By Dennis Hartley
(Originally posted at Digby’s Hullabaloo on June 2, 2018)
With its central themes regarding exploited workers and the opportunistic, predatory habits of men in power, this rarely-presented and newly restored 1936 film by the great Jean Renoir (La Grand Illusion, The Rules of the Game) plays like a prescient social justice revenge fantasy custom-tailored for our times. A struggling pulp western writer who works for a scuzzy, exploitative Harvey Weinstein-like publisher takes on his corrupt boss by forming a worker’s collective. While it is essentially a sociopolitical noir, the numerous romantic subplots, snappy pre-Code patter, busy multi-character shots and the restless camera presages His Girl Friday.