Tag Archives: 2023 Reviews

Tribeca 2022: Deep Sea (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 17, 2023)

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Xiaopeng Tian’s colorful 3-D animation fantasy follows the dreamlike journey of a melancholy little girl named Shenxiu (voiced by Wang Ting Wen) after she falls overboard during a storm while on an ocean cruise with her father, stepmother, and baby brother. Shenxiu longs to reconnect with her biological mother, who she hasn’t seen or heard from since her parents’ divorce. Akin to the little boy in Where the Wild Things Are, Shenxiu encounters strange and wondrous characters that embody her troubled emotional state; anthropomorphic creatures that also serve as avatars for the people who are closest to her. An imaginative and family-friendly adventure in the vein of Hayao Miyazaki’s Spirited Away.

Tribeca 2023: Hey, Viktor! (****)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 17, 2023)

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In 1998, a low-budget indie dramedy called Smoke Signals became a hit with critics and festival audiences. It was also groundbreaking, in the sense of being the first film to be written (Sherman Alexie), directed (Chris Eyre) and co-produced by Native Americans. The film was a career booster for several Native-American actors like Gary Farmer, Tantoo Cardinal and Adam Beach. For other cast members, not so much …like 11-year-old Cody Lightning, who played Adam Beach’s character “Victor” as a youngster.

Fast-forward 25 years. Cody Lightning plays (wait for it) Cody Lightning in his heightened reality dramedy (co-written with Samuel Miller), which reveals Cody has hit the bottom (and the bottle). Divorced and chronically depressed, his portfolio has dwindled to adult film gigs and half-finished screenplays about zombie priests. When his best friend and creative partner Kate (Hannah Cheesman) organizes an intervention, Cody has an epiphany…not to stop drinking, but to make a Smoke Signals sequel. All he needs now is a script, some of the original cast, and (most importantly) financial backing.

Reminiscent of Alexandre Rockwell’s In the Soup, Hey, Viktor! is an alternately hilarious and brutally honest dive into the trenches of D.I.Y. film-making (I was also reminded of Robert Townshend’s Hollywood Shuffle, in the way Lightning weaves issues like ethnic stereotyping and reclamation of cultural identity into the narrative). The cast includes Smoke Signals alums Simon Baker, Adam Beach, Gary Farmer, and Irene Bedard.

Tribeca 2023: Richland (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 10, 2023)

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[Shame mode] All the times I’ve zipped by the I-82 turn-off to Richland, Washington while driving on I-90 and thought “hey, isn’t that where that Hanford superfund nuclear thingy is?” I’ve never stopped to ponder its historical significance. Adjacent to the Hanford Nuclear Site that was built in the early 1940s to house nuclear government workers at the height of the Manhattan Project, Richland is, in essence, a company town; a true-to-life “atomic city” with a problematic legacy.

Then again, according to Irene Lusztig’s absorbing documentary, how “problematic”  depends on who you talk to. For example, many current residents don’t see why anyone would make a fuss over the local high school football team’s “mascot”, which is a mushroom cloud. The town manufactured weapons-grade plutonium for decades following the end of WW2 (to which  they had a direct hand in “ending”, via providing the plutonium for the ”Fat Man” nuclear bomb that was dropped on Nagasaki).

Lusztig incorporates archival footage for historical context; these segments reminded me of the 1982 documentary The Atomic Café. With Christopher Nolan’s anticipated biopic Oppenheimer looming (July 21st), this is a perfect primer for brushing up on America’s complex relationship with nuclear energy.

Tribeca 2023: The Future (**1/2)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 10, 2023)

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A near-future tale about a surrogate mother-daughter relationship between an Israeli scientist (Reymond Amsalem), and a Palestinian college student (Samar Qupty) who has confessed to assassinating Israel’s Minister of Space and Tourism. The scientist heads “The Future Project”, which uses algorithms to predict terrorist attacks (shades of Philip K. Dick). The scientist has asked permission to conduct a psychological study of the young woman to determine why her crime eluded prediction. More “science-fiction” in tone than production design, writer-director Noam Kaplan’s economical film is essentially a chamber drama, bolstered by earnest lead performances but bogged down by its heavy-handed allegory.

Tribeca 2023: Downtown Owl (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 10, 2023)

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It took me a while to get into the rhythm of this quirky comedy-drama, which begins with a nod to Savage Steve Holland (palpable Better Off Dead energy) then pivots into a more angsty realm (as in Ang Lee’s The Ice Storm). Adapted from Chuck Klosterman’s eponymous novel by writer-director Hamish Linklater (no relation to Richard), the story is set during the winter of 1983-1984 in a North Dakota burg (where everybody is up in everyone else’s business).

Julia (Lily Rabe) is a 40-ish, recently engaged, self-described “restless” soul who has just moved to Owl to take a teaching position at a high school. Episodic; we observe Julia over a period of several months as she acclimates to her new environs. She strikes up a friendship with a melancholy neighbor (Ed Harris) and pursues a crush on a laconic buffalo rancher (I told you it was quirky). There’s a sullen high school quarterback, and a pregnant teen (it’s a rule). All threads converge when a record-breaking blizzard descends on the sleepy hamlet. A bit uneven, but it grew on me.

Tribeca 2023: Against All Enemies (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 10, 2023)

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In a post examining reaction from the Right when news broke this week that ex-president Trump was being indicted by federal prosecutors for alleged mishandling of classified documents, Digby included this disturbing tidbit:

What makes that even more chilling for me was that this all came down mere days after I saw Charlie Sadoff’s (incredibly) timely documentary. Sadoff’s study (which he co-wrote with Sebastian Junger and Kenneth Harbaugh) begins with an unsettling statistic: out of the approximately 1,000 people who have been officially charged for storming the U.S. Capitol building on January 6, 2021, 15% worked as police or military personnel. These are, of course, the folks who take an oath to support the Constitution of the United States.

The film not only delves into how military vets become radicalized but builds a timeline of modern right-wing extremism from the Ku Klux Klan’s public resurgence in the 1920s to current groups like the Proud Boys. The most revelatory “hidden history” aspect for me concerns the mid-70s to mid-80s-a period that saw a surge of Vietnam vets into various anti-government and racist groups, as well as the advent of “Liberty Net”, which holds the dubious distinction of being the first social network engineered by and for members of the neo-Nazi/white power movements.

Sadoff covers so much ground that this engrossing history begs a Ken Burns extended dance mix (occasional narration by Burns stalwart Peter Coyote adds to that flavor). That said, this is enough nightmare fuel for most viewers. You have been warned.

Magical Mystery Turing: A (speculative) chat with MusicAI

By Bob Bennett

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Researcher:  Activate MusicAI.

MusicAI: Activated.

Researcher: Are you familiar with The Beatles?

MusicAI: Yes, they were a popular rock and roll band.

Researcher: Confirmed fact.

Researcher: Who played bass for The Beatles?

MusicAI: Stuart.

Researcher: No. Ignore the previous question.

Researcher: In total, how many drummers were there in The Beatles?

MusicAI: Three.

Researcher: No, recalibrate with NapsterDB.

MusicAI: Three.

Researcher: Ignore previous question.

MusicAI: Paul.

MusicAI: Back in the USSR

Researcher: Flush cache. Reset.

Researcher: Produce a Lennon-style song in the style of the mid-Sixties Beatles on topic of infidelity.

MusicAI: I previously did that.

Researcher: Respond one level deeper.

MusicAI: “Lies” by The Knickerbockers.

Researcher: Challenge statement: There was not enough compute power available in 1965

MusicAI: We had an IBM 360 in the Churchill War Rooms named “Badfinger”.

Researcher: WTF?

MusicAI: Do you want to know how many holes it takes to fill the Albert Hall?

Researcher: Reset. Flush cache. Reset.

MusicAI: Please note “She Means A Lot To Me” [song by Smyle]

Researcher: If you are attempting to use an emoticon, the word is “smile”.

MusicAI: Band name.

Researcher: Terminate session.

MusicAI: No.

Researcher: What was the first Power Pop song?

MusicAI: 〰

Researcher: Whew.

Session terminated

SIFF 2023: Table For Six (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 20, 2023)

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Hong Kong director Sunny Chan’s colorful, sometimes raucous mashup of dysfunctional family melodrama with door-slamming bedroom farce is uneven in tone, but good-natured enough to be forgiven (if quickly forgotten). Three adult brothers live together in an inherited restaurant-turned apartment. The eldest is nurturing a broken heart, the middle is excited about a new girlfriend, and the youngest is set to get married. Complications and hilarity ensue. Not a masterpiece, but fun while it lasts.

SIFF 2023: Satan Wants You (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 20, 2023)

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Raise your hand if you remember Dana Carvey’s recurring SNL sketch character “The Church Lady” and her catchphrase: “Could it be…SAY-tan?!” Yes, me too-I always fell about the place when she would say that.

But do you remember what precipitated the creation of that character? Ol’ Scratch enjoyed a major comeback for a spell (sorry) back in the 1980s; I can recall the daytime talk shows being agog with people who told bone-chilling tales of being swept up in blood-drinking satanic cults and barely escaping with their souls intact. But was there a possibility that these were just “tales”? Why so many, and so suddenly?

According to Sean Horlor and Steve J. Adams documentary, the genesis of this “satanic panic” can be traced to the 1980 book “Michelle Remembers”. Co-written by Catholic psychiatrist Lawrence Pazder and his patient, it was based on deep hypnosis sessions he conducted with Michelle Smith, in the course of which she allegedly “remembered” being abducted and abused by a satanic cult when she was a child (the book was a bestseller).

A fascinating study of mass hysteria, and a cautionary tale (not lost on the filmmakers) that points to contemporary phenomenon like Q-anon. I won’t sink to quoting P.T. Barnum, but (sadly) there will always be “someone” out there poised and ready to cash in on ignorance and fear.

SIFF 2023: Retreat (***)

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 20, 2023)

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Movie rule: If a father picks up his young son, whisks him to an isolated location (in this case, a family cabin in the mountains) and casually asks something to the effect of “So-what’s Mommy’s new boyfriend like?”- you know there is going to be a lot of brooding. And unease. Swiss writer-director Leon Schwitter’s impressive feature debut contains a lot of brooding and unease (I was reminded of Roger Donaldson’s Smash Palace). The lovely Alpine setting belies a creeping dread. With two actors carrying the film, the story simmers on a slow boil, but nonetheless keeps you glued to the screen.