By Dennis Hartley
(Originally posted on Digby’s Hullabaloo on April 17, 2021)
Writer-director Rezwan Shahriar Sumit’s sumptuously photographed variation on the venerable “city mouse-country mouse” scenario concerns a metropolitan sculptor (Titas Zia) who travels to a remote fishing village in the Bangladeshi Delta for a sabbatical. Inspired by the beauty of the coast (as well as one of the young women), he begins work on new pieces. Some villagers are puzzled by his sculptures (which they view as “idols” with no practical purpose) but are hospitable to their guest.
However, when the fishermen find their nets are suddenly coming up short (due to rising tides), the recently arrived outsider becomes a convenient straw man for the “Chairman”, the local head cleric and village leader. A compelling, beautifully acted drama that makes salient observations on tradition vs. modernity and science vs. fundamentalism.