All posts by Dennis Hartley

Blu-ray reissue: Taxi Driver ****

July 21, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 2, 2011)

Taxi Driver – Sony Blu-ray

Equal parts film noir, character study and sociopolitical commentary, this was one of the most important (if disturbing) films to emerge from the American film renaissance of the 1970s, due in no small part to the artistic trifecta of directing, writing and acting talents involved (Martin Scorsese, Paul Schrader, and Robert De Niro, respectively).

De Niro plays alienated Vietnam vet Travis Bickle, who takes a night job as a cabbie. Prowling New York City’s meanest streets, Travis kills time between fares fantasizing about methods he might use to eradicate the seedy milieu he observes night after night to jibe with his exacting world view of How Things Should Be. It’s truly unnerving to watch as it becomes more and more clear that Travis is the proverbial ticking time bomb. His eventual homicidal catharsis still has the power to shock and is not for the squeamish.

The outstanding supporting cast includes a then-teenage Jodie Foster (nominated for an Oscar), Harvey Keitel, Peter Boyle, Cybill Shepherd and Albert Brooks. The film’s memorable score is by the late Bernard Herrmann (it was one of his final projects).

Sony went all out for their Blu-ray edition, transferring from a digitally restored print; Michael Chapman’s striking cinematography really comes to the fore. The new HD audio mix is also a plus.

Action, Con Game, Cult Movie, Movie Movie

Blu-ray reissue: The Stunt Man ****

July 21, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 2, 2011)

The Stunt Man – Severin Films Blu-ray

How tall was King Kong?” That’s the $64,000 question, posed several times by Eli Cross (Peter O’Toole), the larger-than-life director of the film-within-the-film in Richard Rush’s 1980 drama. Once you discover that King Kong was but “3 foot, six inches tall”, it becomes clear that the fictional director’s query is actually code for a much bigger question: “What is reality?”

That is the question to ponder as you take this wild ride through the Dream Factory. Because from the moment our protagonist, a fugitive on the run from the cops (Steve Railsback) tumbles ass over teakettle onto Mr. Cross’s set, where he is filming an art-house flavored WW I drama, his (and our) concept of what is real and what isn’t becomes diffuse. O’Toole chews major scenery, ably supported by a cast that includes Barbara Hershey and Allen Garfield.

Despite lukewarm critical reception upon original release, it’s now considered a classic. A 43-week run at the Guild 45th Theater in Seattle (booked by Rush himself, out of his frustration with the releasing studio’s lackluster support) is credited for building the initial word of mouth with audiences and eventually assuring the film’s cult status. Truly a movie for people who love the movies.

The Blu-ray transfer does reveal it to be a candidate for a full-blown restoration at some point-but you can’t have everything. Luckily, Severin Films has seen fit to include the full-length documentary, The Sinister Making of the Stuntman, because it makes for a fascinating tale in and of itself.

Action, Adventure, Male Bonding

Blu-ray reissue: The Man Who Would Be King ****

July 21, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 2, 2011)

The Man Who Would Be King – Warner Bros. Blu-ray

Look in the dictionary under “ripping yarn” and you’ll find this engaging adventure from 1975, co-adapted by director John Huston with Gladys Hill from Rudyard Kipling’s short story. Stars Sean Connery and Michael Caine have great chemistry as a pair of British army veterans who set their sights on plundering an isolated kingdom in the Hindu Kush. At least that’s the plan.

Before all is said and done, one is King of Kafiristan, and the other is covering his friend’s flank while both scheme how they are going pack up the treasure and make a graceful exit without losing their heads in the process. As it is difficult for a king to un-crown himself, that is going to take one hell of a soft shoe routine. In the realm of “buddy films”, the combined star power of Connery and Caine has seldom been equaled (only Redford and Newman come to mind). Also with Christopher Plummer and Saeed Jaffrey.

Warner’s Blu-ray is short on extras, but has a gorgeous transfer.

Action, Adventure, Fantasy

Blu-ray reissue: The Lord of the Rings: The Motion Picture Trilogy (Extended Edition) ****

July 21, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 2, 2011)

The Lord of the RIngs: The Motion Picture Trilogy (Extended Edition) – New Line Home Video Blu-ray (box set)

It’s quite possible that the bloodiest battle fought over Middle Earth is nowhere to be found within director Peter Jackson’s epic, three-film adaptation of J.R.R. Tolkien’s beloved book trilogy. That particular kerfuffle rages in countless chat rooms.

For the past several years, “Where’s the Blu-ray of the extended editions?” was the rallying cry of hand-wringing fantasy geeks, waxing wroth on the discussion boards and getting their braies in a bind over the dreaded “double dip” extorted from fans by the releasing studio (or in this case, “quadruple dip”, counting the staggered wait between releases of the standard and BD versions of the original theatrical cuts).

The coveted Blu-ray box set in question was finally released this week…and already a new controversy rages. It concerns the color timing of these HD versions of the extended editions (I won’t bore you with details-just Google “Lord of the Rings green tint”).

At any rate, I picked up a copy, and to my eyes…it’s all good-the transfers are fabulous. Besides-this is a fantasy world…right? New Line Home Video has imported all extras from their original DVD version of the extended edition. Hopefully, this will be the one edition to rule them all (until the next Latest and Greatest format).

Cold War, Conspiracy a-go-go, Film Noir, Nuclear Paranoia

Blu-ray reissue: Kiss Me Deadly ****

July 21, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 2, 2011)

Kiss Me Deadly – Criterion Collection Blu-ray

Robert Aldrich directed this influential 1955 pulp noir, adapted by A.I. Bezzerides from Mickey Spillane’s novel. Ralph Meeker is the epitome of cool as hard-boiled private detective Mike Hammer, who picks up a half-crazed (and half-naked) escapee from “the laughing house” (Cloris Leachman) one fateful evening after she flags him down on the highway. This sets off a chain of events that leads Hammer from run-ins with low-rent thugs to embroilment with a complex conspiracy involving a government scientist and a box of radioactive “whatsit” coveted by a number of interested parties.

The sometimes confounding plot takes a back seat to the film’s groundbreaking look and feel. The inventive camera angles, the expressive black and white cinematography (by Ernest Laszlo), the shocking violence, and the nihilism of the characters combine to make this quite unlike any other American film from the mid-50s.

The film is said to have had an influence on the French New Wave (you can see that link when you pair it with Godard’s Breathless). British director Alex Cox paid homage in his 1984 cult film, Repo Man (both films include a crazed scientist driving around with a box of glowing radioactive material in the trunk), and Tarantino featured a suspiciously similar box of mysterious “whatsit” in Pulp Fiction.

Criterion’s transfer is excellent (although on the down side, the high definition does bring out the inherent graininess of the film). Extras include commentary from two noir historians, excerpts from two docs (one about screenwriter Bezzerides and the other a profile of Spillane) and a special tribute from the aforementioned Alex Cox.

Action, Adventure, Fantasy

Blu-ray reissue: Excalibur ***1/2

July 21, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 2, 2011)

Image result for excalibur 1981

Excalibur – Warner Bros. Blu-ray

Eclectic director John Boorman tried his hand at adventure-fantasy in this umpteenth version of the King Arthur legend, with varying results (mostly good). Although purists might see it as bit of a Cliff Notes take (and granted, there are some jarring jumps in the narrative), I think this is one case where style trumps substance.

Photographed in a gauzy, dreamlike haze (by Alex Thomson, who also shot Legend and Labyrinth), the film is buoyed by a marvelous cast, including Nigel Terry, Nicol Williamson, Gabriel Byrne, Liam Neeson, Patrick Stewart, and the great Helen Mirren (as a deliciously evil Morgana). One thing’s for sure-there’s much more sex and violence than previous versions of the Arthurian legend, and more emphasis on the darker aspects of the tale (like the incest, for example). Definitely not recommended for a double bill with The Sword in the Stone on family movie night, if you know what I’m saying.

Warner skimps on extras, but the Blu-ray transfer is excellent.

Conspiracy a-go-go, Show Biz, Thriller

Blu-ray reissue: Blow Out ****

July 21, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on July 2, 2011)

Blow Out – Criterion Collection Blu-ray

This 1981 thriller is one of Brian de Palma’s finest efforts. John Travolta stars as a sound man who works on schlocky horror films. While making a field recording of ambient nature sounds, he unexpectedly captures audio of a fatal car crash involving a political candidate, which may not have been an “accident”. The proof lies buried somewhere in his recording-which naturally becomes a coveted item by some dubious characters. His life begins to unravel synchronously with the secrets on his tape. The director employs an arsenal of influences (from Antonioni to Hitchcock), but succeeds in making this one his most “de Palma-esque” with some of the deftest set-pieces he’s ever done (particularly in the climax). Criterion has done this visual stunner proud with their Blu-ray. The extras include in-depth interviews with de Palma and co-star Nancy Allen.

Art world, Documentary

SIFF 2011: Shut Up Little Man! **1/2

July 20, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 4, 2011)

Matthew Bate’s Shut Up Little Man! An Audio Misadventure takes its title from a popular catchphrase among “audio verite” fans (a pre-internet network of collectors who circulated cassette tapes of bloopers, outtakes and other found sounds).

“Shut up, little man!” was an oft-repeated admonishment from a drunken gay gentleman, who used to scream it at his equally soused and verbally abusive homophobic roommate. Highlights from this odd couple’s nightly spats were captured for posterity via surreptitious recordings by their next-door neighbors, two pals who moved to San Francisco from the Midwest in the late 80s.

How these recordings made the journey from obscure collector’s circles to inspiration for plays, underground comics, music remixes and three competing film development projects (whilst the original “performers” remained oblivious) makes for a twisty tale, as well as a treatise on the inherently exploitative aspects of outsider art. While frequently discomfiting, it’s oddly…compelling.

60's Counterculture, Documentary, Drug Culture, Road Movie

SIFF 2011: Magic Trip ***1/2

July 20, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 4, 2011)

Magic Trip: Ken Kesey’s Search for a Kool Place is the latest from the prolific Alex Gibney, and a good companion piece to his 2008 doc Gonzo: The Life and Work of Hunter S. Thompson. If you’ve never read Tom Wolfe’s The Electric Kool-Aid Acid Test, this is the next best thing to “being there”. Waaay out “there”. We’re talking the original Magical Mystery Tour, the one that kicked off that disunited state of mind glibly referred to by those who were not “there” as The Sixties.

In 1964, author Ken Kesey, who had been involved with the infamous CIA-sponsored 1959 psychoactive drug research program at Stanford, assembled a group of friends (including hipster saint/speed freak Neal Cassady) for a cross-country bus trip/consciousness-raising experiment that would come to be known as the maiden voyage for the “Merry Pranksters”. Kesey was prescient enough to document the trip with hours of film and audio recordings, but never got around to organizing it all as a narrative.

Gibney proves himself up to the task; as well as connecting all the (micro) dots between the Beats, the Pranksters, Leary, the Dead and beyond (the beyond). It’s a fascinating new angle on a well-beaten path. BTW…I know what you Gen X-ers and Millennials are thinking: “Oh please god, not yet another documentary about the Boomers and their halcyon days!” But hey man, give this piece a chance.

Cult Movie, Romantic Comedy, Sci-Fi

SIFF 2011: Codependent Lesbian Space Alien Seeks Same **

July 20, 2015 Dennis Hartley Leave a comment

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 4, 2011)

Codependent Lesbian Space Alien Seeks Same is about as benign as a midnight movie gets. Sort of a mash-up of (a less funny) Clerks with Coneheads, it’s a wildly uneven and self-consciously campy affair that’s just endearing enough to make it tough to dislike. Writer-director Madeleine Olnek’s setup is clever; scientists on a distant planet theorize that the holes in their ozone are exacerbated by the disruptive vibes of lonely singles with too many “big feelings” (i.e. unrequited love). Their solution? Send the culprits to Earth, each with a directive to hook up with a human, who will of course break their heart and put them off of this silly love thing.

The story follows the travails of three of these exiles, one of whom ends up with a socially awkward NYC store clerk (Lisa Haas). There are some genuine laughs, particularly whenever Olnek hits on some universal truths about relationships, but I wish there had been more of that and much less of a subplot involving two “men in black” who engage in scene after scene of painfully unfunny banter (quite amateurishly acted, as well) that drags the film down. The good news is that Olnek does display enough of an assured hand to hint that better things could be on the way in future.