Tag Archives: 2019 Reviews

60's Counterculture, Art world, Documentary, Religion

SIFF 2019: Barbara Rubin and the Exploding NY Underground (***)

May 26, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2019)

Just when I thought I knew everything about the Warhol Factory scene, this fascinating documentary introduces an overlooked player. Barbara Rubin was a Zelig-like character who moved to NYC at 18, became enmeshed with some of the era’s most culturally significant artists…then became one herself as a pioneering feminist filmmaker. And many years before Madonna dabbled in Kabbalah culture, Rubin embraced it full-bore, taking the traditionally patriarchal Orthodox Jewish community head on while re-inventing herself.

Film Noir, Road Movie, Thriller

SIFF 2019: The Hitch-Hiker (***1/2)

May 26, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

46% of this year’s SIFF selections are by female directors, as are 56% of the 2019 competition films (ratios which should be industry-wide, not relegated to the festival circuit). As part of this emphasis, SIFF is presenting two restored gems from pioneering actor-director Ida Lupino.

This 1953 film noir is not only a tough, taut nail-biter, but one of the first “killer on the road” thrillers (a precursor to The Hitcher, Freeway, Kalifornia, etc.). Lupino co-wrote the tight script with Collier Young. They adapted from a story by Daniel Mainwearing that was based on a real-life highway killer’s spree.

Edmond O’Brien and Frank Lovejoy play buddies taking a road trip to Mexico for some fishing. When they pick up a stranded motorist (veteran noir heavy William Talman), their trip turns into a nightmare. Essentially a chamber piece, with excellent performances from the three leads (Talman is genuinely creepy and menacing).

Dramedy, Romantic Comedy, Show Biz

SIFF 2019: Emma Peeters (***)

May 26, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

Maybe it’s coincidence, but what with the popularity of the HBO series Barry and this new black comedy from Belgian-American writer-director Nicole Palo, it appears acting class satires with dark undercurrents are now a thing.

As she careens toward her 35^th birthday, wannabe thespian Emma (Monia Chakri, in a winning performance) decides that she’s had it with failed auditions and slogging through a humiliating day job. She’s convinced herself that 35 is the “expiry” date for actresses anyway. So, she prepares for a major change…into the afterlife.

Unexpectedly lightened by her decision, she cheerfully begins to check off her bucket list, giving away possessions, and making her own funeral arrangements. However, when she develops an unforeseen relationship with a lonely young funeral director, her future is uncertain, and the end may not be near. A funny-sad romantic romp in the vein of Harold and Maude.

Behind the Music, Documentary, Rock 'n' Roll

SIFF 2019: Enormous: The Gorge Story (***)

May 26, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

The Gorge is big. You just won’t believe how vastly, hugely, mind-bogglingly big it is. I mean, you may think it’s a long way down the road to the mall, but that’s just peanuts to the Gorge (with apologies to Douglas Adams). I refer to Washington State’s Columbia Gorge, 140 miles from Seattle. For music fans, the Gorge has become synonymous with memorable concert experiences. This amiable doc traces its transformation from a homemade stage built in the 80s to accommodate a wine-tasting to a now legendary music mecca. Employees, fans and artists (Dave Matthews, Mike McCready, Steve Miller, John Oates, Jason Mraz, et. al.) share favorite memories.

Documentary, Journalism, Politics, Writers

SIFF 2019: Raise Hell: The Life and Times of Molly Ivins (***1/2)

May 26, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

Janice Engel profiles the late, great political columnist and liberal icon Molly Ivins, who suffered no fools gladly on either side of the aisle. Engel digs beneath Ivins’ bigger-than-life public personae, revealing an individual who grew up in red state Texas as a shy outsider.

Self-conscious about her physicality (towering over her classmates at 6 feet by age 12), she learned how to neutralize the inevitable teasing with her fierce intelligence and wit (I find interesting parallels with Janis Joplin’s formative Texas years). Her political awakening also came early (to the chagrin of her conservative oilman father).

The archival clips of Ivins imparting her incomparable wit and wisdom are gold; although I was left wishing Engel had included more (and I am dying to know what Ivins would say about you-know-who).

Animated, Dystopian, Fantasy, Sci-Fi

SIFF 2019: Fantastic Planet (****)

May 26, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

Director Rene Laloux’s imaginative 1973 animated fantasy (originally La planete sauvage) is about a race of mini-humans called Oms, who live on a distant planet and have been enslaved (or viewed and treated as dangerous pests) for generations by big, brainy, blue aliens called the Draags. We follow the saga of Terr, an Om who has been adopted as a house pet by a Draag youngster.

Equal parts Spartacus, Planet of the Apes, and that night in the dorm you took too many mushrooms, it’s at once unnerving and mind-blowing. SIFF is adding a unique twist: Seattle DJ “NicFit” will provide a live, “carefully curated soundtrack” of Flaming Lips tracks as accompaniment. Mushrooms not included.

Conspiracy a-go-go, Cop on the Edge, Neo-Noir

SIFF 2019: X: The eXploited (**)

May 25, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

This dark, brooding neo-noir from Hungarian writer-director Karoly Ujj-Meszaros mostly succeeds at being dark and brooding. It begins promisingly with an interesting protagonist; a top-flight female police detective who has been relegated to desk duty because of an acute panic disorder, initiated by her late husband’s suicide (he was also a detective). Nonetheless, she is enlisted by a new department head to help investigate a string of suicides that may have been staged. Unfortunately, the film is ultimately bogged down by a murky, pointlessly byzantine plot.

Drama, Movie Movie, Musical

SIFF 2019: Storm in My Heart (**)

May 25, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

Remember when some stoner discovered that if you sync up the Dark Side of the Moon album with The Wizard of Oz…magic happened? This is a similar concept. It’s tough to pigeonhole this “video essay” by obsessive cineaste and film maker Mark Cousins (The Story of Film, The Eyes of Orson Welles). I’d call it more of “an experiment”.

Anyway, his premise: Actresses Susan Hayward and Lena Horne were born on the same day in Brooklyn. Both ended up with storied careers. However, as Horne was African-American and Hayward was white, their trajectories were decidedly different.

Simultaneously running Horne’s 1943 musical Stormy Weather alongside Hayward’s 1953 film With a Song in My Heart, Cousins hopes viewers gain insight regarding racism in Hollywood. I tried, believe me. Aside from a few interestingly synchronous moments, I’m afraid that he did a complete flyover on me.

Cult Movie, Musical, Rock 'n' Roll

SIFF 2019: The Legend of the Stardust Brothers (**)

May 25, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

Billed as “a lost gem of 1980s Japanese cinema”, this alleged cult film is an example of why some lost gems are perhaps best-left “lost” (you know…like Bilbo’s goddam ring). Then again, perhaps I wasn’t in the right mood (or under the influence of the right “enhancement”) to experience the sway it apparently holds over some midnight movie enthusiasts. Granted, there are moments of campy fun in this tale of a new wave duo’s rise and fall, but overall it’s a psychedelic train wreck. The original songs are gratingly awful…kind of a deal breaker for a musical.

Drama, Politics, Up the Workers, War

SIFF 2019: I Am Cuba (****)

May 25, 2019 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2019)

There is a tendency to dismiss this 1964 film about the Cuban revolution as Communist propaganda. Granted, it was produced with the full blessing of Castro’s regime, who partnered with the Soviet government to provide the funding for director Mikhail Kalatozov’s sprawling epic. Despite the dubious backers, the director was given a surprising amount of creative freedom.

On the surface, Kalatozov’s film is in point of fact a propagandist polemic; the narrative is divided into a quartet of rhetoric-infused vignettes about exploited workers, dirt-poor farmers, student activists, and rebel guerrilla fighters.

However it is also happens to be a visually intoxicating masterpiece that, despite accolades from critics over the decades, remains relatively obscure. The real stars of the film are the director and his technical crew, who will leave you pondering how they produced some of those jaw-dropping set pieces and logic-defying tracking shots!