dry and perfunctory narration.