Tag Archives: 2014 Reviews

Seattle Jewish Film Festival 2014: Aftermath ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on February 22, 2014)

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This intense drama from writer-director Wladyslaw Pasikowski (which reminded me of the 1990 West German film, The Nasty Girl) concerns a Polish émigré (Ireneusz Czop) who makes a visit from the U.S. to his hometown for the first time in decades to attempt a reconciliation with his estranged brother (Maciej Stuhr). He quickly gleans that his brother (whose wife has recently left him) has become a pariah to neighboring farmers and many locals in the nearby village. After some reluctance, his brother shows him why: he’s been obsessively digging out head stones from local roads that were originally re-appropriated from a Jewish graveyard during WW2, converting his wheat field into a makeshift cemetery. Oddly, he’s also learning Hebrew (the brothers are non-Jews). Not unlike the protagonist in Field of Dreams, he can offer no rational explanation; “something” is compelling him to do it. It seems he’s also dredging up shameful memories among the village elders that they would prefer not to process. It is a powerfully acted treatise on secrets, lies…and collective guilt.

Blu-ray reissue: That Sinking Feeling ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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That SInking Feeling – BFI Blu-ray (Region “B”)

This relatively obscure, low-budget 1979 wonder marked the debut for quirky Scottish writer-director Bill Forsyth (Gregory’s Girl, Local Hero). Sort of a Glaswegian version of Big Deal on Madonna Street, it’s the story of an impoverished teenager, tired of eating cornflakes for breakfast, lunch and dinner, who comes up with a scheme to make him and his underemployed pals rich beyond their wildest dreams-knocking over a plumbing supply warehouse full of stainless steel sinks. Funny as hell, imbued with the director’s unique brand of low-key anarchy and a poignant undercurrent of working class Weltschmerz. BFI’s region “B” Blu-ray* is packed with extras, and sports the cleanest transfer I’ve seen of this previously hard-to-find gem (*please note that this region “B”-encoded disc requires a region-free Blu-ray player for playback).

Blu-ray reissue: Red River ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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Red River– Criterion Collection Blu-ray (box set)

John Wayne and Montgomery Clift couldn’t have been more disparate in their respective approaches to acting, but it is precisely this “oil and water” dynamic that makes the relationship between their characters so compelling in Howard Hawks’ classic western.

Wayne is perfect as a hard ass cattle rancher at loggerheads with his adopted son (Clift), who he feels is too “soft” and high-minded to be worthy of his legacy. It all comes to a head during a grueling, “make it or break it” cattle drive from Texas to Missouri, which turns into a sort of epic, land-locked version of Mutiny on the Bounty.

Outstanding direction, a smart script (by Borden Chase and Charles Schnee) and fabulous supporting performances from Walter Brennan, Coleen Gray and John Ireland (Ireland and Clift share a scene fraught with a surprising degree of homo-eroticism, especially considering that this was 1948).

Criterion’s Blu-ray edition features the rarely seen original theatrical release (Hawks’ preferred cut). Oddly enough, it turns out that the version we’ve seen on home video and cable all these years was the preview version (also included), which runs several minutes longer due to sporadic inter-titles, which are replaced by Walter Brennan’s narration in the theatrical cut. Image quality is superb.

Blu-ray reissue: Princess Mononoke ***1/2

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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Princess Mononoke – Disney Blu-Ray

I think it’s fair to say that anime master Hayao Miyazaki and his cohorts at Studio Ghibli have consistently raised the bar on the art form over the past several decades (that’s why I’m a little sad that Miazaki-san recently announced his retirement from directing). Disney studios have been s-l-o-w-l-y reissuing the Miyazaki catalog on Blu-ray. This 1997 Ghibli production is a welcome addition to high-def, as it is one of their most visually resplendent offerings. Perhaps not as “kid-friendly” as per usual, but most of the patented Miyazaki themes are present: humanism, white magic, beneficent forest gods, female empowerment, and pacifist angst in a ubiquitously violent world. The beautiful score is by frequent Miyazaki collaborator Joe Hisaishi.

Blu-ray reissue: The Long Goodbye ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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The Long Goodbye – Kino Video Blu-ray

If there is something vaguely familiar about the shambolic anti-hero of Robert Altman’s 1973 L.A. noir, it’s because he was clearly the inspiration for the protagonist in the Coen Brothers’ 1998 film, The Big Lebowski (at least that’s my theory). Granted, the “Dude” is a purely circumstantial “detective” who becomes embroiled in a complex mystery, and Philip Marlowe (Elliott Gould) is an actual shamus…who becomes embroiled in a complex mystery.

But both characters are wise asses, which tends to land them in hot water. Yet both also share a kind of Zen philosophy that helps them land on their feet. Gould’s Marlowe slouches his way through Altman’s slyly arch reinvention of the stock Raymond Chandler milieu with a bemused detachment, denoted by a shrug and a mumbled catchphrase that he repeats throughout the film (“It’s OK with me.”).

Leigh Brackett’s screenplay is rich in characterization; which is a good thing, because the plot is byzantine to the point of self-parody (which I’m sure was the intent). The great supporting cast includes Sterling Hayden, Nina van Pallandt and Henry Gibson. Director Mark Rydell (Cinderella Liberty, The Reivers, On Golden Pond) makes a rare acting appearance (and steals all his scenes) as a sadistic gangster.

Kino Video’s Blu-ray transfer, while on the grainy side, is still a marked improvement over MGM’s DVD. Extras include a session with Altman and Gould recalling the making of the film, and an interesting segment with the great cinematographer, Vilmos Zsigmond.

Blu-ray review: Jeff Beck Live in Tokyo ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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Jeff Beck Live in Tokyo – Eagle Vision Blu-ray

Who’s the coolest 70 year-old on the planet? My vote is for guitar virtuoso Jeff Beck, who just keeps improving with age. I’ve been playing guitar for over 40 years, and no matter how closely I study the man’s fingers, I am absolutely stymied as to how he wrestles those sounds from his axe. It’s some kind of alchemy that is beyond my ken. Eagle Vision’s Blu-ray captures a dynamic performance at the Tokyo Dome City Hall from April 2014. Beck glides effortlessly between genres, proving equally adept at blues, metal, fusion, jazz and funk (sometimes all within the same number). He also shows off his newest band, all chops players (as you would expect). It’s interesting to see him playing off a second guitarist (classical-leaning Nicolas Meier), which he hasn’t done in some time. Highlights include “A Day in the Life”, “Stratus”, and the achingly beautiful “Where Were You”. The disc has exemplary image and sound.

Blu-ray reissue: The Day the Earth Caught Fire ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

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The Day the Earth Caught Fire – BFI Blu-ray (Region “B” )

Written and directed by Val Guest, this cerebral mix of conspiracy a-go-go and sci-fi (from 1961) has always been a personal favorite of mine. Simultaneous nuclear testing by the U.S. and Soviets triggers an alarmingly rapid shift in the Earth’s climate. As London’s weather turns more tropical by the hour, a Daily Express reporter (Peter Stenning) begins to suspect that the British government is not being 100% forthcoming on the possible fate of the world. Along the way, Stenning has some steamy scenes with his love interest (sexy Janet Munro). The film is more noteworthy for its smart, snappy patter than its run-of-the-mill f/x, but still delivers a compelling narrative. Co-starring the great Leo McKern (who steals every scene he’s in).

The releasing studio is BFI, a UK-based reissue outfit that employs the same grade of high standards that Criterion has become known for here in the U.S., with meticulously restored prints and extras geared toward the film buff. Please note that this review is based on the region “B” release, so it requires a region-free Blu-ray player.

Blu-ray reissue: All That Jazz ****

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on December 6, 2014)

Image result for all that jazz 1979All That Jazz- Criterion Collection Blu-ray

“It’s show time, folks!” From its exhilarating opening montage of an ego-crushing chorus line casting call, fast-cut in perfect sync to George Benson’s pulsing cover of “On Broadway”, to its jaw-dropping finale, a Busby Berkeley-on-acid song and dance number with the Angel of Death presiding, writer-director Bob Fosse’s semi-autobiographical tale of a fast-living, dexy-dropping, chain-smoking, hotshot choreographer (Roy Scheider) is the best (and most audacious) film ever made regarding this business we call “show”. Scheider is riveting, and Ann Reinking and Ben Vereen are in top form as well. Wholly entertaining, but not for the faint of heart (and definitely not for the whole family…this ain’t exactly Singin’ in the Rain). Criterion’s Blu-ray edition features a new 4K transfer, and extras include fascinating archival interviews with Fosse.

Quick take: Finding Fela ***

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on September 6, 2014)

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The first 15 minutes or so of director Alex Gibney’s portrait of Nigerian music legend/political icon Fela Kuti teeters on becoming a parody of All That Jazz. Choreographer Bill T. Jones struts and frets upon the stage, rehearsing his company for a Broadway production of Fela! (it premiered back in 2009). Jones wrestles with how to convey the complexities of Kuti’s artistic, political and personal personas…while still retaining the catchy tunes and the jazz hands. However, just as you’re scratching your head and wondering if the real Fela will ever show up, he does; albeit in bits and pieces. With patience, you will grok the method to Gibney’s madness; he’s taking the tact that Al Pacino used in Looking for Richard; juxtaposing the theatrical with the historical to “find” his protagonist. While jarring at first, the theatrical framing makes more sense as the film progresses, functioning as a Greek chorus to bridge the archival snippets. While fans may not discover much that hasn’t already been revealed in previous documentaries, Gibney’s approach is fresh; bolstered by outstanding editing and slick production values.

Quick take: A Letter to Momo **

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on September 6, 2014)

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Here’s something you don’t see every day…a family-friendly anime fantasy from Japan that isn’t produced by Studio Ghibli. That being said, Hiroyuki Okiyura’s film plays a bit like a medley of Studio Ghibli’s greatest hits; sort of a “Stars on 45” conundrum (sure sounds like the real thing, yet makes you yearn to hear the original).

It’s a simple tale about a teenage girl named Momo who moves to an isolated island village with her widowed mother. Insular and slow to make new friends, Momo spends her time daydreaming and flipping through a box full of strange, antique picture books (“From the Edo era,” her great aunt tells her after offering to let her to peruse the collection at her leisure). Well, I needn’t tell you what happens once you start flipping through strange antique picture books from the Edo era…next thing you know, you’ve got a trio of goblins in your attic. They’re creepy, but they’re kooky. More significantly, they may give Momo closure on an unresolved issue regarding her late father.

The hand-drawn animation is lovely, but the story meanders and the mood vacillates too frequently between family melodrama and silly slapstick to sustain any kind of consistent tone. Still, there are some  touching moments; and younger kids might be more forgiving.